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  • Trailfinders undiscovered Latin America Garden - Press preview day at The RHS Chelsea Flower Show.
    Chelsea Flower Show GBPhotos 112.jpg
  • Trailfinders undiscovered Latin America Garden - Press preview day at The RHS Chelsea Flower Show.
    Chelsea Flower Show GBPhotos 111.jpg
  • Tate Modern launches its Mira Schendel exhibition. It is the first 'full scale survey of one of Latin America's post war artists. Here a viewer standing in the installation Graphic Objects, 'delicate drawings on rice paper combined with clear acrylic. It will run from 25 Sep to 19 Jan. London, UK.
    SentGB8079.jpg
  • Tate Modern launches its Mira Schendel exhibition. It is the first 'full scale survey of one of Latin America's post war artists. Here Untitled (All) 1960-65.
    SentGB8073.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró43.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró39.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró37.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró26.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró23.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró21.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró15.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró09.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró03.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró02.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró42.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró41.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró40.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró38.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró36.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró35.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró34.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró33.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró32.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró31.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró30.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró29.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró27.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró25.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró24.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró20.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series (pictured) “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró19.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series (pictured) “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró18.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series (pictured) “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró17.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró16.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró14.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró13.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró12.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró11.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró07.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró06.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró05.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró04.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró01.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series (pictured), of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró28.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró. Highlights include: an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró22.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró10.jpg
  • Departure, the first UK solo exhibition of artist Xavier Mascaró (pictured). Highlights include: Departure (pictured) an installation of boats made from bronze and iron “which are evocative of long-forgotten shipwrecks”; iron portraits of a young woman from the Eleonora series “reminiscent of the profiles on ancient coins”; delicate metal works “resembling votive figures from his Idols series”; and his Guardians series, of 10 feet high rusted iron warriors “inspired by medieval armour and ancient Egyptian and Greek art”.  The latter being the first outdoor installation by the Gallery since moving to Chelsea. The show runs from 3 September until 5th October at The Saatchi Gallery, Chelsea, London. 01 September 2014.
    Departure Xavier Mascaró08.jpg
  • Doll Festival 1966 by Ushio Shinohara - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 42.jpg
  • Pilton, Somerset, UK. 29th June 2019.. A latin jazz brass band play on a banstand - The 2019 Glastonbury Festival, Worthy Farm. Glastonbury.
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  • Enfin silhouettes affinees jusqu'a la taille by Bernard Rancillac and God of War 1967-8 by Ulrike Offinger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 41.jpg
  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Relative Mimetism 1973 by Dorothee Seiz (pictured) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Group Portrait 1070  by Cornel Brudascu - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • The Pop Bodies Room - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • The New Jemima 1964 by Joe Overstreet - Enfin silhouettes affinees jusqu'a la taille by Bernard Rancillac - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Kenedy Assanination 1968 by Joav Barel - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Note on the Unforseen Death 1965 by Antonio Dias - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Mao-Hope March 1966 by Oyvind Fahlstrom - Album the Red 1968-70 by Gerard Formanger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Divine Proportion 1967 by Equipo Realidad - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Album the Red 1968-70 by Gerard Formanger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Bucan Art 1972 by Boris Bucan - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Kenedy and Krusciov 1962 by Sergio Lombardo - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Private Manifestation 1968 by Jozef Jankovic - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Friends 1971 by Kiki Kogelnik - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Machine No 7 by Shinkichi Tajiri (in front of Big Tears for Two 1963 by Erro) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Machine No 7 by Shinkichi Tajiri (in front of Big Tears for Two 1963 by Erro) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Bez Buntu by Jeryz Ryszard Zielinski - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Red Coat 1973 by Nichola L - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Red Coat 1973 by Nichola L - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Towards Communism on Lenin's Course 1967 by Dusan Otavesic and Interpretation Totem 1969 by Romanita Disconzi - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • The Pop Bodies Room - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Mum and I by Marisol Escobar and Listen America by Raul Martinez - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Red Coat 1973 by Nichola L - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
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  • Georg Braun & Franz Hogenberg: Londinium Feracissmi Angliae Regni Metropolis - Published in Braun & Hogenberg’s book Civitates Orbis Terrarum, 1572, London is depicted in bird’s-eye view from the south looking north. Above the plan is the title in Latin flanked by the royal and the City of London’s arms.  ‘Mapping London’ exhibition as part of the Totally Thames Festival - It is the work of Daniel Crouch Rare Books and includes London maps spanning over 500 years. It includes the earliest map of London ever printed from the 16th century, right up to maps from the present day, such as Stephen Walter’s 2012 creation ‘Subterranea’, showing the sewers, tubes, underground rivers and burial grounds that lie under the city.
