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  • Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 10.jpg
  • Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 07.jpg
  • Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 13.jpg
  • Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 12.jpg
  • Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 11.jpg
  • Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 09.jpg
  • Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 06.jpg
  • Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 04.jpg
  • Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 08.jpg
  • Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 05.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Treatment Room - with Margaret Thatcher video  (pictured);and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9191.jpg
  • The Reading Room stands at the heart of the Museum, in the centre of the Great Court.<br />
The British Museum
    GBPhotos 15.jpg
  • 'Pavillion Suspended in a Room I' by Cristina Iglesias - The new Tate Modern will open to the public on Friday 17 June. The new Switch House building is designed by architects Herzog & de Meuron, who also designed the original conversion of the Bankside Power Station in 2000.
    Tate Modern Switch Room GBPhotos 31.jpg
  • 'Pavillion Suspended in a Room I' by Cristina Iglesias - The new Tate Modern will open to the public on Friday 17 June. The new Switch House building is designed by architects Herzog & de Meuron, who also designed the original conversion of the Bankside Power Station in 2000.
    Tate Modern Switch Room GBPhotos 29.jpg
  • Garden Sculpture (Model for Meridian), Bronze, 1958 in the Pavilion room. Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 10.jpg
  • Oval Form in The Pavilion room.  Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 06.jpg
  • Anika Rice (in the international modernism room)  visits the show in preparation for a programme she will make - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 27.jpg
  • Figure of a Woman in the Carving room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 24.jpg
  • A view through Corinthos 1954-5  in the quarea room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 17.jpg
  • Curved Form (Delphi) in The quarea room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 16.jpg
  • A view through Corinthos 1954-5  in the quarea room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 14.jpg
  • The quarea room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 13.jpg
  • Sphere with inner form in the pavilion room.  Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 12.jpg
  • Oval Form in The Pavilion room.  Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 08.jpg
  • Oval Form in The Pavilion room.  Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 05.jpg
  • The Carvings room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 25.jpg
  • Figure of a Woman in the Carving room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 23.jpg
  • The Carvings room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 22.jpg
  • The Carvings room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 21.jpg
  • The Carvings room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 20.jpg
  • Garden Sculpture (Model for Meridian), Bronze, 1958 in the Pavilion room Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 18.jpg
  • A view through Corinthos 1954-5  in the quarea room - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 15.jpg
  • Curved Form (Trevalgan) in the Pavilion room. Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 11.jpg
  • Garden Sculpture (Model for Meridian), Bronze, 1958 through Sphere with inner form in The Pavilion room. Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 09.jpg
  • Oval Form in The Pavilion room.  Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 07.jpg
  • Room Three, A museum of Vernal Pleasure by Stephen Farthin £17000 and works by David Remfry in Room III curated by Eileen Cooper nad Bill Jacklin - The Royal Academy’s 249th Summer Exhibition - co-ordinated by Eileen Cooper RA. The hanging committee will consist of Royal Academicians Ann Christopher, Gus Cummins, Bill Jacklin, Fiona Rae, Rebecca Salter and Yinka Shonibare. This year, the Architecture Gallery will be curated by Farshid Moussavi RA. The exhibition, sponsored by Insight Investment is open to the public 13 June – 20 August 2017. London 07 June 2017.
    RA Summer Exhibition GBPhotos 27.jpg
  • Maquette for Sculpture for Waterloo Bridge - never completed project. Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 19.jpg
  • Pigeon Fanciers Home -A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison (pigeon fanciers room - pictured), Patternity, Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 02.jpg
  • A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison (pigeon fanciers room - pictured), Patternity, Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 31.jpg
  • Pigeon Fanciers Home -A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison (pigeon fanciers room - pictured), Patternity, Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 12.jpg
  • Room Three, A museum of Vernal Pleasure by Stephen Farthin £17000 and works by David Remfry in Room III curated by Eileen Cooper nad Bill Jacklin - The Royal Academy’s 249th Summer Exhibition - co-ordinated by Eileen Cooper RA. The hanging committee will consist of Royal Academicians Ann Christopher, Gus Cummins, Bill Jacklin, Fiona Rae, Rebecca Salter and Yinka Shonibare. This year, the Architecture Gallery will be curated by Farshid Moussavi RA. The exhibition, sponsored by Insight Investment is open to the public 13 June – 20 August 2017. London 07 June 2017.
