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  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Acrobats.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10230.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Large Composition with Masks.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10226.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Large Composition with Masks.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10224.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Blue Nude.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10195.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Blue Nude.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10206.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Blue Nude.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10203.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Blue Nude.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10198.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Blue Nude.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10204.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10252.jpg
  • The Sheaf and Acanthus. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10240.jpg
  • Interior with Black Fern. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10251.jpg
  • Nuit de Noel - stained glass. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10243.jpg
  • Large Composition with Masks. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10222.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10218.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10215.jpg
  • Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10191.jpg
  • Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10253.jpg
  • Ivy In Flower. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10235.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10221.jpg
  • Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10210.jpg
  • Blue Nude and sculpture Reclining Nude. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10246.jpg
  • The Parakeet and the Mermaid. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10227.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10254.jpg
  • The Sheaf and Acanthus and Nuit de Noel - stained glass. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10244.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10216.jpg
  • Pale Blue Window. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10208.jpg
  • The Snail. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10238.jpg
  • Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10213.jpg
  • Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10211.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 13.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 36.jpg
  • Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 29.jpg
  • Jazz, Matisse Cut-outs behind Yves Klein tables Bleu and Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 21.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 18.jpg
  • Jazz, Matisse Cut-outs behind Yves Klein tables Bleu and Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 20.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 35.jpg
  • Jazz, Matisse Cut-outs behind Yves Klein tables Bleu and Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 19.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 12.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 25.jpg
  • Jazz, Matisse Cut-outs behind Yves Klein table Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 22.jpg
  • Jazz, Matisse Cut-outs behind Yves Klein table Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 23.jpg
  • Odalisque couchee aux magnolias, 1923, by Henri Matisse, est on request but over $50m - Christie’s unveil an exhibition of touring highlights from the Collection of Peggy and David Rockefeller, ahead of the New York sales (w/c 7 May).  they will be on public view in London from 21 February to 8 March.
    Christies Preview GBPhotos 19.jpg
  • Yves Klein tables Bleu and Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 30.jpg
  • Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 17.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m (and here   his La Seine a Argenteuil est £7m   - pictured); a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10894.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; Kingdom of Heaven by Damien Hirst  (pictured); and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10892.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; Deaths Heads by Rosemarie Trockel (pictured);and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10867.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol (here his Dollar Sign, est£3m - pictured) and Richter. Sotheby’s, New Bond Street, London.
    GB10846.jpg
  • Sotheby’s London Exhibition of Sale Highlights from the Forthcoming Major New York Auctions of Contemporary and Impressionist and Modern Art, including exceptional Diamonds from Geneva. The auctions will include: $25-35 million masterpiece by Gerhard Richter; Major works by Matisse and Léger never before offered at auction; a Claude Monet painting offered from the Metropolitan Museum, New York; a Giacometti sculpture; The “Graff Vivid Yellow”  -  At 100.09 carats, one of the rarest yellow diamonds of its size (est. $15-25 million); The Victory Diamond   (pictured) - A 31.34-carat diamond named to commemorate the Allied Victory in World War II ($5-8 million); and one of the world’s largest known round brilliant-cut diamonds weighing 103.46 carats (est. $3.5-5 million). They will take place in New York and Geneva 11-15 April 2014. Sotheby’s, New Bond St, London, UK.
    Sothebys Preview GBPhotos 12.jpg
  • Odalisque couchee aux magnolias, 1923, by Henri Matisse, est on request but over $50m - Christie’s unveil an exhibition of touring highlights from the Collection of Peggy and David Rockefeller, ahead of the New York sales (w/c 7 May).  they will be on public view in London from 21 February to 8 March.
    Christies Preview GBPhotos 14.jpg
  • Budda by David Mach - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 27.jpg
  • Valauris by Pablo Picasso in front of March 55 by Ben Nicholson - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 26.jpg
  • Sting’s Steinway Grand Piano - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 16.jpg
  • Sting’s Steinway Grand Piano on a Paul Smith swirl carpet - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 15.jpg
  • Sting’s Steinway Grand Piano - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 08.jpg
  • Sting’s Steinway Grand Piano on a Paul Smith swirl carpet - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 07.jpg
  • Sting’s Steinway Grand Piano on a Paul Smith swirl carpet - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 06.jpg
  • Sting’s Steinway Grand Piano on a Paul Smith swirl carpet - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 04.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    Swan Upping 045.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; work by Damiaan Hirst  (pictured left with work by Cindy Sherman); and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10880.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; Untitled by Yves Klein  (pictured); and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10872.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso  (here his Portraitt de Femme - est £4m, pictured), Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10876.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; Woman with Head Bandage by Alexej Jawlenskey (pictured); and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10875.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol (here his Diamond Dust shoes - pictured) and Richter. Sotheby’s, New Bond Street, London.
