Show Navigation

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 606 images found }

Loading ()...

  • Phillip King with Genghis Khan 1963 Painted plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 37.jpg
  • Phillip King with Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 20.jpg
  • Collecting the Guns after the salute - The King’s Troop Royal Horse Artillery fire celebratory a Royal Salute at 1pm on Saturday 2nd June to mark the Coronation Day.
    Guards Rehearsal GBPhotos 77.jpg
  • Firing the salute - The King’s Troop Royal Horse Artillery fire celebratory a Royal Salute at 1pm on Saturday 2nd June to mark the Coronation Day.
    Guards Rehearsal GBPhotos 72.jpg
  • Arriving in Green Park and depositing the guns - The King’s Troop Royal Horse Artillery fire celebratory a Royal Salute at 1pm on Saturday 2nd June to mark the Coronation Day.
    Guards Rehearsal GBPhotos 70.jpg
  • Nijinski Hare by Barry Flanagan, est £600-800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Sothebys British GBPhotos 42.jpg
  • Nijinski Hare by Barry Flanagan, est £600-800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Sothebys British GBPhotos 41.jpg
  • L.S. Lowry, Lytham Pier, 1945, estimate: £700,000-1,000,000 and another of his paintings - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 17.jpg
  • L.S. Lowry, Lytham Pier, 1945, estimate: £700,000-1,000,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 16.jpg
  • Sir Stanley Spencer, Beatitudes of Love 6: Consciousness, 1938, estimate: £1,300,000-1,800,000 - Christie’s preview exhibition of works from its upcoming Modern British & Irish Art Evening Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 09.jpg
  • The Return of the Flock by Walter Osborne; est £200-300k - Christie’s preview exhibition of works from its upcoming British Impressionism Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 05.jpg
  • The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42579.jpg
  • The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42571.jpg
  • The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42567.jpg
  • The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42566.jpg
  • The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42562.jpg
  • The guns are hooked up to the carriages again and led out of the park - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42559.jpg
  • The guns are hooked up to the carriages again and led out of the park - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42549.jpg
  • The guns are hooked up to the carriages again and led out of the park - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42550.jpg
  • The guns are hooked up to the carriages again and led out of the park - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42546.jpg
  • The guns are hooked up to the carriages again and led out of the park - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42545.jpg
  • The guns are hooked up to the carriages again and led out of the park - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42543.jpg
  • The guns are hooked up to the carriages again and led out of the park - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42538.jpg
  • The guns are hooked up to the carriages again and led out of the park - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42542.jpg
  • The guns are hooked up to the carriages again and led out of the park - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42534.jpg
  • Smoke clouds th epark as the salute is fired - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42523.jpg
  • Smoke clouds th epark as the salute is fired - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42521.jpg
  • Smoke clouds th epark as the salute is fired - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42520.jpg
  • Smoke clouds th epark as the salute is fired - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42516.jpg
  • The gun carriage horses are led away and the guns wait for noon - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42504.jpg
  • The gun carriage horses are led away and the guns wait for noon - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42498.jpg
  • The gun carriage horses are led away and the guns wait for noon - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42496.jpg
  • The gun carriage horses are led away and the guns wait for noon - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42492.jpg
  • The troop enters Green Park and galops to action - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42483.jpg
  • The troop enters Green Park and galops to action - The King’s Troop Royal Horse Artillery (KTRHA), the ceremonial saluting battery of Her Majesty’s Household Division, fire a 41-gun Royal Salute in honour of His Royal Highness The Prince of Wales’s 69th birthday. 71 horses pulling six First World War-era 13-pounder Field Guns came into action from in the park halfway down Constitution Hill.  Each of the guns fired blank artillery rounds at ten-second intervals. London 14 Nov 2017
    GB42479.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl, <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23541.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23535.jpg
  • PABLO PICASSO (1881-1973)<br />
Homme à l’épée<br />
Painted on 25 July 1969<br />
Estimate on Request (in the region of $25 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23623.jpg
  • PAUL CÉZANNE (1839-1906)<br />
L'homme à la pipe (Étude pour un joueur de cartes)<br />
(recto ) drawn in 1890-1892 (verso )<br />
Estimate: $18,000,000-25,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23620.jpg
  • ALBERTO GIACOMETTI (1901-1966)<br />
Femme debout<br />
Conceived in 1956-1957 and cast by 1958<br />
Estimate: $4,000,000-6,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23619.jpg
  • A staff member takes a selfie in front of Four Marilyns by ANDY WARHOL (1928-1987)<br />
Painted in 1962.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23617.jpg
  • LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23609.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23608.jpg
  • Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23607.jpg
  • Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23606.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23605.jpg
  • LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23603.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23538.jpg
  • RENÉ MAGRITTE (1898-1967)<br />
Le miroir universel<br />
signed 'Magritte'<br />
Painted in 1938-1939<br />
Estimate: $3,000,000-5,000,000Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23597.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23537.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23595.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23594.jpg
  • PAUL CÉZANNE (1839-1906)<br />
Pommes sur un linge<br />
Painted circa 1885<br />
Estimate: $7,000,000-10,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23536.jpg
  • FRANCIS BACON (1909-1992)<br />
Studies for Portrait Painted in 1976.<br />
Estimate: $12,000,000-18,000,000Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23528.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23589.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23526.jpg
  • JEAN DUBUFFET (1901-1985)<br />
Cote Chipote<br />
Painted in 1961.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23588.jpg
  • Peter Doig Cabin Essence, 1993-4 to be autioned in Frieze week - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23585.jpg
  • Peter Doig Cabin Essence, 1993-4 to be autioned in Frieze week - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23584.jpg
  • The first finger is manouvered to be bolted on to its weighted plinth, watched by tourists on buses- The installation of Mexican artist Rivelino’s 25-ton, 14.5 meter long sculpture You, in King Charles Island in Trafalgar Square. It is the first in a series of high-profile unveilings of contemporary Mexican sculpture across the capital this September, coinciding with the celebratory Dual Year of UK and Mexico 2015 (mexicouk2015.mx). In this case  “two index fingers, equal in weight, colour and size point towards each other in commanding fashion. Intended as a reflection on human equality, the two pointing fingers are seen from afar as distinct entities; but through engaging in the intervening space between the fingers, the viewer opens up a dialogue of inclusivity. “
    Rivelino You GBPhotos 27.jpg
  • The first finger is manouvered to be bolted on to its weighted plinth - The installation of Mexican artist Rivelino’s 25-ton, 14.5 meter long sculpture You, in King Charles Island in Trafalgar Square. It is the first in a series of high-profile unveilings of contemporary Mexican sculpture across the capital this September, coinciding with the celebratory Dual Year of UK and Mexico 2015 (mexicouk2015.mx). In this case  “two index fingers, equal in weight, colour and size point towards each other in commanding fashion. Intended as a reflection on human equality, the two pointing fingers are seen from afar as distinct entities; but through engaging in the intervening space between the fingers, the viewer opens up a dialogue of inclusivity. “
    Rivelino You GBPhotos 25.jpg
  • The artist with scale models of the sculpture -  The installation of Mexican artist Rivelino’s 25-ton, 14.5 meter long sculpture You, in King Charles Island in Trafalgar Square. It is the first in a series of high-profile unveilings of contemporary Mexican sculpture across the capital this September, coinciding with the celebratory Dual Year of UK and Mexico 2015 (mexicouk2015.mx). In this case  “two index fingers, equal in weight, colour and size point towards each other in commanding fashion. Intended as a reflection on human equality, the two pointing fingers are seen from afar as distinct entities; but through engaging in the intervening space between the fingers, the viewer opens up a dialogue of inclusivity. “
    Rivelino You GBPhotos 24.jpg
  • The first finger is manouvered to be bolted on to its weighted plinth - The installation of Mexican artist Rivelino’s 25-ton, 14.5 meter long sculpture You, in King Charles Island in Trafalgar Square. It is the first in a series of high-profile unveilings of contemporary Mexican sculpture across the capital this September, coinciding with the celebratory Dual Year of UK and Mexico 2015 (mexicouk2015.mx). In this case  “two index fingers, equal in weight, colour and size point towards each other in commanding fashion. Intended as a reflection on human equality, the two pointing fingers are seen from afar as distinct entities; but through engaging in the intervening space between the fingers, the viewer opens up a dialogue of inclusivity. “
    Rivelino You GBPhotos 22.jpg
  • The first finger is manouvered to be bolted on to its weighted plinth - The installation of Mexican artist Rivelino’s 25-ton, 14.5 meter long sculpture You, in King Charles Island in Trafalgar Square. It is the first in a series of high-profile unveilings of contemporary Mexican sculpture across the capital this September, coinciding with the celebratory Dual Year of UK and Mexico 2015 (mexicouk2015.mx). In this case  “two index fingers, equal in weight, colour and size point towards each other in commanding fashion. Intended as a reflection on human equality, the two pointing fingers are seen from afar as distinct entities; but through engaging in the intervening space between the fingers, the viewer opens up a dialogue of inclusivity. “
    Rivelino You GBPhotos 21.jpg
  • The first finger is manouvered to be bolted on to its weighted plinth - The installation of Mexican artist Rivelino’s 25-ton, 14.5 meter long sculpture You, in King Charles Island in Trafalgar Square. It is the first in a series of high-profile unveilings of contemporary Mexican sculpture across the capital this September, coinciding with the celebratory Dual Year of UK and Mexico 2015 (mexicouk2015.mx). In this case  “two index fingers, equal in weight, colour and size point towards each other in commanding fashion. Intended as a reflection on human equality, the two pointing fingers are seen from afar as distinct entities; but through engaging in the intervening space between the fingers, the viewer opens up a dialogue of inclusivity. “
    Rivelino You GBPhotos 16.jpg
