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  • VIsitors look down as The Rt Hon Maria Miller MP, the Secretary of State for Culture, Media and Sport, Euisun Chung, vice chairman, Hyundai and Nicholas Serota, Director, Tate announce a new 11 year sponsorship deal with Hyundai for the newly reopened Turbine Hall. The announcement coincides with the completion of a new, high level, bridge across the space joining it to the new wing, which will open to the public in 2016. The Tate Modern, London, UK 20 January 2014.
    GB9059.jpg
  • The Rt Hon Maria Miller MP, the Secretary of State for Culture, Media and Sport, Euisun Chung, vice chairman, Hyundai and Nicholas Serota, Director, Tate announce a new 11 year sponsorship deal with, South Korean, Hyundai for the newly reopened Turbine Hall. The announcement coincides with the completion of a new, high level, bridge across the space joining it to the new wing (which can be seen through port holes on the low level bridge), which will open to the public in 2016. The Tate Modern, London, UK 20 January 2014.
    SentGB9065.jpg
  • The Rt Hon Maria Miller MP, the Secretary of State for Culture, Media and Sport, Euisun Chung, vice chairman, Hyundai and Nicholas Serota, Director, Tate announce a new 11 year sponsorship deal with Hyundai for the newly reopened Turbine Hall. The announcement coincides with the completion of a new, high level, bridge (pictured) across the space joining it to the new wing, which will open to the public in 2016. The Tate Modern, London, UK 20 January 2014.
    SentGB9055.jpg
  • The Rt Hon Maria Miller MP (C), the Secretary of State for Culture, Media and Sport, Euisun Chung (R), vice chairman, Hyundai and Nicholas Serota (L), Director, Tate announce a new 11 year sponsorship deal with Hyundai for the newly reopened Turbine Hall. The announcement coincides with the completion of a new, high level, bridge across the space joining it to the new wing, which will open to the public in 2016. The Tate Modern, London, UK 20 January 2014.
    SentGB9057.jpg
  • The Rt Hon Maria Miller MP (C), the Secretary of State for Culture, Media and Sport, Euisun Chung (R), vice chairman, Hyundai and Nicholas Serota (L), Director, Tate announce a new 11 year sponsorship deal with Hyundai for the newly reopened Turbine Hall. The announcement coincides with the completion of a new, high level, bridge across the space joining it to the new wing, which will open to the public in 2016. The Tate Modern, London, UK 20 January 2014.
    SentGB9052.jpg
  • The Rt Hon Maria Miller MP (C), the Secretary of State for Culture, Media and Sport, Euisun Chung (R), vice chairman, Hyundai and Nicholas Serota (L), Director, Tate announce a new 11 year sponsorship deal with Hyundai for the newly reopened Turbine Hall. The announcement coincides with the completion of a new, high level, bridge across the space joining it to the new wing, which will open to the public in 2016. The Tate Modern, London, UK 20 January 2014.
    SentGB9051.jpg
  • The Rt Hon Maria Miller MP (C), the Secretary of State for Culture, Media and Sport, Euisun Chung (R), vice chairman, Hyundai and Nicholas Serota (L), Director, Tate announce a new 11 year sponsorship deal with Hyundai for the newly reopened Turbine Hall. The announcement coincides with the completion of a new, high level, bridge across the space joining it to the new wing, which will open to the public in 2016. The Tate Modern, London, UK 20 January 2014.
    SentGB9047.jpg
  • The Rt Hon Maria Miller MP, the Secretary of State for Culture, Media and Sport, Euisun Chung, vice chairman, Hyundai and Nicholas Serota, Director, Tate announce a new 11 year sponsorship deal with, South Korean, Hyundai for the newly reopened Turbine Hall. The announcement coincides with the completion of a new, high level, bridge across the space joining it to the new wing (which can be seen through port holes on the low level bridge), which will open to the public in 2016. The Tate Modern, London, UK 20 January 2014.
    GB9069.jpg
  • The Rt Hon Maria Miller MP, the Secretary of State for Culture, Media and Sport, Euisun Chung, vice chairman, Hyundai and Nicholas Serota, Director, Tate announce a new 11 year sponsorship deal with Hyundai for the newly reopened Turbine Hall. The announcement coincides with the completion of a new, high level, bridge across the space joining it to the new wing (which can be seen through port holes on the low level bridge), which will open to the public in 2016. The Tate Modern, London, UK 20 January 2014.
    GB9063.jpg
  • The Rt Hon Maria Miller MP (C), the Secretary of State for Culture, Media and Sport, Euisun Chung (R), vice chairman, Hyundai and Nicholas Serota (L), Director, Tate announce a new 11 year sponsorship deal with Hyundai for the newly reopened Turbine Hall. The announcement coincides with the completion of a new, high level, bridge across the space joining it to the new wing, which will open to the public in 2016. The Tate Modern, London, UK 20 January 2014.
    GB9046.jpg
  • The Rt Hon Maria Miller MP (C), the Secretary of State for Culture, Media and Sport, Euisun Chung (R), vice chairman, Hyundai and Nicholas Serota (L), Director, Tate announce a new 11 year sponsorship deal with Hyundai for the newly reopened Turbine Hall. The announcement coincides with the completion of a new, high level, bridge across the space joining it to the new wing, which will open to the public in 2016. The Tate Modern, London, UK 20 January 2014.
