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  • ‘Great Britain’ 1995-7– Dumas’s powerful double portrait of Princess Diana and Naomi Campbell - A new exhibition of paintings by Marlene Dumas at the Tate Modern opens on 5th Feb. It is one of the most significant displays of her work ever to be held in Europe, bringing together over 100 of her most important and iconic figurative paintings from throughout her career. The three key items/sets are:  ‘Great Britain’ – Dumas’s powerful double portrait of Princess Diana and Naomi Campbell, on loan from a private collection; A group of Dumas’s iconic large-scale portraits, including friends, family, figures from history and celebrities such as Amy Winehouse; ‘Rejects’ – a huge grid of 40 powerful black-and-white portrait paintings which Dumas has created over twenty years.
    Tate Marlene Dumas GBPhotos 05.jpg
  • ‘Great Britain’ 1995-7– Dumas’s powerful double portrait of Princess Diana and Naomi Campbell - A new exhibition of paintings by Marlene Dumas at the Tate Modern opens on 5th Feb. It is one of the most significant displays of her work ever to be held in Europe, bringing together over 100 of her most important and iconic figurative paintings from throughout her career. The three key items/sets are:  ‘Great Britain’ – Dumas’s powerful double portrait of Princess Diana and Naomi Campbell, on loan from a private collection; A group of Dumas’s iconic large-scale portraits, including friends, family, figures from history and celebrities such as Amy Winehouse; ‘Rejects’ – a huge grid of 40 powerful black-and-white portrait paintings which Dumas has created over twenty years.
    Tate Marlene Dumas GBPhotos 23.jpg
  • ‘Great Britain’ 1995-7– Dumas’s powerful double portrait of Princess Diana and Naomi Campbell - A new exhibition of paintings by Marlene Dumas at the Tate Modern opens on 5th Feb. It is one of the most significant displays of her work ever to be held in Europe, bringing together over 100 of her most important and iconic figurative paintings from throughout her career. The three key items/sets are:  ‘Great Britain’ – Dumas’s powerful double portrait of Princess Diana and Naomi Campbell, on loan from a private collection; A group of Dumas’s iconic large-scale portraits, including friends, family, figures from history and celebrities such as Amy Winehouse; ‘Rejects’ – a huge grid of 40 powerful black-and-white portrait paintings which Dumas has created over twenty years.
    Tate Marlene Dumas GBPhotos 21.jpg
  • ‘Great Britain’ 1995-7– Dumas’s powerful double portrait of Princess Diana and Naomi Campbell - A new exhibition of paintings by Marlene Dumas at the Tate Modern opens on 5th Feb. It is one of the most significant displays of her work ever to be held in Europe, bringing together over 100 of her most important and iconic figurative paintings from throughout her career. The three key items/sets are:  ‘Great Britain’ – Dumas’s powerful double portrait of Princess Diana and Naomi Campbell, on loan from a private collection; A group of Dumas’s iconic large-scale portraits, including friends, family, figures from history and celebrities such as Amy Winehouse; ‘Rejects’ – a huge grid of 40 powerful black-and-white portrait paintings which Dumas has created over twenty years.
    Tate Marlene Dumas GBPhotos 22.jpg
  • ‘Great Britain’ 1995-7– Dumas’s powerful double portrait of Princess Diana and Naomi Campbell - A new exhibition of paintings by Marlene Dumas at the Tate Modern opens on 5th Feb. It is one of the most significant displays of her work ever to be held in Europe, bringing together over 100 of her most important and iconic figurative paintings from throughout her career. The three key items/sets are:  ‘Great Britain’ – Dumas’s powerful double portrait of Princess Diana and Naomi Campbell, on loan from a private collection; A group of Dumas’s iconic large-scale portraits, including friends, family, figures from history and celebrities such as Amy Winehouse; ‘Rejects’ – a huge grid of 40 powerful black-and-white portrait paintings which Dumas has created over twenty years.
    Tate Marlene Dumas GBPhotos 20.jpg
  • ‘Great Britain’ 1995-7 – Dumas’s powerful double portrait of Princess Diana and Naomi Campbell (with Magdalena to the R) - A new exhibition of paintings by Marlene Dumas at the Tate Modern opens on 5th Feb. It is one of the most significant displays of her work ever to be held in Europe, bringing together over 100 of her most important and iconic figurative paintings from throughout her career. The three key items/sets are:  ‘Great Britain’ – Dumas’s powerful double portrait of Princess Diana and Naomi Campbell, on loan from a private collection; A group of Dumas’s iconic large-scale portraits, including friends, family, figures from history and celebrities such as Amy Winehouse; ‘Rejects’ – a huge grid of 40 powerful black-and-white portrait paintings which Dumas has created over twenty years.
    Tate Marlene Dumas GBPhotos 06.jpg
  • ‘Great Britain’ 1995-7– Dumas’s powerful double portrait of Princess Diana and Naomi Campbell - A new exhibition of paintings by Marlene Dumas at the Tate Modern opens on 5th Feb. It is one of the most significant displays of her work ever to be held in Europe, bringing together over 100 of her most important and iconic figurative paintings from throughout her career. The three key items/sets are:  ‘Great Britain’ – Dumas’s powerful double portrait of Princess Diana and Naomi Campbell, on loan from a private collection; A group of Dumas’s iconic large-scale portraits, including friends, family, figures from history and celebrities such as Amy Winehouse; ‘Rejects’ – a huge grid of 40 powerful black-and-white portrait paintings which Dumas has created over twenty years.
