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  • Filling th nmoulds - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 13.jpg
  • Filling th nmoulds - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 12.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen (pictured with the Ghost Rider). The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10921.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen. The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10920.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen (pictured with Capttain America). The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10919.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen (pictured with the Red Hulk and Wolverine). The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10914.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen (pictured with the Red Hulk and Wolverine). The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10915.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen (pictured with the Joker). The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10902.jpg
  • The Joker. Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen. The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10903.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen. The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10900.jpg
  • The Joker. Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen. The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10899.jpg
  • Preparations for the show continue. Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen. The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10898.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 39.jpg
  • Preparations for the show continue. Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen. The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10897.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen (pictured with the Ghost Rider). The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10923.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen (pictured with Capttain America). The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10916.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen (pictured with the Red Hulk and Wolverine). The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10910.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen (pictured with the Joker). The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10907.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen (pictured with the Joker). The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10909.jpg
  • The Joker. Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen. The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10904.jpg
  • Opera Gallery London presents a selection of canvas works by the world renowned ‘Godfather of Graffiti’- Seen. The exhibition takes inspiration from the growing American comic book cultural phenomenon, paying homage to some of the world’s most iconic crime fighters and villains; including Batman, Wonder Woman, Superman and includes his ‘dazzling’ depiction of Captain America. Opera Gallery, New Bond Street, London.
    GB10896.jpg
  • Spectra by Ryoji Ikeda, the London light installation for LIGHTS OUT looms above Westminster (as seen from Chelsea Bridge) - it was designed to be able to be seen across the city and appeared at 10 pm as part of a series of art commissions. 14-18 NOW, the official cultural programme for the WW1 centenary commemorations, has organised a number of events to mark the centenary. As part of that, LIGHTS OUT is a nationwide event which are taking place at hundreds of venues, churches, war memorials and iconic buildings across the country on 4 August between 10pm and 11pm.
    GB11497_1.jpg
  • Spectra by Ryoji Ikeda, the London light installation for LIGHTS OUT looms above Westminster (as seen from Chelsea Bridge) - it was designed to be able to be seen across the city and appeared at 10 pm as part of a series of art commissions. 14-18 NOW, the official cultural programme for the WW1 centenary commemorations, has organised a number of events to mark the centenary. As part of that, LIGHTS OUT is a nationwide event which are taking place at hundreds of venues, churches, war memorials and iconic buildings across the country on 4 August between 10pm and 11pm.
    GB11498.jpg
  • Spectra by Ryoji Ikeda, the London light installation for LIGHTS OUT looms above Westminster (as seen from Chelsea Bridge) - it was designed to be able to be seen across the city and appeared at 10 pm as part of a series of art commissions. 14-18 NOW, the official cultural programme for the WW1 centenary commemorations, has organised a number of events to mark the centenary. As part of that, LIGHTS OUT is a nationwide event which are taking place at hundreds of venues, churches, war memorials and iconic buildings across the country on 4 August between 10pm and 11pm.
    GB11499.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 35.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 17.jpg
  • Clare Twomey (c) working with students in FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 08.jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 21.jpg
  • Student Flor Mendschein collects some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 52.jpg
  • Student Flor Mendschein collects some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 51.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 50.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 49.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 46.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 45.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 44.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 43.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 41.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 40.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 38.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 37.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 36.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 34.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 33.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 32.jpg
  • Clare Twomey gets a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 31.jpg
  • Clare Twomey gets a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 30.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 29.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 28.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 26.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 25.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 24.jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 23.jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 21.jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 22.jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 20.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 18.jpg
  • Filling th nmoulds - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 16.jpg
  • Filling th nmoulds - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 15.jpg
  • Filling th nmoulds - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 14.jpg
  • Clare Twomey (c) working with students in FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 11.jpg
  • Filling th nmoulds - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 09.jpg
  • Clare Twomey (c) working with students in FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 10.jpg
  • Clare Twomey (L) with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 07.jpg
  • Clare Twomey (2nd L) with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 06.jpg
  • Clare Twomey (2nd L) with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 05.jpg
  • Clare Twomey with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 04.jpg
  • Clare Twomey with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 02.jpg
  • Racks of completed ceramics - FACTORY: the seen and the unseen an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 01.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 48.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 42.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 27.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 19.jpg
  • Clare Twomey with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 03.jpg
  • Henham Park, Suffolk, UK. 22 Jul 2022. Maggie Rogers plays the Obelisk Arena as seen from the Cinch Tower - The 2022 Latitude Festival, Henham Park.  Credit: Guy Bell/Alamy Live News
    GB31960.jpg
  • The Rotary club - The New Years Day fireworks in London as seen behinds blocks of flats from the direction of elelphant and castle.