    GB10870.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m (and here   his La Seine a Argenteuil est £7m   - pictured); a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10865.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m (and here - R-  his La Seine a Argenteuil est £7m with works of Manet (L) and Sisley etc  - pictured); a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10862.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m (pictured); a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10859.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m (pictured); and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10857.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m (pictured); and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10855.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol (here his Dollar Sign, est£3m - pictured) and Richter. Sotheby’s, New Bond Street, London.
    GB10845.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m (pictured); a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10838.jpg
  • Christies London unveils Open House 2014. A collection of over 100 'masterpieces' chosen by quality and not necessarily price. They will be offered for sale over the summer season of auctions and will be on display for free to the public until 17th June. Works include: An Egyptian painted limestone statue, ‘Sekhemka’, circa 2450-2300 (estimate: £4-6 million) and L'artiste et le modèle nu, 1921,  by Henri Matisse (estimate: £7-10 million - pictured) are to star in a free, five-day curated exhibition. Christies, King St, London.
    GB10829.jpg
  • Sotheby’s London Exhibition of Sale Highlights from the Forthcoming Major New York Auctions of Contemporary and Impressionist and Modern Art, including exceptional Diamonds from Geneva. The auctions will include: $25-35 million masterpiece by Gerhard Richter; Major works by Matisse and Léger never before offered at auction; a Claude Monet  - Le Pont japonais $12-18m (pictured); a Giacometti sculpture; The “Graff Vivid Yellow”  -  At 100.09 carats, one of the rarest yellow diamonds of its size (est. $15-25 million); The Victory Diamond - A 31.34-carat diamond named to commemorate the Allied Victory in World War II ($5-8 million); and one of the world’s largest known round brilliant-cut diamonds weighing 103.46 carats (est. $3.5-5 million). They will take place in New York and Geneva 11-15 April 2014. Sotheby’s, New Bond St, London, UK.
    Sothebys Preview GBPhotos 16.jpg
  • Sotheby’s London Exhibition of Sale Highlights from the Forthcoming Major New York Auctions of Contemporary and Impressionist and Modern Art, including exceptional Diamonds from Geneva. The auctions will include: $25-35 million masterpiece by Gerhard Richter; Major works by Matisse and Léger never before offered at auction; a Claude Monet painting offered from the Metropolitan Museum, New York; a Giacometti sculpture; The “Graff Vivid Yellow”  -  At 100.09 carats, one of the rarest yellow diamonds of its size (est. $15-25 million); The Victory Diamond   (pictured) - A 31.34-carat diamond named to commemorate the Allied Victory in World War II ($5-8 million); and one of the world’s largest known round brilliant-cut diamonds weighing 103.46 carats (est. $3.5-5 million). They will take place in New York and Geneva 11-15 April 2014. Sotheby’s, New Bond St, London, UK.
    Sothebys Preview GBPhotos 15.jpg
  • Sotheby’s London Exhibition of Sale Highlights from the Forthcoming Major New York Auctions of Contemporary and Impressionist and Modern Art, including exceptional Diamonds from Geneva. The auctions will include: $25-35 million masterpiece by Gerhard Richter; Major works by Matisse and Léger never before offered at auction; a Claude Monet painting offered from the Metropolitan Museum, New York; a Giacometti sculpture; The “Graff Vivid Yellow”  -  At 100.09 carats, one of the rarest yellow diamonds of its size (est. $15-25 million); The Victory Diamond   (pictured) - A 31.34-carat diamond named to commemorate the Allied Victory in World War II ($5-8 million); and one of the world’s largest known round brilliant-cut diamonds weighing 103.46 carats (est. $3.5-5 million). They will take place in New York and Geneva 11-15 April 2014. Sotheby’s, New Bond St, London, UK.
    Sothebys Preview GBPhotos 13.jpg
  • Sotheby’s London Exhibition of Sale Highlights from the Forthcoming Major New York Auctions of Contemporary and Impressionist and Modern Art, including exceptional Diamonds from Geneva. The auctions will include: $25-35 million masterpiece by Gerhard Richter; Major works by Matisse and Léger never before offered at auction; a Claude Monet painting offered from the Metropolitan Museum, New York; a Giacometti sculpture; The “Graff Vivid Yellow”  (pictured) -  At 100.09 carats, one of the rarest yellow diamonds of its size (est. $15-25 million); The Victory Diamond - A 31.34-carat diamond named to commemorate the Allied Victory in World War II ($5-8 million); and one of the world’s largest known round brilliant-cut diamonds weighing 103.46 carats (est. $3.5-5 million). They will take place in New York and Geneva 11-15 April 2014. Sotheby’s, New Bond St, London, UK.