  • The first finger is manouvered to be bolted on to its weighted plinth - The installation of Mexican artist Rivelino’s 25-ton, 14.5 meter long sculpture You, in King Charles Island in Trafalgar Square. It is the first in a series of high-profile unveilings of contemporary Mexican sculpture across the capital this September, coinciding with the celebratory Dual Year of UK and Mexico 2015 (mexicouk2015.mx). In this case  “two index fingers, equal in weight, colour and size point towards each other in commanding fashion. Intended as a reflection on human equality, the two pointing fingers are seen from afar as distinct entities; but through engaging in the intervening space between the fingers, the viewer opens up a dialogue of inclusivity. “
    Rivelino You GBPhotos 15.jpg
  • The first finger is manouvered to be bolted on to its weighted plinth - The installation of Mexican artist Rivelino’s 25-ton, 14.5 meter long sculpture You, in King Charles Island in Trafalgar Square. It is the first in a series of high-profile unveilings of contemporary Mexican sculpture across the capital this September, coinciding with the celebratory Dual Year of UK and Mexico 2015 (mexicouk2015.mx). In this case  “two index fingers, equal in weight, colour and size point towards each other in commanding fashion. Intended as a reflection on human equality, the two pointing fingers are seen from afar as distinct entities; but through engaging in the intervening space between the fingers, the viewer opens up a dialogue of inclusivity. “
    Rivelino You GBPhotos 07.jpg
  • The first finger is manouvered to be bolted on to its weighted plinth - The installation of Mexican artist Rivelino’s 25-ton, 14.5 meter long sculpture You, in King Charles Island in Trafalgar Square. It is the first in a series of high-profile unveilings of contemporary Mexican sculpture across the capital this September, coinciding with the celebratory Dual Year of UK and Mexico 2015 (mexicouk2015.mx). In this case  “two index fingers, equal in weight, colour and size point towards each other in commanding fashion. Intended as a reflection on human equality, the two pointing fingers are seen from afar as distinct entities; but through engaging in the intervening space between the fingers, the viewer opens up a dialogue of inclusivity. “
    Rivelino You GBPhotos 08.jpg
  • The first finger is manouvered to be bolted on to its weighted plinth - The installation of Mexican artist Rivelino’s 25-ton, 14.5 meter long sculpture You, in King Charles Island in Trafalgar Square. It is the first in a series of high-profile unveilings of contemporary Mexican sculpture across the capital this September, coinciding with the celebratory Dual Year of UK and Mexico 2015 (mexicouk2015.mx). In this case  “two index fingers, equal in weight, colour and size point towards each other in commanding fashion. Intended as a reflection on human equality, the two pointing fingers are seen from afar as distinct entities; but through engaging in the intervening space between the fingers, the viewer opens up a dialogue of inclusivity. “
    Rivelino You GBPhotos 06.jpg
  • The installation of Mexican artist Rivelino’s 25-ton, 14.5 meter long sculpture You, in King Charles Island in Trafalgar Square. It is the first in a series of high-profile unveilings of contemporary Mexican sculpture across the capital this September, coinciding with the celebratory Dual Year of UK and Mexico 2015 (mexicouk2015.mx). In this case  “two index fingers, equal in weight, colour and size point towards each other in commanding fashion. Intended as a reflection on human equality, the two pointing fingers are seen from afar as distinct entities; but through engaging in the intervening space between the fingers, the viewer opens up a dialogue of inclusivity. “
    Rivelino You GBPhotos 02.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 31.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 30.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 29.jpg
  • Spitfire Engine and Propeller - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 27.jpg
  • Intersection Point room as seen through the 'eye of Barbara hepworth's Two Forms - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 22.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 20.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 18.jpg
  • The Building Blocks room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 17.jpg
  • Lenin by Andy Warhol (est £1.2-1.8m)  looks down on the new pop-up coffee shop in The (anti) Portrait room - - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 15.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 14.jpg
  • Napoleons hat and Death of Repubic Soldiers by Zeng Fanzhi (est £0.7-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 10.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 09.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 07.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 05.jpg
  • Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 01.jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 10, 1958 (est: $45 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Peter Doig, Swamped 1990, est $20-30m - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Lucian Freud, Benefits of Supervisor Resting 1994, est $30-50m. Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Collecting the Guns after the salute - The King’s Troop Royal Horse Artillery fire celebratory a Royal Salute at 1pm on Saturday 2nd June to mark the Coronation Day.
    Guards Rehearsal GBPhotos 79.jpg
  • Collecting the Guns after the salute - The King’s Troop Royal Horse Artillery fire celebratory a Royal Salute at 1pm on Saturday 2nd June to mark the Coronation Day.
    Guards Rehearsal GBPhotos 78.jpg
  • Collecting the Guns after the salute - The King’s Troop Royal Horse Artillery fire celebratory a Royal Salute at 1pm on Saturday 2nd June to mark the Coronation Day.
    Guards Rehearsal GBPhotos 76.jpg
  • Preparing to leave - The King’s Troop Royal Horse Artillery fire celebratory a Royal Salute at 1pm on Saturday 2nd June to mark the Coronation Day.
    Guards Rehearsal GBPhotos 75.jpg
Next
  • Facebook
  • Twitter
x

GBPhotos

  • Portfolio
  • About
    • The Service
    • Mini Biog
  • Contact
  • Client Home Page
  • Client Tools
    • Your Galleries
    • Your Lightbox