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  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungprongsplastercoils.  It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 09.jpg
  • Figure in a Landscape by Fracis Bacon. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 45.jpg
  • Figure in a Landscape by Fracis Bacon. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 44.jpg
  • Full Stop by John Latham. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 43.jpg
  • Full Stop by John Latham. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 42.jpg
  • Full Stop by John Latham. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 41.jpg
  • Full Stop by John Latham. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 39.jpg
  • Full Stop by John Latham. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 38.jpg
  • Figure in a Landscape by Fracis Bacon. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 37.jpg
  • Full Stop by John Latham. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 36.jpg
  • Full Stop by John Latham. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 35.jpg
  • Full Stop by John Latham. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 32.jpg
  • Interior II by Richard hamilton. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 31.jpg
  • Figure in a Landscape by Fracis Bacon. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 30.jpg
  • Figure in a Landscape by Fracis Bacon. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 29.jpg
  • In the Hold by David Bomberg. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 28.jpg
  • In the Hold by David Bomberg. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 27.jpg
  • In the Hold by David Bomberg. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 26.jpg
  • In the Hold by David Bomberg. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 23.jpg
  • In the Hold by David Bomberg. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 21.jpg
  • In the Hold by David Bomberg. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 20.jpg
  • In the Hold by David Bomberg. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 22.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:emptystaircasehoarding. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 01.jpg
  • Phyllida Barlow's (pictured in blue hoodie) new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries.  Here untitled:dock:huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 22.jpg
  • Phyllida Barlow's (pictured in blue hoodie) new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries.  Here untitled:dock:huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 21.jpg
  • Phyllida Barlow's (pictured in blue hoodie) new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries.  Here untitled:dock:huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 20.jpg
  • Phyllida Barlow's (pictured in blue hoodie) new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries.  Here untitled:dock:huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 19.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungprongsplastercoils.  It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 18.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungprongsplastercoils.  It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 17.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:crushed tower and huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 16.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:Shungblocks. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 13.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:crushed tower and sprungblocks. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 11.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 10.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungprongsplastercoils.  It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 08.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungprongsplastercoils.  It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 07.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungcowledtubes and 5stockadecrates and crashed/lintel/brokensculpture/paintedtarps. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 04.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:emptystaircasehoarding. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 03.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:emptystaircasehoarding. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 02.jpg
  • Full Stop by John Latham. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 40.jpg
  • Full Stop by John Latham. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 34.jpg
  • Figure in a Landscape by Fracis Bacon. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 25.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:Shungblocks. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 15.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:Shungblocks. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 14.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:Shungblocks. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 12.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungcowledtubes and 5stockadecrates and crashed/lintel/brokensculpture/paintedtarps. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 06.jpg
  • In the Hold by David Bomberg. Tate Sensorium, a new immersive art experience where visitors can taste, touch, smell and hear artworks in the collection - it is the winning project of IK Prize 2015. The Sensorium is made up of four iconic twentieth century works by: Francis Bacon – which can be tasted through chocolates created by master chocolatier Paul A. Young; David Bomberg – smelt using scented candles; Richard Hamilton – sensed through sound and smell; and John Latham – which can be experienced via the sensation of touch by inserting ones hands into the ‘touchless’ speakers. Tate Sensorium runs at Tate Britain from 26 August to 20 September 2015 – it is free but must be booked.
    Tate Sensorium GBPhotos 24.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungcowledtubes and 5stockadecrates and crashed/lintel/brokensculpture/paintedtarps. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 05.jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 21.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 49.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 46.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 40.jpg
  • Clare Twomey gets a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 30.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 25.jpg
  • A Cheetah and a stag and Two Indian Attendants 1764 by George Stubbs - Artist and Empire - a new Tate Britain exhibition about Imperial visual culture, examining the people who helped to create or confront the British Empire in their art. It features over 200 paintings, drawings, photographs, sculptures and artefacts from across the British Isles, North America, the Caribbean, the Pacific, Asia and Africa. Exhibition highlights include: Major historic paintings by the likes of Johan Zoffany, George Stubbs, Lady Butler Anthony Van Dyck and Thomas Daniell; Rare Maori portraits which are being exhibited in London for the first time in almost 100 years; The first chance to photograph one of the nation’s favourite paintings, The North-West Passage 1874 by John Everett Millais since undergoing new conservation; and new work by artist Andrew Gilbert, made especially for the exhibition. Artist and Empire at Tate Britain from 25 November 2015 to 10 April 2016.
    Tate Empire GBPhotos 34.jpg
  • Artists, The Singh Twins view British Infantry advance on Jerusalem, 4th of July 1879 and instlallation by Andrew Gilbert, 2015 - Artist and Empire - a new Tate Britain exhibition about Imperial visual culture, examining the people who helped to create or confront the British Empire in their art. It features over 200 paintings, drawings, photographs, sculptures and artefacts from across the British Isles, North America, the Caribbean, the Pacific, Asia and Africa. Exhibition highlights include: Major historic paintings by the likes of Johan Zoffany, George Stubbs, Lady Butler Anthony Van Dyck and Thomas Daniell; Rare Maori portraits which are being exhibited in London for the first time in almost 100 years; The first chance to photograph one of the nation’s favourite paintings, The North-West Passage 1874 by John Everett Millais since undergoing new conservation; and new work by artist Andrew Gilbert, made especially for the exhibition. Artist and Empire at Tate Britain from 25 November 2015 to 10 April 2016.
