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  • Doll Festival 1966 by Ushio Shinohara - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 42.jpg
  • Red Coat 1973 by Nichola L - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 03.jpg
  • Doll Festival 1966 by Ushio Shinohara (pictured - artist and boxer) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    _GB40213.jpg
  • Enfin silhouettes affinees jusqu'a la taille by Bernard Rancillac and God of War 1967-8 by Ulrike Offinger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 41.jpg
  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 40.jpg
  • Relative Mimetism 1973 by Dorothee Seiz (pictured) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 39.jpg
  • Group Portrait 1070  by Cornel Brudascu - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 38.jpg
  • The Pop Bodies Room - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 35.jpg
  • The New Jemima 1964 by Joe Overstreet - Enfin silhouettes affinees jusqu'a la taille by Bernard Rancillac - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 34.jpg
  • Kenedy Assanination 1968 by Joav Barel - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 33.jpg
  • Note on the Unforseen Death 1965 by Antonio Dias - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 32.jpg
  • Atomic Kiss 1968 by Joan Rabascall - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 31.jpg
  • Mao-Hope March 1966 by Oyvind Fahlstrom - Album the Red 1968-70 by Gerard Formanger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 29.jpg
  • Divine Proportion 1967 by Equipo Realidad - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 30.jpg
  • Album the Red 1968-70 by Gerard Formanger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 28.jpg
  • Bucan Art 1972 by Boris Bucan - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 27.jpg
  • Kenedy and Krusciov 1962 by Sergio Lombardo - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 26.jpg
  • - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 24.jpg
  • Friends 1971 by Kiki Kogelnik - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 23.jpg
  • Bez Buntu by Jeryz Ryszard Zielinski - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 18.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 15.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 14.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 13.jpg
  • Red Coat 1973 by Nichola L - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 11.jpg
  • Towards Communism on Lenin's Course 1967 by Dusan Otavesic and Interpretation Totem 1969 by Romanita Disconzi - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 08.jpg
  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 07.jpg
  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 06.jpg
  • The Pop Bodies Room - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 05.jpg
  • Mum and I by Marisol Escobar and Listen America by Raul Martinez - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 04.jpg
  • The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 01.jpg
  • Doll Festival 1966 by Ushio Shinohara (pictured - artist and boxer) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 36.jpg
  • Private Manifestation 1968 by Jozef Jankovic - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 25.jpg
  • Big Tears for Two 1963 by Erro and Machine No 7 by Shinkichi Tajiri - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 22.jpg
  • Machine No 7 by Shinkichi Tajiri - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 21.jpg
  • Machine No 7 by Shinkichi Tajiri (in front of Big Tears for Two 1963 by Erro) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 20.jpg
  • Machine No 7 by Shinkichi Tajiri (in front of Big Tears for Two 1963 by Erro) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 19.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 17.jpg
  • Red Coat 1973 by Nichola L - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 10.jpg
  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 09.jpg
  • Machine No 7 by Shinkichi Tajiri (in front of Big Tears for Two 1963 by Erro) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 02.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 16.jpg
  • Red Coat 1973 by Nichola L - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 12.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 40.jpg
  • The Pool of London, 1906, by Andre Derain - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 44.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 43.jpg
  • The Pool of London, 1906, by Andre Derain - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 42.jpg
  • On the Thames 1876 by James Tissot - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 39.jpg
  • The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 37.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 35.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 34.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 33.jpg
  • Charing Cross Bridge, 1906-7, by Andre Derain - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 31.jpg
  • Barges on the Thames and Charing Cross Bridge, 1906-7, by Andre Derain - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 30.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 29.jpg
  • Palm Sunday in Boulogne, 1872, by Jules Calou - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 28.jpg
  • Palm Sunday in Boulogne, 1872, by Jules Calou - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 27.jpg
  • French Peasant nursing a baby, 1873, by Jules Calou - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 25.jpg