    RA Summer Exhibition GBPhotos 26.jpg
  • The Pop Bodies Room - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 35.jpg
  • The Pop Bodies Room - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 05.jpg
  • Pelagos 1946 (C) -Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 04.jpg
  • Pelagos 1946 (C) -Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 03.jpg
  • Patternity - A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity (Anne Murray and Grace Winteringham, pictured - room with kaleidoscope - pictured), Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 34.jpg
  • Patternity - A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity (Anne Murray and Grace Winteringham - room with kaleidoscope - pictured), Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 33.jpg
  • Patternity - A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity (Anne Murray and Grace Winteringham - room with kaleidoscope - pictured), Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 32.jpg
  • A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison (pigeon fanciers room - pictured with teh designer), Patternity, Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014.
    No Place Like Home GBPhotos 25.jpg
  • A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison (pigeon fanciers room - pictured with teh designer), Patternity, Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014.
    No Place Like Home GBPhotos 23.jpg
  • Patternity - A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity (Anne Murray and Grace Winteringha, both pictured L to R - room with kaleidoscope - pictured), Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 20.jpg
  • Patternity - A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity (Anne Murray and Grace Winteringha, both pictured L to R - room with kaleidoscope - pictured), Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 19.jpg
  • Patternity - A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity (Anne Murray and Grace Winteringha, both pictured L to R - room with kaleidoscope - pictured), Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 18.jpg
  • Raw Edges- A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity, Raw Edges ( Shay Alkalay and Yael Mer - a room which expands and contracts - pictured) and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014Guy Bell, 07771 786236, guy@gbphotos.com
    No Place Like Home GBPhotos 14.jpg
  • Raw Edges- A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity, Raw Edges ( Shay Alkalay and Yael Mer - a room which expands and contracts - pictured) and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 13.jpg
  • Pigeon Fanciers Home -A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison (pigeon fanciers room - pictured), Patternity, Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 11.jpg
  • Raw Edges- A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity, Raw Edges ( Shay Alkalay and Yael Mer - a room which expands and contracts - pictured) and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 10.jpg
  • Raw Edges- A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity, Raw Edges ( Shay Alkalay and Yael Mer - a room which expands and contracts - pictured) and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 09.jpg
  • Raw Edges- A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity, Raw Edges ( Shay Alkalay and Yael Mer - a room which expands and contracts - pictured) and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 07.jpg
  • Pigeon Fanciers Home -A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison (pigeon fanciers room - pictured), Patternity, Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 06.jpg
  • Raw Edges- A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity, Raw Edges ( Shay Alkalay and Yael Mer - a room which expands and contracts - pictured) and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 04.jpg
  • Pigeon Fanciers Home -A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison (pigeon fanciers room - pictured), Patternity, Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 03.jpg
  • Patternity - A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity (Anne Murray and Grace Winteringham - room with kaleidoscope - pictured), Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 01.jpg
  • Anika Rice (behind Kneeling Figure) visits the show in preparation for a programme she will make - Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 26.jpg
  • Pelagos 1946 (C) -Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 01.jpg
  • Pelagos 1946 (C) -Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
    Hepworth Tate GBPhotos 02.jpg
  • A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison (pigeon fanciers room - pictured with teh designer), Patternity, Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014.
    No Place Like Home GBPhotos 27.jpg
  • A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison (pigeon fanciers room - pictured with teh designer), Patternity, Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014.
