Show Navigation

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 25 images found }

Loading ()...

  • Morning 1965 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 23.jpg
  • Untitled #8 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 19.jpg
  • Homage to Life 2003, Untitled 1959 (C) and Gratitude 2001 (R) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 12.jpg
  • Untitled 2004, her last drawing - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 09.jpg
  • The Islands - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 06.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 02.jpg
  • Morning 1965 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 24.jpg
  • Untitled 2004 (her last painting) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 22.jpg
  • Untitled 2004 (her last painting) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 21.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 20.jpg
  • Untitled #8 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 18.jpg
  • Untitled 2002 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 17.jpg
  • Untitled 2002 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 16.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 15.jpg
  • Homage to Life 2003 (L), Untitled 1959, Gratitude 2001 and Untitled 2004 (R) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 14.jpg
  • Untitled 1959 (C) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 13.jpg
  • Homage to Life 2003, Untitled 1959 (C) and Gratitude 2001 (R) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 11.jpg
  • Untitled #1 2003 and Untitled 2004 (her last painting) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 10.jpg
  • Untitled #1, #14 and #12 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 08.jpg
  • Untitled #1, #14 and #12 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 07.jpg
  • The Islands - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 04.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 03.jpg
  • Morning 1965 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 25.jpg
  • The Islands - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 05.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 01.jpg
  • Facebook
  • Twitter
x

GBPhotos

  • Portfolio
  • Africa visit Diary
  • About
    • The Service
    • Mini Biog
  • Contact
  • Client Home Page
  • Client Tools
    • Your Galleries
    • Your Lightbox