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  • The three final works - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames (pictured): Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 02.jpg
  • The room devoted to his works on Venice - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 37.jpg
  • The room devoted to his works on Venice - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 35.jpg
  • Noah's Sacrifice -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 31.jpg
  • Death of Actaeon - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 32.jpg
  • Modern Rome -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation (pictured) ; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 30.jpg
  • Watercolour palette and spectacles - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 25.jpg
  • Death of Actaeon (C) - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 21.jpg
  • Peace: Burial at sea, Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 18.jpg
  • War:Excile and the rock, Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 16.jpg
  • Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 10.jpg
  • Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 09.jpg
  • Bamborough Castle - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years (pictured); Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 08.jpg
  • The three final works - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames (pictured): Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 03.jpg
  • The room devoted to his works on Venice - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 36.jpg
  • The room devoted to his works on Venice - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 34.jpg
  • The room devoted to his works on Venice - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 33.jpg
  • Ancient and Modern Rome -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation (pictured) ; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 29.jpg
  • The room devoted to his works on Venice - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 28.jpg
  • A disaster at sea (pictured) -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 27.jpg
  • Sketchbooks of Folkestone and Storm -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 26.jpg
  • Ancient and Modern Rome -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation (pictured) ; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 24.jpg
  • Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 23.jpg
  • Death of Actaeon (L) - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 22.jpg
  • Peace: Burial at sea, Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 20.jpg
  • Peace: Burial at sea, Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 19.jpg
  • Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 17.jpg
  • A disaster at sea (pictured) -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 15.jpg
  • A disaster at sea (pictured) -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 14.jpg
  • A disaster at sea (pictured) -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 13.jpg
  • A disaster at sea (pictured) -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 12.jpg
  • Square paintings -The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings (pictured) in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 11.jpg
  • Bamborough Castle - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years (pictured); Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 06.jpg
  • Bamborough Castle - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years (pictured); Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 05.jpg
  • The three final works - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames (pictured): Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 04.jpg
  • The three final works - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames (pictured): Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 01.jpg
  • Bamborough Castle - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years (pictured); Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 07.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014
    Turner Prize 2014 GBPhotos 49.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 33.jpg
  • The work of Tris Vonna-Michell. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 16.jpg
  • The work of Tris Vonna-Michell. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 15.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 06.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 04.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 02.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014
    Turner Prize 2014 GBPhotos 55.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014
    Turner Prize 2014 GBPhotos 54.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014
    Turner Prize 2014 GBPhotos 52.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014
    Turner Prize 2014 GBPhotos 51.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014
    Turner Prize 2014 GBPhotos 50.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014
    Turner Prize 2014 GBPhotos 48.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014
    Turner Prize 2014 GBPhotos 47.jpg
  • Sigmar 2013 by Duncan Campbell (the projected work is reflected on the front of the projector). Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 44.jpg
  • Sigmar 2013 by Duncan Campbell (the projected work is reflected on the front of the projector). Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 43.jpg
  • Sigmar 2013 by Duncan Campbell (the projected work is reflected on the front of the projector). Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 42.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 34.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 31.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 32.jpg
  • The work of Tris Vonna-Michell. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 29.jpg
  • Rosebud 2103 by James Richards. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 28.jpg
  • Rosebud 2103 by James Richards. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 26.jpg
  • Rosebud 2103 by James Richards. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 25.jpg
  • Rosebud 2103 by James Richards. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 24.jpg
  • Untitled Merchandise (Lovers and Dealers) by James Richards. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 23.jpg
  • Untitled Merchandise (Lovers and Dealers) by James Richards. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 22.jpg
  • The Screen 2013 by James Richards. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 21.jpg
  • The Screen 2013 by James Richards. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 20.jpg
  • The work of Tris Vonna-Michell. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 18.jpg
  • The work of Tris Vonna-Michell. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 17.jpg
  • The work of Tris Vonna-Michell. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 14.jpg
  • The work of Tris Vonna-Michell. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 13.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 12.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 10.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 09.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 07.jpg
  • Things Shared by Ciara Phillips. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 05.jpg
  • Rosebud 2103 by James Richards. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014.
    Turner Prize 2014 GBPhotos 01.jpg
  • The Turner Prize 2012 exhibition opens on 2 October at Tate Britain. It features work by the four shortlisted artists: Spartacus Chetwynd, Luke Fowler, Paul Noble and Elizabeth Price. Here performers from the work of Spartacus - which is based on her show 'Odd Man Out 2011', including the oracle and a puppet show of Jesus and Barabas. Tate Britain, London, UK.
    GB3662.jpg
  • It for Others 2013 by Duncan Campbell. Turner Prize 2014 - Celebrating its 30th year, this year’s shortlisted artists and their installations are: Ciara Phillips, Things Shared 2014 - an immersive experience which feels like walking into a giant screenprint; Duncan Campbell, It for Others 2013 including a dance sequence by Michael Clark; James Richards, Rosebud 2013 - a poetic film that includes censored images found in a Tokyo library; and Tris Vonna-Michell: Postscript II (Berlin) 2013 – mixes autobiographical fact with fiction to tell fantastical stories. Tate Britain, Millbank, London, UK 29 Sep 2014. Guy Bell, guy@gbphotos.com, 07771 786236
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  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 02.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 29.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 26.jpg
  • Supergo 2016 - The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 21.jpg
  • Supergo 2016 - The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 20.jpg
  • Supergo 2016 - The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 18.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 16.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 15.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 12.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 14.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 10.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 11.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 08.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 09.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 04.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 05.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 03.jpg
  • Turner Prize-winning potter Grayson Perry (as Claire) receives the Freedom of the City of London in recognition of his contribution to the arts - . Guildhall Art Gallery, Guildhall Yard, London, UK 22 Apr 2015
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  • Turner Prize-winning potter Grayson Perry (as Claire) receives the Freedom of the City of London in recognition of his contribution to the arts - . Guildhall Art Gallery, Guildhall Yard, London, UK 22 Apr 2015
    GB16783.jpg
  • Turner Prize-winning potter Grayson Perry (as Claire) receives the Freedom of the City of London in recognition of his contribution to the arts - . Guildhall Art Gallery, Guildhall Yard, London, UK 22 Apr 2015
    GB16782.jpg
  • Turner Prize-winning potter Grayson Perry (as Claire) receives the Freedom of the City of London in recognition of his contribution to the arts - . Guildhall Art Gallery, Guildhall Yard, London, UK 22 Apr 2015
    GB16778.jpg
  • Turner Prize-winning potter Grayson Perry (as Claire) receives the Freedom of the City of London in recognition of his contribution to the arts - . Guildhall Art Gallery, Guildhall Yard, London, UK 22 Apr 2015
    GB16777.jpg
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