    No Place Like Home GBPhotos 26.jpg
  • A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison (pigeon fanciers room - pictured with teh designer), Patternity, Raw Edges and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014.
    No Place Like Home GBPhotos 24.jpg
  • Raw Edges- A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity, Raw Edges ( Shay Alkalay and Yael Mer - a room which expands and contracts - pictured) and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 22.jpg
  • Raw Edges- A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity, Raw Edges ( Shay Alkalay and Yael Mer - a room which expands and contracts - pictured) and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 15.jpg
  • Raw Edges- A Place Called Home’ London design festival Trafalgar Square - brings together four highly acclaimed designers who have been invited to create their own interpretation of home. The four designers, Jasper Morrison, Patternity, Raw Edges ( Shay Alkalay and Yael Mer - a room which expands and contracts - pictured) and Studioilse present a personal vision. The four ‘homes’ appear to be similar in construction from the outside though each will have its own individual exterior identity, hinting at the creative interiors which range from a room which expands and contracts to the home of a pigeon fancier. This is the Landmark project for  the London Design Festival and is in collaboration with Airnb. Trafalgar Square, London UK, 18 Sept 2014
    No Place Like Home GBPhotos 05.jpg
  • The Art of the Brick (in LEGO) by Nathan Sawaya -  over a million pieces of Lego® make up over 80 sculptures, including: replicas of artworks such as The Mona Lisa and Michelangelo’s David; personal works in dedicated to ‘The Human Condition’; a ‘British’ room full of exhibits created for London;‘Dinosaur’, the biggest of all the sculptures created from over 80,000 bricks; and ‘Yellow’ which Lady Gaga recently commissioned for her G.U.Y. video.  The exhibition runs from 26 Sept 2014 to 04 Jan 2015. The Truman Brewery, Brick Lane, London, UK 24 Sept 2014
    Art of Brick Lego GBPhotos 34.jpg
  • The Art of the Brick (in LEGO) by Nathan Sawaya -  over a million pieces of Lego® make up over 80 sculptures, including: replicas of artworks such as The Mona Lisa and Michelangelo’s David; personal works in dedicated to ‘The Human Condition’; a ‘British’ room full of exhibits created for London;‘Dinosaur’, the biggest of all the sculptures created from over 80,000 bricks; and ‘Yellow’ which Lady Gaga recently commissioned for her G.U.Y. video.  The exhibition runs from 26 Sept 2014 to 04 Jan 2015. The Truman Brewery, Brick Lane, London, UK 24 Sept 2014
    Art of Brick Lego GBPhotos 30.jpg
  • The Art of the Brick (in LEGO) by Nathan Sawaya -  over a million pieces of Lego® make up over 80 sculptures, including: replicas of artworks such as The Mona Lisa and Michelangelo’s David; personal works in dedicated to ‘The Human Condition’; a ‘British’ room full of exhibits created for London;‘Dinosaur’, the biggest of all the sculptures created from over 80,000 bricks; and ‘Yellow’ which Lady Gaga recently commissioned for her G.U.Y. video.  The exhibition runs from 26 Sept 2014 to 04 Jan 2015. The Truman Brewery, Brick Lane, London, UK 24 Sept 2014
    Art of Brick Lego GBPhotos 31.jpg
  • It is sunny and people come to the beach and the seaside at Brighton, during Bank holiday Monday. It is busy but still plentyu of room for social distancing. The eased 'lockdown' continues for the Coronavirus (Covid 19) outbreak.
    GB57331.jpg
  • Pupils from Thomas Tallis School in Kidbrooke who are doing Russian studies, visit the exhibition in Room 1 - Tate Modern’s new exhibition Red Star Over Russia on the 100th anniversary of the October Revolution. The exhibition offers a visual history of the Soviet Union, revealing how seismic political events inspired a wave of innovation in art and graphic design. Featuring over 250 posters, paintings and photographs, many on public display for the first time, the exhibition will provide a chance to understand how life and art were transformed during a defining period in modern world history.
