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  • The Archive of Modern Conflict, installation. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 07.jpg
  • The Archive of Modern Conflict, installation. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 06.jpg
  • The Archive of Modern Conflict, installation. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 04.jpg
  • Shell Shocked by Don McCullin. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 02.jpg
  • The Map a set of images from the photobook shows the effects of the atomic bomb still visible when Kikuji Kawada shot them 15 years later.  Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 15.jpg
  • Chloe Dewe Mathews’s landscapes of places where British soldiers were executed for desertion. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 12.jpg
  • Shell Shocked by Don McCullin. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 28.jpg
  • Adam Broomberg and Oliver Chanarin - People in Trouble, Laughing Pushed to the Ground. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 27.jpg
  • Shell Shocked by Don McCullin. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 26.jpg
  • Shell Shocked by Don McCullin. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 25.jpg
  • Simon Norfolk's images. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 24.jpg
  • Sophie Ristelhueber’s aerial views of the desert landscape of Kuwait after the first Gulf War.  Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 21.jpg
  • Shell Shocked by Don McCullin. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 19.jpg
  • Sophie Ristelhueber’s aerial views of the desert landscape of Kuwait after the first Gulf War.  Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 18.jpg
  • The Map a set of images from the photobook shows the effects of the atomic bomb still visible when Kikuji Kawada shot them 15 years later.  Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 17.jpg
  • istory by Hrair Sarkissian bsed on archives of resettlement, 95 years later. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 16.jpg
  • istory by Hrair Sarkissian bsed on archives of resettlement, 95 years later. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 14.jpg
  • The Map a set of images from the photobook shows the effects of the atomic bomb still visible when Kikuji Kawada shot them 15 years later.  Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 13.jpg
  • Shell Shocked by Don McCullin. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 10.jpg
  • Work on the Ukraine by Stephen Shore, 67 Years after WW2. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 09.jpg
  • Sophie Ristelhueber’s aerial views of the desert landscape of Kuwait after the first Gulf War.  Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 08.jpg
  • istory by Hrair Sarkissian bsed on archives of resettlement, 95 years later. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 01.jpg
  • The Map a set of images from the photobook shows the effects of the atomic bomb still visible when Kikuji Kawada shot them 15 years later.  Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 23.jpg
  • Adam Broomberg and Oliver Chanarin - People in Trouble, Laughing Pushed to the Ground. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 22.jpg
  • Hiromi Tsuchida’s  watch stopped at the moment the atomic bomb fell on Hiroshima. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 20.jpg
  • Shell Shocked by Don McCullin. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 11.jpg
  • The Map a set of images from the photobook shows the effects of the atomic bomb still visible when Kikuji Kawada shot them 15 years later.  Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 05.jpg
  • istory by Hrair Sarkissian bsed on archives of resettlement, 95 years later. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 03.jpg
  • Friends 1971 by Kiki Kogelnik - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 23.jpg
  • Towards Communism on Lenin's Course 1967 by Dusan Otavesic and Interpretation Totem 1969 by Romanita Disconzi - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 08.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 43.jpg
  • The Young Acrobat - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 37.jpg
  • Icon for My Man (superman never saved any black people ) by Barkley Hendricks - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 41.jpg
  • Trane 1969 by William T Williams - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 37.jpg
  • One Nation Under God, 1970 by Timothy Washington - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 35.jpg
  • Black Unity 1968 by Elizabeth Catlett - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 29.jpg
  • Black Unity 1968 by Elizabeth Catlett and Did the bear sit under the tree? 1969 by Benny Andrews - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 28.jpg
  • Art is.... 1983 by Lorraine O'Grady - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 26.jpg
  • Curtain (for William and Peter) 1969-70 by Melvin Edwards - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 19.jpg
  • Texas Louise 1971 by Frank Bowling - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 15.jpg
  • Icon for My Man (superman never saved any black people ) by Barkley Hendricks - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 12.jpg
  • Icon for My Man (superman never saved any black people ) by Barkley Hendricks - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 10.jpg
  • Icon for My Man (superman never saved any black people ) by Barkley Hendricks - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 09.jpg
  • April 4 by Sam Gilliam - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 08.jpg
