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  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 ( (Pictured). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 24.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000 (Pictured L); Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000. The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 26.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 30.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000. The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 28.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 18.jpg
  • Richard Noble, Head of the Department of Art at Goldsmiths - Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (Pictured). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 13.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 02.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 29.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 ( (Pictured). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 21.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (Pictured). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 16.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 17.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 Pictured). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 09.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spaced your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 08.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000 (Pictured L); Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000. The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 06.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000. The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 05.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 01.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 ( (Pictured). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 25.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 ( (Pictured). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 22.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 19.jpg
  • Richard Noble, Head of the Department of Art at Goldsmiths - Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (Pictured). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 14.jpg
  • Richard Noble, Head of the Department of Art at Goldsmiths - Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 12.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (Pictured). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 10.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 31.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 27.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (Pictured). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 15.jpg
  • Richard Noble, Head of the Department of Art at Goldsmiths - Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 11.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000. The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 04.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000 (pictured); and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000. The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 03.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 ( (Pictured). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 23.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 20.jpg
  • Works from alumni of the Goldsmiths will be offered at auction, at Christies,  in aid of a new gallery at Goldsmiths. These will include works by: Michael Craig-Martin (b. 1941) Untitled (light bulb), Acrylic on aluminium, 2014, Estimate: £18,000 - £22,000; Damien Hirst (b. 1965), Beautiful Spread your wings open your mind painting, Estimate: £150,000 - £200,000; and Sarah Lucas (b. 1962) Nahuiolin, Cast Bronze, 2013, Estimate: £120,000 - £180,000 (L to R). The new gallery is set to open in water tanks originally used for the Laurie Grove baths.
    Christies Goldsmiths YBA GBPhotos 07.jpg
  • The Kreutzer Stradivarius violin being played by Tamsin Waley-Cohen (violinist) ahead of it going on free public view in London from 10-14 May. Here with Kerry K. Kean, the Christies musical instruments specialist. The violin leads Christie’s New York sale of ‘An American Dynasty: The Clark Family Treasures’, on June 18th, and is estimated at between $7.5 and $10 million. The Stradivarius violin to be offered is a particularly fine example, which dates to circa 1731. Known as the Kreutzer, the instrument was named for Rodolphe Kreutzer (1766-1831), the great French violinist, who likely came into the possession of Kreutzer while he was conducting for the Theatre de Monsieur in Paris.  It would be the one violin that Kreutzer held most special to him and would retain it throughout his life. Antonio Stradivari is recognized as the greatest violinmaker in history. He is believed to have produced close to a thousand instruments during his time, of which approximately 650 survive today.
    GB10459.jpg
  • The Kreutzer Stradivarius violin being played by Tamsin Waley-Cohen (violinist) ahead of it going on free public view in London from 10-14 May. Here with Kerry K. Kean, the Christies musical instruments specialist. The violin leads Christie’s New York sale of ‘An American Dynasty: The Clark Family Treasures’, on June 18th, and is estimated at between $7.5 and $10 million. The Stradivarius violin to be offered is a particularly fine example, which dates to circa 1731. Known as the Kreutzer, the instrument was named for Rodolphe Kreutzer (1766-1831), the great French violinist, who likely came into the possession of Kreutzer while he was conducting for the Theatre de Monsieur in Paris.  It would be the one violin that Kreutzer held most special to him and would retain it throughout his life. Antonio Stradivari is recognized as the greatest violinmaker in history. He is believed to have produced close to a thousand instruments during his time, of which approximately 650 survive today.
    GB10457.jpg
  • Pauline Boty, BUM, 1966, estimate: £200,000-300,000 and Sir Peter Blake, Little Lady Luck, 1965, estimate: £600,000-800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 14.jpg
  • Spitfire Engine and Propeller with curators Bianca Chu and Alina Brezhneva (R) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 32.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 26.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 24.jpg
  • St Peters Sq by Luigi Gallandt (est £150-250k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 04.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street, London.
    Christies Curates GBPhotos 02.jpg
  • Two men working in a field by Francis Bacon (est £7-10m)- Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 03.jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • The Heart of the City by Harold Speed, est £50-80k - Christie’s preview exhibition of works from its upcoming British Impressionism Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 08.jpg
  • The Return of the Flock by Walter Osborne; est £200-300k - Christie’s preview exhibition of works from its upcoming British Impressionism Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 05.jpg
  • Spitfire Engine and Propeller - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 27.jpg
  • Intersection Point room as seen through the 'eye of Barbara hepworth's Two Forms - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 22.jpg
  • The Building Blocks room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 17.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 07.jpg
  • Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • L.S. Lowry, Lytham Pier, 1945, estimate: £700,000-1,000,000 and another of his paintings - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 17.jpg
  • L.S. Lowry, Lytham Pier, 1945, estimate: £700,000-1,000,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 16.jpg
  • Pauline Boty, BUM, 1966, estimate: £200,000-300,000 and Sir Peter Blake, Little Lady Luck, 1965, estimate: £600,000-800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 11.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 31.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 30.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 29.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 23.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 20.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 18.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 14.jpg
  • Napoleons hat and Death of Repubic Soldiers by Zeng Fanzhi (est £0.7-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 10.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 08.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 06.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 05.jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Lucian Freud, Benefits of Supervisor Resting 1994, est $30-50m. Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Big Stone by David Hockney, est £700,000-1,000,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 13.jpg
  • Sir Stanley Spencer, Beatitudes of Love 6: Consciousness, 1938, estimate: £1,300,000-1,800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 09.jpg
  • The White Canoe by Sir Alfred Munnings, est £500-700k - Christie’s preview exhibition of works from its upcoming British Impressionism Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 07.jpg
  • The White Canoe by Sir Alfred Munnings, est £500-700k - Christie’s preview exhibition of works from its upcoming British Impressionism Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 06.jpg
  • Sir George Clausen, Evening Song, estimate: £1,200,000-1,800,000 and other works - Christie’s preview exhibition of works from its upcoming British Impressionism Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 04.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 28.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 25.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 21.jpg
  • Holy Virgin Mary by Chris Ofili (est £1.5-2m) and Baga Shoulder Mask (Euro 1.5-2.5m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 16.jpg
  • Lenin by Andy Warhol (est £1.2-1.8m)  looks down on the new pop-up coffee shop in The (anti) Portrait room - - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 15.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 12.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 09.jpg
  • Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 01.jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) -  Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Peter Doig, Swamped 1990, est $20-30m - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Jean Dubuffet, Paris Polka 1961, est $25m - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Lucian Freud, Benefits of Supervisor Resting 1994, est $30-50m. Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • L.S. Lowry, Lytham Pier, 1945, estimate: £700,000-1,000,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 15.jpg
  • Sir Stanley Spencer, Beatitudes of Love 6: Consciousness, 1938, estimate: £1,300,000-1,800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 10.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 11.jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 10, 1958 (est: $45 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
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