    LNYDP GBPhotos 58.jpg
  • Blackfriars bridge is blocked, as seen from Waterloo Bridge - Extinction Rebellion Day -  co hosted by Rising Up, 'Rebel Against the British Government For Criminal Inaction in the Face of Climate Change Catastrophe and Ecological Collapse'. A protest that involves blocking 5 bridges: Southwark, Blackfriars, Waterloo, Westminster and Lambeth.
    Extinction Rebellion GBPhotos 064.jpg
  • Blackfriars bridge is blocked, as seen from Waterloo Bridge - Extinction Rebellion Day -  co hosted by Rising Up, 'Rebel Against the British Government For Criminal Inaction in the Face of Climate Change Catastrophe and Ecological Collapse'. A protest that involves blocking 5 bridges: Southwark, Blackfriars, Waterloo, Westminster and Lambeth.
    Extinction Rebellion GBPhotos 063.jpg
  • Revolution: Russian Art 1917-1932 paintings by Kazimir Malevich, including his famous Black Square and Red Square. Over 30 paintings and architectons by Malevich seen together for the first time since 1932 in an almost exact re-creation of the original hang designed by the artist for his Leningrad exhibition in that year. The exhibition runs at the Royal Academy of Arts from 11 February – 17 April 2017.
    Royal Academy Russian GBPhotos 04.jpg
  • Revolution: Russian Art 1917-1932 paintings by Kazimir Malevich, including his famous Black Square and Red Square. Over 30 paintings and architectons by Malevich seen together for the first time since 1932 in an almost exact re-creation of the original hang designed by the artist for his Leningrad exhibition in that year. The exhibition runs at the Royal Academy of Arts from 11 February – 17 April 2017.
    Royal Academy Russian GBPhotos 02.jpg
  • Revolution: Russian Art 1917-1932 paintings by Kazimir Malevich, including his famous Black Square and Red Square. Over 30 paintings and architectons by Malevich seen together for the first time since 1932 in an almost exact re-creation of the original hang designed by the artist for his Leningrad exhibition in that year. The exhibition runs at the Royal Academy of Arts from 11 February – 17 April 2017.
    Royal Academy Russian GBPhotos 03.jpg
  • Doll Festival 1966 by Ushio Shinohara - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 42.jpg
  • Enfin silhouettes affinees jusqu'a la taille by Bernard Rancillac and God of War 1967-8 by Ulrike Offinger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 41.jpg
  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 40.jpg
  • Relative Mimetism 1973 by Dorothee Seiz (pictured) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 39.jpg
  • Group Portrait 1070  by Cornel Brudascu - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 38.jpg
  • The Pop Bodies Room - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 35.jpg
  • The New Jemima 1964 by Joe Overstreet - Enfin silhouettes affinees jusqu'a la taille by Bernard Rancillac - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 34.jpg
  • Kenedy Assanination 1968 by Joav Barel - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 33.jpg
  • Note on the Unforseen Death 1965 by Antonio Dias - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 32.jpg
  • Mao-Hope March 1966 by Oyvind Fahlstrom - Album the Red 1968-70 by Gerard Formanger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 29.jpg
  • Divine Proportion 1967 by Equipo Realidad - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 30.jpg
  • Album the Red 1968-70 by Gerard Formanger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 28.jpg
  • Bucan Art 1972 by Boris Bucan - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 27.jpg
  • Kenedy and Krusciov 1962 by Sergio Lombardo - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 26.jpg
  • - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 24.jpg
  • Friends 1971 by Kiki Kogelnik - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 23.jpg
  • Bez Buntu by Jeryz Ryszard Zielinski - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 18.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 15.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 14.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 13.jpg
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