    Sothebys Preview GBPhotos 11.jpg
  • Sotheby’s London Exhibition of Sale Highlights from the Forthcoming Major New York Auctions of Contemporary and Impressionist and Modern Art, including exceptional Diamonds from Geneva. The auctions will include: $25-35 million masterpiece by Gerhard Richter; Major works by Matisse and Léger never before offered at auction; a Claude Monet painting offered from the Metropolitan Museum, New York; a Giacometti sculpture; The “Graff Vivid Yellow”  (pictured) -  At 100.09 carats, one of the rarest yellow diamonds of its size (est. $15-25 million); The Victory Diamond - A 31.34-carat diamond named to commemorate the Allied Victory in World War II ($5-8 million); and one of the world’s largest known round brilliant-cut diamonds weighing 103.46 carats (est. $3.5-5 million). They will take place in New York and Geneva 11-15 April 2014. Sotheby’s, New Bond St, London, UK.
    Sothebys Preview GBPhotos 07.jpg
  • Sotheby’s London Exhibition of Sale Highlights from the Forthcoming Major New York Auctions of Contemporary and Impressionist and Modern Art, including exceptional Diamonds from Geneva. The auctions will include: $25-35 million masterpiece by Gerhard Richter  (pictured) ; Major works by Matisse and Léger never before offered at auction; a Claude Monet - Le Pont japonais $12-18m ; a Giacometti sculpture; The “Graff Vivid Yellow”  -  At 100.09 carats, one of the rarest yellow diamonds of its size (est. $15-25 million); The Victory Diamond - A 31.34-carat diamond named to commemorate the Allied Victory in World War II ($5-8 million); and one of the world’s largest known round brilliant-cut diamonds weighing 103.46 carats (est. $3.5-5 million). They will take place in New York and Geneva 11-15 April 2014. Sotheby’s, New Bond St, London, UK.
    Sothebys Preview GBPhotos 04.jpg
  • Yves Klein tables Bleu and Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 31.jpg
  • March 55 by Ben Nicholson - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 10.jpg
  • March 55 by Ben Nicholson (R)  - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 09.jpg
  • Sting’s Steinway Grand Piano - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 01.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m (and here   his La Seine a Argenteuil est £7m   - pictured); a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10893.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; Country Rock (Wing Mirror) by Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10885.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol  (here his Nine Marilyns est £4m, pictured)and Richter. Sotheby’s, New Bond Street, London.
    GB10858.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m  ( and here his Antibes, est £6m, pictured); a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10852.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; Country Rock (Wing Mirror) by Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10841.jpg
  • Sotheby’s London Exhibition of Sale Highlights from the Forthcoming Major New York Auctions of Contemporary and Impressionist and Modern Art, including exceptional Diamonds from Geneva. The auctions will include: $25-35 million masterpiece by Gerhard Richter; Major works by Matisse and Léger never before offered at auction; a Claude Monet painting offered from the Metropolitan Museum, New York; a Giacometti sculpture; The “Graff Vivid Yellow”  (pictured) -  At 100.09 carats, one of the rarest yellow diamonds of its size (est. $15-25 million); The Victory Diamond - A 31.34-carat diamond named to commemorate the Allied Victory in World War II ($5-8 million); and one of the world’s largest known round brilliant-cut diamonds weighing 103.46 carats (est. $3.5-5 million). They will take place in New York and Geneva 11-15 April 2014. Sotheby’s, New Bond St, London, UK.
    Sothebys Preview GBPhotos 09.jpg
  • Odalisque couchee aux magnolias, 1923, by Henri Matisse, est on request but over $50m - Christie’s unveil an exhibition of touring highlights from the Collection of Peggy and David Rockefeller, ahead of the New York sales (w/c 7 May).  they will be on public view in London from 21 February to 8 March.
    Christies Preview GBPhotos 21.jpg
  • Odalisque couchee aux magnolias, 1923, by Henri Matisse, est on request but over $50m - Christie’s unveil an exhibition of touring highlights from the Collection of Peggy and David Rockefeller, ahead of the New York sales (w/c 7 May).  they will be on public view in London from 21 February to 8 March.
    Christies Preview GBPhotos 15.jpg
  • Sting’s Steinway Grand Piano - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 32.jpg
  • Sting’s Steinway Grand Piano - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 28.jpg
  • Sting’s Steinway Grand Piano on a Paul Smith swirl carpet - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 03.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    Swan Upping 049.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter  ( here his tapestry Abdu pictured). Sotheby’s, New Bond Street, London.
    GB10883.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m (and here   his La Seine a Argenteuil est £7m   - pictured); a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10863.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol (here his Dollar Sign, est£3m - pictured) and Richter. Sotheby’s, New Bond Street, London.
    GB10849.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; a Mondrian, est £13-18m; Country Rock (Wing Mirror) by Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10844.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m (pictured); a Mondrian, est £13-18m; a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10839.jpg
  • Sotheby’s £250m Impressionist & Modern Art and Contemporary Art Summer Sales.  Highlights include: Monet’s Water Lilies est £20-30m; Composition in Blue, Red and Grey by Piet Mondrian, est £13-18m (pictured); a Peter Doig, est £9m; a Frances Bacon triptych of his lover George Dyer, est £15-20m; and works by Matisse, Picasso, Basquiat, Warhol and Richter. Sotheby’s, New Bond Street, London.
    GB10833.jpg
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