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  • A view through Corinthos 1954-5  in the quarea room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 14.jpg
  • Pelagos 1946 (C) -Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 03.jpg
  • Figure of a Woman in the Carving room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 24.jpg
  • A view through Corinthos 1954-5  in the quarea room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 17.jpg
  • Sphere with inner form in the pavilion room.  Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 12.jpg
  • Oval Form in The Pavilion room.  Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 05.jpg
  • Pelagos 1946 (C) -Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 04.jpg
  • Anika Rice (in the international modernism room)  visits the show in preparation for a programme she will make - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 27.jpg
  • Figure of a Woman in the Carving room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 23.jpg
  • The Carvings room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 22.jpg
  • The Carvings room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 21.jpg
  • The Carvings room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 20.jpg
  • Garden Sculpture (Model for Meridian), Bronze, 1958 in the Pavilion room Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 18.jpg
  • Curved Form (Delphi) in The quarea room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 16.jpg
  • A view through Corinthos 1954-5  in the quarea room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 15.jpg
  • The quarea room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 13.jpg
  • Curved Form (Trevalgan) in the Pavilion room. Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 11.jpg
  • Garden Sculpture (Model for Meridian), Bronze, 1958 in the Pavilion room. Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 10.jpg
  • Garden Sculpture (Model for Meridian), Bronze, 1958 through Sphere with inner form in The Pavilion room. Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 09.jpg
  • Oval Form in The Pavilion room.  Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 08.jpg
  • Oval Form in The Pavilion room.  Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 07.jpg
  • Pelagos 1946 (C) -Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
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  • Anika Rice (behind Kneeling Figure) visits the show in preparation for a programme she will make - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
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  • The Carvings room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
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  • Maquette for Sculpture for Waterloo Bridge - never completed project. Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
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  • Oval Form in The Pavilion room.  Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
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  • Pelagos 1946 (C) -Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
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  • Figure (Sunion) by Dame Barbara Hepworth  - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Figure (Sunion) by Dame Barbara Hepworth  - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Figure (Sunion) by Dame Barbara Hepworth with First man by Dame Elisabeth Fink in the background  - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Two turning forms by Dame Barbara Hepworth with Bathing Hour by Lavery in the background - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Figure (Sunion) by Dame Barbara Hepworth with First man by Dame Elisabeth Fink in the background  - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Figure (Sunion) by Dame Barbara Hepworth with Upright Motive no 8 by Henry Moore  in the background - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Figure (Sunion) by Dame Barbara Hepworth with Upright Motive no 8 by Henry Moore  in the background - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Figure (Sunion) by Dame Barbara Hepworth with Upright Motive no 8 by Henry Moore  in the background - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Figure (Sunion) by Dame Barbara Hepworth with Upright Motive no 8 by Henry Moore  in the background - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Figure (Sunion) by Dame Barbara Hepworth with Upright Motive no 8 by Henry Moore  in the background - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Upright Motive no 8 by Henry Moore with another by Barbara Hepworth in the background - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Balanced Figure by Kenneth Armitage - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Intersection Point room as seen through the 'eye of Barbara hepworth's Two Forms - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
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  • A mill by  L.S. Lowry - eChristie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Enchanteresse by Allen Jones (estimate: £60,000-80,000, left) - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • L.S. Lowry, led by Coal Barge and others - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • L.S. Lowry, led by Coal Barge (R) and others - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • L.S. Lowry, led by Coal Barge and others, with First man by Dame Elisabeth Fink in the foreground - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • John Duncan Fergusson’s Poise, found in an attic in France - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • John Duncan Fergusson’s Poise, found in an attic in France - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Christies London unveils Open House 2014. A collection of over 100 'masterpieces' chosen by quality and not necessarily price. They will be offered for sale over the summer season of auctions and will be on display for free to the public until 17th June. Works include: An Egyptian painted limestone statue, ‘Sekhemka’, circa 2450-2300 (estimate: £4-6 million) and Figure for Landscape by Barbara Hepworth (pictured) are to star in a free, five-day curated exhibition. Christies, King St, London.
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  • Anthony Donaldson’s For Jim Clark (estimate: £60,000-80,000, left based on a photo of the British Formula one racing driver) - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Balanced Figure by Kenneth Armitage - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Spiral Assembly by Sir Terry Frost - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Anthony Donaldson’s For Jim Clark (estimate: £60,000-80,000, left based on a photo of the British Formula one racing driver) and Enchanteresse by Allen Jones (estimate: £60,000-80,000) - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
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  • Enchanteresse by Allen Jones (estimate: £60,000-80,000, left) - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
    Christies Modern British Art GBPhoto...jpg
  • L.S. Lowry, led by Coal Barge - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
    Christies Modern British Art GBPhoto...jpg
  • L.S. Lowry, led by Coal Barge and others - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
    Christies Modern British Art GBPhoto...jpg
  • John Duncan Fergusson’s Poise, found in an attic in France - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
    Christies Modern British Art GBPhoto...jpg
  • Artisitic Foot(wear) by Allen Jones - Christie’s Modern British and Irish Art Sale which will take place on 19 November 2014. Featuring 35 lots, the auction includes  examples of 20th century British sculpture and painting, such as: John Duncan Fergusson’s Poise (estimate: £80,000-120,000); six paintings by L.S. Lowry, led by Coal Barge (estimate: £700,000-1,000,000);  Euan Uglow’s masterpiece entitled Three In One (estimate: £500,000-800,000; Figure (Sunion) by Dame Barbara Hepworth (estimate: £600,000-800,000); and sculpture by leading artists of the genre including Henry Moore, Lynn Chadwick, Dame Elisabeth Frink, and Naum Gabo.
    Christies Modern British Art GBPhoto...jpg
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