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  • Phillip King's Nile 1967,Plastic laminated and glass reinforces plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 55.jpg
  • Phillip King's Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 10.jpg
  • The artist reads a review in the Guardian/Observer. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 61.jpg
  • Phillip King with Nile 1967,Plastic laminated and glass reinforces plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 43.jpg
  • Phillip King with Genghis Khan 1963 Painted plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 41.jpg
  • Phillip King's Call 1967, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 16.jpg
  • Phillip King's Genghis Khan is dusted by art handler Mikei Hall. <br />
Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 06.jpg
  • Phillip King's Genghis Khan is dusted by art handler Mikei Hall. <br />
Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 05.jpg
  • Phillip King's Genghis Khan is dusted by art handler Mikei Hall. <br />
Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 01.jpg
  • Phillip King with Call 1967, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 60.jpg
  • Phillip King with Call 1967, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 58.jpg
  • Phillip King with Call 1967, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 57.jpg
  • Phillip King with Nile 1967,Plastic laminated and glass reinforces plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 53.jpg
  • Phillip King with Nile 1967,Plastic laminated and glass reinforces plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 52.jpg
  • Phillip King with Nile 1967,Plastic laminated and glass reinforces plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 50.jpg
  • Phillip King with Nile 1967,Plastic laminated and glass reinforces plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 45.jpg
  • Phillip King with Genghis Khan 1963 Painted plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 42.jpg
  • Phillip King with Genghis Khan 1963 Painted plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 35.jpg
  • Phillip King with Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 33.jpg
  • Phillip King with Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 30.jpg
  • Phillip King with Dunstable Reel 1970, Painted steelwith And the Birds Began to Sing 1964 in the foreground. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 23.jpg
  • Phillip King with Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 21.jpg
  • Phillip King with Call 1967, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 17.jpg
  • Phillip King's Genghis Khan 1963 Painted plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 15.jpg
  • Phillip King's Genghis Khan 1963 Painted plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 14.jpg
  • Phillip King's Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 13.jpg
  • Phillip King's Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 12.jpg
  • Phillip King , Acrylic and metal. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 07.jpg
  • Phillip King's Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 08.jpg
  • Phillip King with Nile 1967,Plastic laminated and glass reinforces plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 51.jpg
  • Phillip King with Nile 1967,Plastic laminated and glass reinforces plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 44.jpg
  • Phillip King with Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 32.jpg
  • Phillip King with Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 31.jpg
  • Phillip King with Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 18.jpg
  • Phillip King's Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 11.jpg
  • Phillip King with Nile 1967,Plastic laminated and glass reinforces plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 54.jpg
  • Phillip King with Nile 1967,Plastic laminated and glass reinforces plastic. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 48.jpg
  • Phillip King with Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 27.jpg
  • Phillip King's Dunstable Reel 1970, Painted steel. Phillip King exhibition at the Tate Britain, to mark his 80th birthday. The display celebrates King’s significant contribution to late 20th century sculpture through six colourful sculptures. These are his key works from the 1960s and include a variety of unusual shapes and forms, demonstrate King’s experimentation with abstraction, construction, material and colour. They include iconic sculptures such as Genghis Khan 1963, a conical structure with a pair of antler-like forms and Rosebud 1962, his first coloured sculpture using fibreglass. The works are displayed in the grand surroundings of the Duveen galleries at Tate Britain.
    Tate Phillip King GBPhotos 09.jpg
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