    Tate Empire GBPhotos 30.jpg
  • Group Portrait 1070  by Cornel Brudascu - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 38.jpg
  • Bucan Art 1972 by Boris Bucan - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 27.jpg
  • Friends 1971 by Kiki Kogelnik - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 23.jpg
  • Towards Communism on Lenin's Course 1967 by Dusan Otavesic and Interpretation Totem 1969 by Romanita Disconzi - The EY Exhibition: The World Goes Pop, opens at the Tate Modern. The exhibition covers the full breadth of international Pop Art from the 1960s and 70s, 'exploding' the traditional story of Pop. The show features 'colourful and exciting' works from Latin America, Asia, Europe and the Middle East – the majority of which have never before been shown in the UK. Highlights include: Japanese pop artist Tajiri’s striking large scale sculpture Machine No.7, surrounded by works by artists Ushio Shinohara, Erro, Equipo Cronica and Evelyne Axel; a mirrored full room installation specially recreated for this exhibition by Polish pop artist Jana Zelibska; and Henri Cueco’s multi-layered sculptural work Large Protest 1969 seen in front of his painting The Red Men, bas-relief 1969, exploring the Cold War, Vietnam War and May 1968 protests in Paris. The Exhibition is at Tate Modern from 7 September 2015 - 24 January 2015.
    Tate Pop art GBPhotos 08.jpg
  • Sphere with inner form in the pavilion room.  Barbara Hepworth: Sculpture for a Modern World opens at Tate Britain -  the first London museum retrospective or five decades of the work of Hepworth (1903-75), one of Britain’s greatest artists. This major retrospective opens on 24 June 2015 and will emphasise Hepworth’s prominence in the international art world. It highlights the different contexts and spaces in which Hepworth presented her work, from the studio to the landscape. Highlights include: A room dedicated to a series of sculptures Hepworth carved in the 1940s, which are characterised by the dramatic hollowing out of pieces of wood and the painting of the interior spaces she opened up. Works in this room include the famous Pelagos 1946 (‘sea’ in Greek), which was inspired by a view of the bay of St Ives, Cornwall; Imposing wooden sculptures made from huge logs of the sumptuous tropical hardwood guarea, such as Corinthos 1954-5 – a grand 1 metre x 1 metre sculpture named after the ancient Greek city in which Hepworth summed up the light and landscape of Greece. The unusually large size of guarea pieces allowed Hepworth to experiment with interior spaces through the use of string, spiralling edges, paint or rough carved surfaces to maximise the effect of light; An architectural installation inspired by the Rietveld Pavilion, originally built at the Kröller-Müller Museum, Otterlo in 1965 which housed a display of Hepworth bronzes at its opening. The structure in the exhibition explores how Hepworth presented her works and how she worked on an international stage. Barbara Hepworth: Sculpture for a Modern World is at Tate Britain from 24 June to 25 October 2015.
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  • John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 03.jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • Phillip King with Nile 1967,Plastic laminated and glass reinforces plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
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  • Shell Shocked by Don McCullin. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 02.jpg
  • The Map a set of images from the photobook shows the effects of the atomic bomb still visible when Kikuji Kawada shot them 15 years later.  Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 15.jpg
  • The Archive of Modern Conflict, installation. Conflict, Time, Photography, a new exhibition at the Tate Modern - showcasing the unique ways photographers look back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. It includes: renowned photographers Don McCullin, Kikuji Kawada and Taryn Simon; Luc Delahaye’s large-scale image of the US bombing of Taliban positions in Afghanistan, showing a cloud of smoke rising from the battlefield; Hiromi Tsuchida’s large-scale photograph of a watch stopped at the moment the atomic bomb fell on Hiroshima in 1945; The Archive of Modern Conflict’s colourful and chaotic new installation, bringing together war-related images and objects from around the world and across the past 100 years; and Chloe Dewe Mathews’s haunting landscapes photographed at dawn, showing the places where British soldiers were executed for desertion and cowardice in the First World War. The show runs from 26 November 2014 – 15 March 2015. Tate Modern, London, UK 25 Nov 2014.
    Tate War Photos GBPhotos 07.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 43.jpg
  • The Young Acrobat - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 37.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 36.jpg
  • Student Flor Mendschein collects some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 52.jpg
  • Student Flor Mendschein collects some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 51.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 50.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 45.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 44.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 43.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 41.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 39.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 38.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 37.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 36.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 35.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 34.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 33.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 32.jpg
  • Clare Twomey gets a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 31.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 29.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 28.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 26.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 24.jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 23.jpg
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