    Mapping London Totally Thames GBPhot...jpg
  • Georg Braun & Franz Hogenberg: Londinium Feracissmi Angliae Regni Metropolis - Published in Braun & Hogenberg’s book Civitates Orbis Terrarum, 1572, London is depicted in bird’s-eye view from the south looking north. Above the plan is the title in Latin flanked by the royal and the City of London’s arms.  ‘Mapping London’ exhibition as part of the Totally Thames Festival - It is the work of Daniel Crouch Rare Books and includes London maps spanning over 500 years. It includes the earliest map of London ever printed from the 16th century, right up to maps from the present day, such as Stephen Walter’s 2012 creation ‘Subterranea’, showing the sewers, tubes, underground rivers and burial grounds that lie under the city.
    Mapping London Totally Thames GBPhot...jpg
  • Georg Braun & Franz Hogenberg: Londinium Feracissmi Angliae Regni Metropolis - Published in Braun & Hogenberg’s book Civitates Orbis Terrarum, 1572, London is depicted in bird’s-eye view from the south looking north. Above the plan is the title in Latin flanked by the royal and the City of London’s arms.  ‘Mapping London’ exhibition as part of the Totally Thames Festival - It is the work of Daniel Crouch Rare Books and includes London maps spanning over 500 years. It includes the earliest map of London ever printed from the 16th century, right up to maps from the present day, such as Stephen Walter’s 2012 creation ‘Subterranea’, showing the sewers, tubes, underground rivers and burial grounds that lie under the city.
    Mapping London Totally Thames GBPhot...jpg
  • Doll Festival 1966 by Ushio Shinohara (pictured - artist and boxer) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    _GB40213.jpg
  • Doll Festival 1966 by Ushio Shinohara (pictured - artist and boxer) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 36.jpg
  • Atomic Kiss 1968 by Joan Rabascall - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 31.jpg
  • Big Tears for Two 1963 by Erro and Machine No 7 by Shinkichi Tajiri - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 22.jpg
  • Machine No 7 by Shinkichi Tajiri - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 21.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 17.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 16.jpg
  • Red Coat 1973 by Nichola L - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 12.jpg
  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 09.jpg
  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 06.jpg
  • Machine No 7 by Shinkichi Tajiri (in front of Big Tears for Two 1963 by Erro) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 02.jpg
  • Georg Braun & Franz Hogenberg: Londinium Feracissmi Angliae Regni Metropolis - Published in Braun & Hogenberg’s book Civitates Orbis Terrarum, 1572, London is depicted in bird’s-eye view from the south looking north. Above the plan is the title in Latin flanked by the royal and the City of London’s arms.  ‘Mapping London’ exhibition as part of the Totally Thames Festival - It is the work of Daniel Crouch Rare Books and includes London maps spanning over 500 years. It includes the earliest map of London ever printed from the 16th century, right up to maps from the present day, such as Stephen Walter’s 2012 creation ‘Subterranea’, showing the sewers, tubes, underground rivers and burial grounds that lie under the city.
    Mapping London Totally Thames GBPhot...jpg
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