    Tate Red Star Russia GBPhotos 25.jpg
  • Pupils from Thomas Tallis School in Kidbrooke who are doing Russian studies, visit the exhibition in Room 1 - Tate Modern’s new exhibition Red Star Over Russia on the 100th anniversary of the October Revolution. The exhibition offers a visual history of the Soviet Union, revealing how seismic political events inspired a wave of innovation in art and graphic design. Featuring over 250 posters, paintings and photographs, many on public display for the first time, the exhibition will provide a chance to understand how life and art were transformed during a defining period in modern world history.
    Tate Red Star Russia GBPhotos 03.jpg
  • Multiple works in Room I curated by Gus Cummins - The Royal Academy’s 249th Summer Exhibition - co-ordinated by Eileen Cooper RA. The hanging committee will consist of Royal Academicians Ann Christopher, Gus Cummins, Bill Jacklin, Fiona Rae, Rebecca Salter and Yinka Shonibare. This year, the Architecture Gallery will be curated by Farshid Moussavi RA. The exhibition, sponsored by Insight Investment is open to the public 13 June – 20 August 2017. London 07 June 2017.
    RA Summer Exhibition GBPhotos 04.jpg
  • Works in room 4 incl Cube, Spoon Woman, Walking Woman, Woman with her throat cut  and Invisible object Hands holding the void - the UK’s first major retrospective of Alberto Giacometti (1901-1966) for 20 years.<br />
Celebrated as a sculptor, painter and draughtsman, he is famous for his distinctive elongated figures. With the help of Fondation Alberto et Annette Giacometti, Paris, Tate Modern’s exhibition brings together over 250 works. Alberto Giacometti is at Tate Modern from 10 May to 10 September 2017
    Giacometti Tate Modern GBPhotos 37.jpg
  • Busts of people close to him in Room 1 - the UK’s first major retrospective of Alberto Giacometti (1901-1966) for 20 years.<br />
Celebrated as a sculptor, painter and draughtsman, he is famous for his distinctive elongated figures. With the help of Fondation Alberto et Annette Giacometti, Paris, Tate Modern’s exhibition brings together over 250 works. Alberto Giacometti is at Tate Modern from 10 May to 10 September 2017
    Giacometti Tate Modern GBPhotos 08.jpg
  • The #SaatchiSelfie Competition room - From Selfie to Self-Expression at the Saatchi Gallery. The exhibition looks at the history of the Selfie from portrait artists though to modern day selfies and features self-portraits by Rembrandt, Van Gogh, Lucian Freud, Cindy Sherman, Tracey Emin, through to modern day selfies from Kim Kardashian, Hillary Clinton, Ryan Gosling, Trump and others. In addition part of the exhibition includes an international selfie competition; over 14,000 selfies have been submitted to the competition and will be exhibited at the gallery alongside other art works. The show is sponsored by Huawei and runs from 31st March – 30th May 2017.
    Saatchi Selfie Huawei GBPhotos 10.jpg
  • Buenos Aires 2010 and other works in Room 4 - Wolfgang Tillmans: 2017. Tate Modern’s new exhibition. Highlights include: large scale photographic works printed especially for this exhibition, including the four-meter tall Weed 2014 and dramatic seascapes such as The State We’re In, A 2015;   New ‘text and table’ sculptures including Time Mirrored 3 2017, on display to the public for the first time; and slide projection Book for Architects 2014. The show is at Tate Modern from 15 February to 11 June 2017.
    Wolfgang Tillmans Tate Modern GBPhot...jpg
  • Tillman with Book covers, magazine spreads etc in room 9 - Wolfgang Tillmans: 2017. Tate Modern’s new exhibition. Highlights include: large scale photographic works printed especially for this exhibition, including the four-meter tall Weed 2014 and dramatic seascapes such as The State We’re In, A 2015;   New ‘text and table’ sculptures including Time Mirrored 3 2017, on display to the public for the first time; and slide projection Book for Architects 2014. The show is at Tate Modern from 15 February to 11 June 2017.