    SentGB9058.jpg
  • A giant saw blade is used as a gong in an installation exploring noise - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 20.jpg
  • A giant saw blade is used as a gong in an installation exploring noise - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 19.jpg
  • The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 14.jpg
  • A silent disco is filmed for later use in an installation piece - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 10.jpg
  • The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 08.jpg
  • People peel oranges and then drink the juice from the cored fruit at the Groundnut Table - in a traditional West African method. The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology.
    Tate Turbine Festival GBPhotos 26.jpg
  • People peel oranges and then drink the juice from the cored fruit at the Groundnut Table - in a traditional West African method. The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology.
    Tate Turbine Festival GBPhotos 24.jpg
  • People peel oranges and then drink the juice from the cored fruit at the Groundnut Table - in a traditional West African method. The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology.
    Tate Turbine Festival GBPhotos 23.jpg
  • People peel oranges and then drink the juice from the cored fruit at the Groundnut Table - in a traditional West African method. The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology.
    Tate Turbine Festival GBPhotos 22.jpg
  • A giant saw blade is used as a gong in an installation exploring noise - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 21.jpg
  • A giant saw blade is used as a gong in an installation exploring noise - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 18.jpg
  • A giant saw blade is used as a gong in an installation exploring noise - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 17.jpg
  • A giant saw blade is used as a gong in an installation exploring noise - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 16.jpg
  • The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 15.jpg
  • The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 13.jpg
  • A silent disco is filmed for later use in an installation piece - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 11.jpg
  • The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 09.jpg
  • The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 07.jpg
  • The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 05.jpg
  • The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 04.jpg
  • Performers with pineapples on their heads iteract with visitors in the cafe - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 03.jpg
  • Performers with pineapples on their heads iteract with visitors in the cafe - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 02.jpg
  • People peel oranges and then drink the juice from the cored fruit at the Groundnut Table - in a traditional West African method. The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology.
    Tate Turbine Festival GBPhotos 27.jpg
  • People peel oranges and then drink the juice from the cored fruit at the Groundnut Table - in a traditional West African method. The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology.
    Tate Turbine Festival GBPhotos 25.jpg
  • The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 12.jpg
  • The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 06.jpg
  • Performers with pineapples on their heads iteract with visitors in the cafe - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 01.jpg
  • Seung-taek Lee Earth Play, 1979–89, Gallery Hyundai - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23749.jpg
  • Seung-taek Lee Earth Play, 1979–89, Gallery Hyundai - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23751.jpg
  • Seung-taek Lee Earth Play, 1979–89, Gallery Hyundai - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23748.jpg
  • The Hyundai Commission 2016: Philippe Parreno (Pictured) in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33872.jpg
  • Olive, aged 3, with her fish she named Veronica - The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33835.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33818.jpg
  • Olive, aged 3, with her fish she named Veronica - The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33869.jpg
  • The sound and light are opretated by the response of bacteria in this jar to stimulation - The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33868.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33863.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33859.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33858.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33857.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33852.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33851.jpg
  • The Hyundai Commission 2016: Philippe Parreno (Pictured) in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33849.jpg
  • The Hyundai Commission 2016: Philippe Parreno (Pictured) in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33844.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33843.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33842.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33841.jpg
  • Olive, aged 3, with her mum and her fish she named Veronica - The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33839.jpg
  • Olive, aged 3, with her fish she named Veronica - The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33837.jpg
  • Olive, aged 3, with her fish she named Veronica - The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33834.jpg
  • Olive, aged 3, with her fish she named Veronica - The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33832.jpg
  • Olive, aged 3, with her fish she named Veronica - The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33830.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33828.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33825.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33815.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33811.jpg
  • The Hyundai Commission 2016: Philippe Parreno (pictured) in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33810.jpg
  • The Hyundai Commission 2016: Philippe Parreno (pictured) in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33804.jpg
  • The Hyundai Commission 2016: Philippe Parreno (pictured) in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33802.jpg
  • The Hyundai Commission 2016: Philippe Parreno (pictured) in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33800.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33798.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33797.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33796.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33795.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33861.jpg
  • The Hyundai Commission 2016: Philippe Parreno (Pictured) in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33850.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33829.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33823.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33821.jpg
  • The Hyundai Commission 2016: Philippe Parreno (pictured) in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33820.jpg
  • The Hyundai Commission 2016: Philippe Parreno (pictured) in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33808.jpg
  • The Hyundai Commission 2016: Philippe Parreno in Tate Modern’s Turbine Hall runs from 4 October 2016 to 2 April 2017. Philippe Parreno. Parreno is a French artist who creates kaleidoscopic environments and choreographed spaces, in which a series of unique events and experiences unfold. A key artist of his generation, his work uses sound, light, film, sculpture and technology.
    GB33793.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23742.jpg
  • Jesse Wine Let me entertain you, 2015, Limoncello - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23737.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23733.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23729.jpg
  • Gary Webb<br />
Dreamy Bathroom, 2014, The Approach - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23723.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23744.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23740.jpg
  • Jesse Wine Let me entertain you, 2015, Limoncello - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23739.jpg
  • Gary Webb<br />
Dreamy Bathroom, 2014, The Approach - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23717.jpg
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