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Tate Duveen Commission 2015

32 images Created 23 Mar 2015

the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.

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  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • Tate Director Nicholas Serota shares a laugh with some guests - the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
  • the filters by Christina Mackie - a three-part installation for the annual Tate Britain Commission. This invites artists to make new work in response to the grand spaces of the Duveen Galleries. These have been transformed by a composition of 12-metre-high dipped silk nets suspended over pans of semi-crystallised dye, anchored to the floor by hand cast weights. Alongside this aerial network of ropes and colourful dyed silk is a vibrant yellow sculpture and a plinth displaying chunks of raw glass.
    Tate Duveen Commission 2015 GBPhotos...jpg
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