  • Homage to Malcolm, 1970 by Jack Whitten - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 06.jpg
  • April 4 by Sam Gilliam - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 07.jpg
  • Did the bear sit under the tree? 1969 by Benny Andrews -and Fred Hamptons Door 2 1975 by Dana C Chandler - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 04.jpg
  • Doll Festival 1966 by Ushio Shinohara - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 42.jpg
  • Enfin silhouettes affinees jusqu'a la taille by Bernard Rancillac and God of War 1967-8 by Ulrike Offinger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 41.jpg
  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 40.jpg
  • Relative Mimetism 1973 by Dorothee Seiz (pictured) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 39.jpg
  • Group Portrait 1070  by Cornel Brudascu - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 38.jpg
  • The Pop Bodies Room - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 35.jpg
  • The New Jemima 1964 by Joe Overstreet - Enfin silhouettes affinees jusqu'a la taille by Bernard Rancillac - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 34.jpg
  • Kenedy Assanination 1968 by Joav Barel - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 33.jpg
  • Note on the Unforseen Death 1965 by Antonio Dias - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 32.jpg
  • Mao-Hope March 1966 by Oyvind Fahlstrom - Album the Red 1968-70 by Gerard Formanger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 29.jpg
  • Divine Proportion 1967 by Equipo Realidad - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 30.jpg
  • Album the Red 1968-70 by Gerard Formanger - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 28.jpg
  • Bucan Art 1972 by Boris Bucan - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 27.jpg
  • Big Tears for Two 1963 by Erro and Machine No 7 by Shinkichi Tajiri - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 22.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 15.jpg
  • Kandaya-Mahadeva 1969 by Jana Zelibska - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 13.jpg
  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 07.jpg
  • Large Protest 1969 by Henri Cueco - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 06.jpg
  • The Pop Bodies Room - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 05.jpg
  • Mum and I by Marisol Escobar and Listen America by Raul Martinez - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 04.jpg
  • The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 01.jpg
  • Machine No 7 by Shinkichi Tajiri (in front of Big Tears for Two 1963 by Erro) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 02.jpg
  • The Young Acrobat - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 39.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 36.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 35.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 33.jpg
  • Hunting Tower and Watchtower - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 32.jpg
  • Fear,  Black Man - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 31.jpg
  • Untitled, Soot on Glass - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 28.jpg
  • Hunting Tower and Watchtower - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014. Guy Bell, 07771 786236, guy@gbphotos.com.
    Sigmar Polke Tate GBPhotos 30.jpg
  • Alice in Wonderland - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 26.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 27.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 19.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 21.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 16.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 09.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 10.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 08.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 06.jpg
  • Injustice Case by David Hammons - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 38.jpg
  • Trane 1969 by William T Williams (pictured) - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 36.jpg
  • Trane 1969 by William T Williams - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 34.jpg
  • Traditional Hang Up by John Outerbridge - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 31.jpg
  • William T Williams with his work Nu Nile 1973 - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 22.jpg
  • Texas Louise 1971 by Frank Bowling - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 16.jpg
  • Texas Louise 1971 by Frank Bowling - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 14.jpg
  • Icon for My Man (superman never saved any black people ) by Barkley Hendricks - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 11.jpg
  • Homage to Malcolm, 1970 by Jack Whitten - Soul of a Nation: Art in the Age of Black Power, Tate Modern’s new exhibition exploring what it meant to be a Black artist during the Civil Rights movement.  The exhibition is at Tate Modern from 12 July – 22 October 2017.
    Tate Soul of a Nation GBPhotos 05.jpg
  • Doll Festival 1966 by Ushio Shinohara (pictured - artist and boxer) - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 36.jpg
  • Atomic Kiss 1968 by Joan Rabascall - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 31.jpg
  • Kenedy and Krusciov 1962 by Sergio Lombardo - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 26.jpg
  • Private Manifestation 1968 by Jozef Jankovic - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 25.jpg
  • - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 24.jpg
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