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  • Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23607.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23605.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23595.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23526.jpg
  • JEAN DUBUFFET (1901-1985)<br />
Cote Chipote<br />
Painted in 1961.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23588.jpg
  • Spitfire Engine and Propeller with curators Bianca Chu and Alina Brezhneva (R) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 32.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 31.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 30.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 29.jpg
  • Spitfire Engine and Propeller - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 27.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 26.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 25.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 24.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 23.jpg
  • Intersection Point room as seen through the 'eye of Barbara hepworth's Two Forms - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 22.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 20.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 19.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 18.jpg
  • The Building Blocks room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 17.jpg
  • Holy Virgin Mary by Chris Ofili (est £1.5-2m) and Baga Shoulder Mask (Euro 1.5-2.5m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 16.jpg
  • Lenin by Andy Warhol (est £1.2-1.8m)  looks down on the new pop-up coffee shop in The (anti) Portrait room - - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 15.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 14.jpg
  • Napoleons hat and Death of Repubic Soldiers by Zeng Fanzhi (est £0.7-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 10.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 09.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 07.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 05.jpg
  • St Peters Sq by Luigi Gallandt (est £150-250k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 04.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street, London.
    Christies Curates GBPhotos 02.jpg
  • Two men working in a field by Francis Bacon (est £7-10m)- Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 03.jpg
  • Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 01.jpg
  • L.S. Lowry, Lytham Pier, 1945, estimate: £700,000-1,000,000 and another of his paintings - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 17.jpg
  • L.S. Lowry, Lytham Pier, 1945, estimate: £700,000-1,000,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 16.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl, <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23541.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23535.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23627.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23626.jpg
  • PABLO PICASSO (1881-1973)<br />
Homme à l’épée<br />
Painted on 25 July 1969<br />
Estimate on Request (in the region of $25 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23623.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23540.jpg
  • PAUL CÉZANNE (1839-1906)<br />
L'homme à la pipe (Étude pour un joueur de cartes)<br />
(recto ) drawn in 1890-1892 (verso )<br />
Estimate: $18,000,000-25,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23621.jpg
  • PAUL CÉZANNE (1839-1906)<br />
L'homme à la pipe (Étude pour un joueur de cartes)<br />
(recto ) drawn in 1890-1892 (verso )<br />
Estimate: $18,000,000-25,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23620.jpg
  • ALBERTO GIACOMETTI (1901-1966)<br />
Femme debout<br />
Conceived in 1956-1957 and cast by 1958<br />
Estimate: $4,000,000-6,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23619.jpg
  • A staff member takes a selfie in front of Four Marilyns by ANDY WARHOL (1928-1987)<br />
Painted in 1962.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23617.jpg
  • LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23609.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23608.jpg
  • Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23606.jpg
  • LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23604.jpg
  • LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23603.jpg
  • Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23601.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23538.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23537.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23594.jpg
  • PAUL CÉZANNE (1839-1906)<br />
Pommes sur un linge<br />
Painted circa 1885<br />
Estimate: $7,000,000-10,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23536.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23590.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23589.jpg
  • FRANCIS BACON (1909-1992)<br />
Studies for Portrait<br />
Painted in 1976.<br />
Estimate: $12,000,000-18,000,000 and JEAN DUBUFFET (1901-1985)<br />
Cote Chipote<br />
Painted in 1961.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23587.jpg
  • Peter Doig Cabin Essence, 1993-4 to be autioned in Frieze week - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23585.jpg
  • Peter Doig Cabin Essence, 1993-4 to be autioned in Frieze week - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23584.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 28.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 21.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 13.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 12.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 11.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 08.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 06.jpg
  • Nijinski Hare by Barry Flanagan, est £600-800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Sothebys British GBPhotos 42.jpg
  • Nijinski Hare by Barry Flanagan, est £600-800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Sothebys British GBPhotos 41.jpg
  • L.S. Lowry, Lytham Pier, 1945, estimate: £700,000-1,000,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 15.jpg
  • Pauline Boty, BUM, 1966, estimate: £200,000-300,000 and Sir Peter Blake, Little Lady Luck, 1965, estimate: £600,000-800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 14.jpg
  • Sir Peter Blake, Little Lady Luck, 1965, estimate: £600,000-800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 12.jpg
  • Sir Stanley Spencer, Beatitudes of Love 6: Consciousness, 1938, estimate: £1,300,000-1,800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 09.jpg
  • The White Canoe by Sir Alfred Munnings, est £500-700k - Christie’s preview exhibition of works from its upcoming British Impressionism Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 07.jpg
  • The Return of the Flock by Walter Osborne; est £200-300k - Christie’s preview exhibition of works from its upcoming British Impressionism Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 05.jpg
  • PABLO PICASSO (1881-1973)<br />
Homme à l’épée<br />
Painted on 25 July 1969<br />
Estimate on Request (in the region of $25 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23624.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23614.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23610.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23532.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23530.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23598.jpg
  • FRANCIS BACON (1909-1992)<br />
Studies for Portrait<br />
Painted in 1976.<br />
Estimate: $12,000,000-18,000,000 and JEAN DUBUFFET (1901-1985)<br />
Cote Chipote<br />
Painted in 1961.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23586.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23524.jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 10, 1958 (est: $45 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) -  Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Peter Doig, Swamped 1990, est $20-30m - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Peter Doig, Swamped 1990, est $20-30m - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Lucian Freud, Benefits of Supervisor Resting 1994, est $30-50m. Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Lucian Freud, Benefits of Supervisor Resting 1994, est $30-50m. Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Big Stone by David Hockney, est £700,000-1,000,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 13.jpg
  • Pauline Boty, BUM, 1966, estimate: £200,000-300,000 and Sir Peter Blake, Little Lady Luck, 1965, estimate: £600,000-800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 11.jpg
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