    Wolfgang Tillmans Tate Modern GBPhot...jpg
  • Tillman with Book covers, magazine spreads etc in room 9 - Wolfgang Tillmans: 2017. Tate Modern’s new exhibition. Highlights include: large scale photographic works printed especially for this exhibition, including the four-meter tall Weed 2014 and dramatic seascapes such as The State We’re In, A 2015;   New ‘text and table’ sculptures including Time Mirrored 3 2017, on display to the public for the first time; and slide projection Book for Architects 2014. The show is at Tate Modern from 15 February to 11 June 2017.
    Wolfgang Tillmans Tate Modern GBPhot...jpg
  • Valauris by Pablo Picasso in front of March 55 by Ben Nicholson - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 24.jpg
  • Sting’s Steinway Grand Piano on a Paul Smith swirl carpet - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 15.jpg
  • Sting’s Steinway Grand Piano on a Paul Smith swirl carpet - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 04.jpg
  • The Mapping and Marking Room includes maps and 'adapted' flags from around the Empire - Artist and Empire - a new Tate Britain exhibition about Imperial visual culture, examining the people who helped to create or confront the British Empire in their art. It features over 200 paintings, drawings, photographs, sculptures and artefacts from across the British Isles, North America, the Caribbean, the Pacific, Asia and Africa. Exhibition highlights include: Major historic paintings by the likes of Johan Zoffany, George Stubbs, Lady Butler Anthony Van Dyck and Thomas Daniell; Rare Maori portraits which are being exhibited in London for the first time in almost 100 years; The first chance to photograph one of the nation’s favourite paintings, The North-West Passage 1874 by John Everett Millais since undergoing new conservation; and new work by artist Andrew Gilbert, made especially for the exhibition. Artist and Empire at Tate Britain from 25 November 2015 to 10 April 2016.
    Tate Empire GBPhotos 41.jpg
  • The Mapping and Marking Room includes maps and 'adapted' flags from around the Empire - Artist and Empire - a new Tate Britain exhibition about Imperial visual culture, examining the people who helped to create or confront the British Empire in their art. It features over 200 paintings, drawings, photographs, sculptures and artefacts from across the British Isles, North America, the Caribbean, the Pacific, Asia and Africa. Exhibition highlights include: Major historic paintings by the likes of Johan Zoffany, George Stubbs, Lady Butler Anthony Van Dyck and Thomas Daniell; Rare Maori portraits which are being exhibited in London for the first time in almost 100 years; The first chance to photograph one of the nation’s favourite paintings, The North-West Passage 1874 by John Everett Millais since undergoing new conservation; and new work by artist Andrew Gilbert, made especially for the exhibition. Artist and Empire at Tate Britain from 25 November 2015 to 10 April 2016.
    Tate Empire GBPhotos 13.jpg
  • Zotem, supported by Swarovski, by Kim  Thomé - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 39.jpg
  • Zotem, supported by Swarovski, by Kim  Thomé - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 28.jpg
  • The Ogham Wall, by Grafton Architects - The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 17.jpg
  • Doll Festival 1966 by Ushio Shinohara - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 42.jpg
  • Relative Mimetism 1973 by Dorothee Seiz (pictured) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 39.jpg
  • Mao-Hope March 1966 by Oyvind Fahlstrom - Album the Red 1968-70 by Gerard Formanger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 29.jpg
  • Private Manifestation 1968 by Jozef Jankovic - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 25.jpg
  • Machine No 7 by Shinkichi Tajiri (in front of Big Tears for Two 1963 by Erro) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 19.jpg
  • The Board Room where business cards from arms manufacturers are shown with images of war. Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 24.jpg
  • The Board Room where business cards from arms manufacturers are shown with images of war. Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 14.jpg
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