    Tate Marlene Dumas GBPhotos 03.jpg
  • ‘Great Britain’ 1995-7– Dumas’s powerful double portrait of Princess Diana and Naomi Campbell (with a small portrait of Amy Winehouse in the background) - A new exhibition of paintings by Marlene Dumas at the Tate Modern opens on 5th Feb. It is one of the most significant displays of her work ever to be held in Europe, bringing together over 100 of her most important and iconic figurative paintings from throughout her career. The three key items/sets are:  ‘Great Britain’ – Dumas’s powerful double portrait of Princess Diana and Naomi Campbell, on loan from a private collection; A group of Dumas’s iconic large-scale portraits, including friends, family, figures from history and celebrities such as Amy Winehouse; ‘Rejects’ – a huge grid of 40 powerful black-and-white portrait paintings which Dumas has created over twenty years.
    Tate Marlene Dumas GBPhotos 01.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 02.jpg
  • Joining hands for Auld Lang Syne. The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 32.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 28.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 24.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 17.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo (pictured), the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 16.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall (pictured). PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 15.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall (pictured). PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 13.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall (pictured). PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 11.jpg
  • Joining hands for Auld Lang Syne. The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 33.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 31.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 30.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 29.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 27.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 26.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 25.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo (pictured), the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 23.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 22.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 20.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 21.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 19.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 18.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo (pictured), the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 14.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo  (pictured), the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall (pictured). PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 12.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo  (pictured), the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall (pictured). PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 10.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo (pictured), the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 08.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 07.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 06.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 05.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall and •	Janine Jansen (violin, blue dress, pictured). PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 04.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall and •	Janine Jansen (violin, blue dress, pictured). PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 03.jpg
  • The Last Night of the BBC Proms at the Royal Albert Hall, London -  With the usual wide range of popular music including - a Mary Poppins medley, Ol Man River, the Sabre Dance, Rule Britannia, Pomp and Circumstance and Jerusalem. Performed by conductor, Sakari Oramo, the BBC Symphony Orchestra, Chorus and Singers with soloists including Ruthie Henshall. PRESS ASSOCIATION Photo. Picture date: Saturday September 13, 2014. Photo credit should read: Guy Bell/PA Wire
    Last night of the Proms 01.jpg
  • The Bremont Great War Display team simulate aerial combat in replica World War 1 planes - Duxford Battle of Britain Air Show at the Imperial War Museum. Also commemorating the 50th anniversary of the 1969 Battle of Britain film. It runs on Saturday 21 & Sunday 22 September 2019
    IWM Duxford 19 GBPhotos 084.jpg
  • The Bremont Great War Display team simulate aerial combat in replica World War 1 planes - Duxford Battle of Britain Air Show at the Imperial War Museum. Also commemorating the 50th anniversary of the 1969 Battle of Britain film. It runs on Saturday 21 & Sunday 22 September 2019
    IWM Duxford 19 GBPhotos 083.jpg
  • The Bremont Great War Display team simulate aerial combat in replica World War 1 planes - Duxford Battle of Britain Air Show at the Imperial War Museum. Also commemorating the 50th anniversary of the 1969 Battle of Britain film. It runs on Saturday 21 & Sunday 22 September 2019
    IWM Duxford 19 GBPhotos 082.jpg
  • The Bremont Great War Display team simulate aerial combat in replica World War 1 planes - Duxford Battle of Britain Air Show at the Imperial War Museum. Also commemorating the 50th anniversary of the 1969 Battle of Britain film. It runs on Saturday 21 & Sunday 22 September 2019
    IWM Duxford 19 GBPhotos 080.jpg
  • The Bremont Great War Display team simulate aerial combat in replica World War 1 planes - Duxford Battle of Britain Air Show at the Imperial War Museum. Also commemorating the 50th anniversary of the 1969 Battle of Britain film. It runs on Saturday 21 & Sunday 22 September 2019
    IWM Duxford 19 GBPhotos 079.jpg
  • The Bremont Great War Display team simulate aerial combat in replica World War 1 planes - Duxford Battle of Britain Air Show at the Imperial War Museum. Also commemorating the 50th anniversary of the 1969 Battle of Britain film. It runs on Saturday 21 & Sunday 22 September 2019
    IWM Duxford 19 GBPhotos 078.jpg
  • The Bremont Great War Display team simulate aerial combat in replica World War 1 planes - Duxford Battle of Britain Air Show at the Imperial War Museum. Also commemorating the 50th anniversary of the 1969 Battle of Britain film. It runs on Saturday 21 & Sunday 22 September 2019
    IWM Duxford 19 GBPhotos 081.jpg
  • Queen Victoria by AEdward onslow Ford and Alfred Gilbert - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 and Peacock 1873 by Paul Comolera - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 and Peacock 1873 by Paul Comolera - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Dame Alice Owen 1897 by George Frampton and Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Dame Alice Owen 1897 by George Frampton and Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Queen Victoria by AEdward onslow Ford and Alfred Gilbert - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Queen Victoria by AEdward onslow Ford and Alfred Gilbert - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Acrobats.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10230.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Large Composition with Masks.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10226.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Large Composition with Masks.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10224.jpg
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