  • French Peasant nursing a baby, 1873, by Jules Calou - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 24.jpg
  • French Peasant nursing a baby, 1873, by Jules Calou - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 23.jpg
  • Charing Cross Bridge, 1890 by Camille Pissarro - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 19.jpg
  • Charing Cross Bridge, 1890 by Camille Pissarro - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 18.jpg
  • Hyde Park, 1871 by Claude Monet - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 14.jpg
  • Kew Green, Rhododendron Dell, 1892 by Camille Pissarro - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 13.jpg
  • Kew Green, 1892 by Camille Pissarro - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 12.jpg
  • Holyday 1876 by James Tissot with other works - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 11.jpg
  • Holyday 1876 by James Tissot - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 10.jpg
  • Westminster 1878 by Giouseppe de Nittis - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 09.jpg
  • Westminster 1878 by Giouseppe de Nittis - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 08.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 06.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 05.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 41.jpg
  • The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 38.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 36.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 32.jpg
  • Hush-a-bye baby, 1875, by Jules Calou - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 26.jpg
  • French Peasant nursing a baby, 1873, by Jules Calou - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 22.jpg
  • Hush-a-bye baby, 1875, by Jules Calou - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 21.jpg
  • Hush-a-bye baby, 1875, by Jules Calou - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 20.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 17.jpg
  • Bank Holiday, 1892 by Camille Pissarro - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 16.jpg
  • Bank Holiday, 1892 by Camille Pissarro - The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018. London, UK 30 Oct 2017.
    Tate Impressionist GBPhotos 15.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 07.jpg
  • Paintings from Monet’s famous Houses of Parliament series –The EY Exhibition: Impressionists in London, French Artists in Exile (1870-1904) at Tate Britain. It brings together over 100 works by Impressionist artists in the first large-scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco-Prussian War. The exhibition runs from 2 November 2017 – 29 April 2018.
    Tate Impressionist GBPhotos 04.jpg
  • The Yellow Belt - The EY Exhibition: Picasso 1932 – Love, Fame, Tragedy a new exhibition at the Tate Modern.  It brings together over 100 works made by Pablo Picasso (1881–1973) during 1932, one of the most intensely creative periods in his life.
    Tate Picasso GBPhotos 55.jpg
  • Le Sculpteur - The EY Exhibition: Picasso 1932 – Love, Fame, Tragedy a new exhibition at the Tate Modern.  It brings together over 100 works made by Pablo Picasso (1881–1973) during 1932, one of the most intensely creative periods in his life.
    Tate Picasso GBPhotos 54.jpg
  • Seated Woman by a Window - The EY Exhibition: Picasso 1932 – Love, Fame, Tragedy a new exhibition at the Tate Modern.  It brings together over 100 works made by Pablo Picasso (1881–1973) during 1932, one of the most intensely creative periods in his life.
    Tate Picasso GBPhotos 45.jpg
  • The Coq and The Dream 1932 - The EY Exhibition: Picasso 1932 – Love, Fame, Tragedy a new exhibition at the Tate Modern.  It brings together over 100 works made by Pablo Picasso (1881–1973) during 1932, one of the most intensely creative periods in his life.
    Tate Picasso GBPhotos 26.jpg
  • Nude Woman in Red Armchair - The EY Exhibition: Picasso 1932 – Love, Fame, Tragedy a new exhibition at the Tate Modern.  It brings together over 100 works made by Pablo Picasso (1881–1973) during 1932, one of the most intensely creative periods in his life.
    Tate Picasso GBPhotos 21.jpg
  • The three final works - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames (pictured): Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 02.jpg
  • The room devoted to his works on Venice - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 35.jpg
  • Death of Actaeon - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 32.jpg
  • Modern Rome -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation (pictured) ; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 30.jpg
  • Ancient and Modern Rome -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation (pictured) ; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 29.jpg
  • Watercolour palette and spectacles - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 25.jpg
  • Death of Actaeon (L) - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 22.jpg
  • Death of Actaeon (C) - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 21.jpg
  • Peace: Burial at sea, Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 18.jpg
  • War:Excile and the rock, Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 16.jpg
  • Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 09.jpg
  • Bamborough Castle - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years (pictured); Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 08.jpg
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