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  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 14.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 11.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 15.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 13.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 12.jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 26.jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 30.jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 29.jpg
  • Jeremy Deller, The Battle of Orgreave Archive (an injury to one is an injury to all), 2001 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 27.jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 23.jpg
  • Francis Danby, The Deluge, 1840 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 21.jpg
  • Jeremy Deller, The Battle of Orgreave Archive (an injury to one is an injury to all), 2001 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 20.jpg
  • Jeremy Deller, The Battle of Orgreave Archive (an injury to one is an injury to all), 2001 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 18.jpg
  • James Barry, King Lear weeping over the dead body of Cordelia, 1786 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 16.jpg
  • Dexter Dalwood’s The Poll Tax Riots  - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 09.jpg
  • Philip James de Loutherbourg’s The Battle of the Nile 1800 with Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 08.jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 05.jpg
  • John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 04.jpg
  • John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 03.jpg
  • John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 02.jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 28.jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 25.jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 22.jpg
  • Jeremy Deller, The Battle of Orgreave Archive (an injury to one is an injury to all), 2001 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 19.jpg
  • James Barry, King Lear weeping over the dead body of Cordelia, 1786 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 17.jpg
  • Dexter Dalwood’s The Poll Tax Riots  - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 10.jpg
  • Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 07.jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 06.jpg
  • John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 01.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 34.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 30.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 29.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 23.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 12.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 10.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 06.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 02.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 36.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 35.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 33.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 32.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 31.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 28.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 27.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 19.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 08.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
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  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 04.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 03.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 01.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 22.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 13.jpg
  • History Is Now - a new exhibition  at Hayward Gallery. It has been curated by 7 leading British artists - John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson. History Is Now is the first historical show in an UK arts institution, curated by contemporary artists, which focuses specifically on British post-war history. The artists have chosen to explore a wide range of subjects from the BSE crisis to the women protesters at Greenham Common. Highlights include: A decommissioned Bristol Bloodhound Missile on the Hayward Gallery terraces; the historical Festival of Britain Mural by key British art figure Ben Nicholson, on its first return to the Southbank Centre site since the 50s; and iconic works by leading contemporary British artists, including Damien Hirst's Formaldehyde Cow heads and Richard Hamilton's The State,1993. The exhibition will run from 9 February - 26 April 2015 on the Southbank, London.
    Hayward Gallery GBPhotos 05.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 19.jpg
  • Victoria Herridge, an NHM expert explains Lyuba to James Ward. Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10697.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 02.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 31.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 30.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 29.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 28.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 26.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 25.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 24.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 21.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 23.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 22.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 20.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 18.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 17.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 16.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 13.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 14.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 12.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 09.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 07.jpg
  • The World’s most complete Stegosaurus fossil goes on permanent display in front of the Museum’s iconic earth globe - At 560 centimetres long and 290 centimetres tall, similar in size to a 4x4 vehicle, the 150 million year old has over 300 bones. It is also the first complete dinosaur specimen to go on display at the Natural History Museum in nearly 100 years. It goes on permanent public display from 4 December 2014.
    Stegosaurus NHM GBPhotos 05.jpg
  • Ingrid Verwood and Mao Ishiguron look at Lyuba. Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10679.jpg
  • Victoria Herridge, an NHM expert explains Lyuba to James Ward. Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10695.jpg
  • Victoria Herridge, an NHM expert looks at Lyuba. Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10694.jpg
  • Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10693.jpg
  • Erin Verwood, Kyan Perera, Ingrid Verwood and Mao Ishiguron try out picking up sticks with mechanical replicas of the mammoths trunks. Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10692.jpg
  • Beatriz Mendes looks up at a life size model of an adult. Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10690.jpg
  • Beatriz Mendes and James Ward look up at a life size model of an adult. Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10685.jpg
  • Beatriz Mendes and James Ward look up at a life size model of an adult. Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10686.jpg
  • Beatriz Mendes looks up at a life size model of an adult. Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10684.jpg
  • Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10683.jpg
  • Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10682.jpg
  • Ingrid Verwood and Mao Ishiguron look at Lyuba. Mammoths: Ice Age Giants at the Natural History Museum (opens 23 May 2014)<br />
It includes huge fossils and life-size models of mammoths and their relatives tower above you and meet Lyuba, the world’s most complete mammoth, as she takes centre stage in the exhibition for her first appearance in western Europe. She is the star of the show, a baby woolly mammoth discovered in Russia’s Yamal Peninsula of Siberia in May 2007. She died around 42,000 years ago at just one month old. Her body was buried in wet clay and mud which then froze, preserving it until she was found by reindeer herder Yuri Khudi and his sons, as they were searching for wood along the frozen Yuribei River thousands of years later. The exhibition also includes some of the best-known species, from the infamous woolly mammoth and the spiral-tusked Columbian mammoth to their island-dwelling relative the dwarf mammoth. South Kensington, London.
    GB10680.jpg
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