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  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Queen Victoria by AEdward onslow Ford and Alfred Gilbert - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Queen Victoria by AEdward onslow Ford and Alfred Gilbert - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Queen Victoria by AEdward onslow Ford and Alfred Gilbert - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 and Peacock 1873 by Paul Comolera - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 and Peacock 1873 by Paul Comolera - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Dame Alice Owen 1897 by George Frampton and Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Dame Alice Owen 1897 by George Frampton and Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • 9/11 Steel Sculpture unveiled at Queen Elizabeth Olympic Park – it was created by American artist Miya Ando to commemorate the 10th anniversary of the 9/11 attacks. Standing at 28 feet tall and weighing over 4 tons, it was crafted out of the Twin Towers’ steel wreckage. The artwork was commissioned by SINCE 9/11, an educational charity that promotes discussion of the events, causes and consequences surrounding 9/11 among British schoolchildren by providing schools with a dedicated education programme and teaching resources.  Speakers and guests at the unveiling included: The Mayor of London, Boris Johnson; US Ambassador, Matthew Barzun; Peter Rosengard – SINCE 9/11 Chairman; Admiral Lord West of Spithead - Former Prime Minister’s Security Advisor; Maqsood Ahmed - Senior Advisor on Faith Communities to the Department for Communities and Local Government; and Patricia Bingley – 9/11 victim family member and supporter of SINCE 9/11.
    9-11 Sculpture Olympic Park GBPhotos...jpg
  • Gary Webb<br />
Dreamy Bathroom, 2014, The Approach - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23723.jpg
  • Seung-taek Lee Earth Play, 1979–89, Gallery Hyundai - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23751.jpg
  • Seung-taek Lee Earth Play, 1979–89, Gallery Hyundai - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23748.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23742.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23744.jpg
  • Jesse Wine Let me entertain you, 2015, Limoncello - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23737.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23733.jpg
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