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Agnes Martin Tate Modern

25 images Created 4 Jun 2015

Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in

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  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 02.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 03.jpg
  • Untitled #8 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 18.jpg
  • Untitled 2004 (her last painting) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 22.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 01.jpg
  • Homage to Life 2003, Untitled 1959 (C) and Gratitude 2001 (R) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 12.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 15.jpg
  • Untitled 2002 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 17.jpg
  • Morning 1965 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 23.jpg
  • The Islands - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 05.jpg
  • Untitled 2004 (her last painting) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 21.jpg
  • Untitled #8 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 19.jpg
  • The Islands - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 04.jpg
  • Untitled 2004, her last drawing - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 09.jpg
  • Untitled 2002 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 16.jpg
  • Homage to Life 2003 (L), Untitled 1959, Gratitude 2001 and Untitled 2004 (R) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 14.jpg
  • The Islands - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 06.jpg
  • Morning 1965 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 24.jpg
  • Homage to Life 2003, Untitled 1959 (C) and Gratitude 2001 (R) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 11.jpg
  • Untitled #1, #14 and #12 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 08.jpg
  • Untitled #1 2003 and Untitled 2004 (her last painting) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 10.jpg
  • Untitled 1959 (C) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 13.jpg
  • Untitled #1, #14 and #12 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 07.jpg
  • Morning 1965 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 25.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 20.jpg
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