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  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 and Peacock 1873 by Paul Comolera - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Queen Victoria by AEdward onslow Ford and Alfred Gilbert - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Queen Victoria by AEdward onslow Ford and Alfred Gilbert - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Queen Victoria by AEdward onslow Ford and Alfred Gilbert - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Eagle Slayer by John Bell 1851 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • The Eglington Trophy 1843 by Edmund Cotterill and R&S Garrard - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sherwood Westmacott’s Baron Saher de Quincy, Earl of Winchester 1854 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 and Peacock 1873 by Paul Comolera - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Dame Alice Owen 1897 by George Frampton and Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Dame Alice Owen 1897 by George Frampton and Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Sir William Reynolds-Stephens’ A Royal Game 1906-11 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Thomas Longmore and John Henk’s Elephant 1889 - Sculpture Victorious at Tate Britain. The Victorian era was a golden age for sculpture. Sculpture Victorious pays tribute to the great sculptors of the time and showcases lavish works produced in the period, from a brightly coloured ceramic elephant that stands just under seven feet tall to sumptuous jewellery from Chatsworth House. Highlights include: Sir William Reynolds-Stephens’ A Royal Game 1906-11. A 2.4 metre high sculpture depicting the struggles between Elizabeth I and Philip of Spain as a game of chess; Thomas Longmore and John Henk’s Elephant 1889. The imposing sculpture, made from painted earthenware is one of the most technically sophisticated ceramic objects ever attempted, showcasing industrial craft at its most artful and ambitious; and James Sherwood Westmacott’s exquisitely detailed electroplated Baron Saher de Quincy, Earl of Winchester 1854, specially removed from the Houses of Parliament for the first time for this exhibition.<br />
<br />
Salt and Silver: Early Photography 1840-60 is also be opening on the same day, displaying rarely seen salt prints - one of the earliest forms of photography.
    Sculpture Victorious Tate 02 15 GBPh...jpg
  • Rick Forest, 89 D-day, Reginald Widerspoon, 90, Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 09.jpg
  • Guardsman Euan Jones, 20, Tpr Oliver Wain, 24, Rick Forest, 89 D-day, Reginald Widerspoon, 90, Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy, Tpr Joel Robinson, 20, L Cpl Stephen Hubball, 25 (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 04.jpg
  • The Victory lights at the Houses of Parliament. VE Day 70 commemorations - Three days of events in London and across the UK marking historic anniversary of end of the Second World War in Europe. Trafalgar Square, scene of jubilant celebrations marking the end of the Second World War in Europe on 8 May 1945, plays a central part in a host of national events, which include a Service of Remembrance at the Cenotaph, a concert in Horse Guards Parade, a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast.
    GB17158.jpg
  • The Victory lights at the Houses of Parliament. VE Day 70 commemorations - Three days of events in London and across the UK marking historic anniversary of end of the Second World War in Europe. Trafalgar Square, scene of jubilant celebrations marking the end of the Second World War in Europe on 8 May 1945, plays a central part in a host of national events, which include a Service of Remembrance at the Cenotaph, a concert in Horse Guards Parade, a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast.
    GB17157.jpg
  • Peter Kent, 90 Royal Navy, show off his boxing skills - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 16.jpg
  • Rick Forest, 89 D-day, Reginald Widerspoon, 90 (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 14.jpg
  • Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy, Tpr Joel Robinson, 20, L Cpl Stephen Hubball, 25 (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 12.jpg
  • Guardsman Euan Jones, 20, Tpr Oliver Wain, 24, Rick Forest, 89 D-day, Reginald Widerspoon, 90, Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy, Tpr Joel Robinson, 20, L Cpl Stephen Hubball, 25 (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 11.jpg
  • Guardsman Euan Jones, 20, Tpr Oliver Wain, 24, Rick Forest, 89 D-day, Reginald Widerspoon, 90, Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy, Tpr Joel Robinson, 20, L Cpl Stephen Hubball, 25 (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 08.jpg
  • Tpr Oliver Wain, 24, Rick Forest, 89 D-day, Reginald Widerspoon, 90, Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy, Tpr Joel Robinson, 20 - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 10.jpg
  • Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy, Tpr Joel Robinson, 20, L Cpl Stephen Hubball, 25 (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 07.jpg
  • Guardsman Euan Jones, 20, Tpr Oliver Wain, 24, Rick Forest, 89 D-day, Reginald Widerspoon, 90, Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy, Tpr Joel Robinson, 20, L Cpl Stephen Hubball, 25 (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 03.jpg
  • The Victory lights at the Houses of Parliament. VE Day 70 commemorations - Three days of events in London and across the UK marking historic anniversary of end of the Second World War in Europe. Trafalgar Square, scene of jubilant celebrations marking the end of the Second World War in Europe on 8 May 1945, plays a central part in a host of national events, which include a Service of Remembrance at the Cenotaph, a concert in Horse Guards Parade, a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast.
    GB17160.jpg
  • Peter Kent, 90 Royal Navy, show off his boxing skills - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 18.jpg
  • Peter Kent, 90 Royal Navy, show off his boxing skills - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 17.jpg
  • Peter Kent, 90 Royal Navy, show off his boxing skills - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 15.jpg
  • Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 13.jpg
  • Guardsman Euan Jones, 20, Tpr Oliver Wain, 24, Rick Forest, 89 D-day, Reginald Widerspoon, 90, Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy, Tpr Joel Robinson, 20, L Cpl Stephen Hubball, 25 (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 06.jpg
  • Guardsman Euan Jones, 20, Tpr Oliver Wain, 24, Rick Forest, 89 D-day, Reginald Widerspoon, 90, Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy, Tpr Joel Robinson, 20, L Cpl Stephen Hubball, 25 (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 05.jpg
  • Guardsman Euan Jones, 20, Tpr Oliver Wain, 24, Rick Forest, 89 D-day, Reginald Widerspoon, 90, Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy, Tpr Joel Robinson, 20, L Cpl Stephen Hubball, 25 (L to R) - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 01.jpg
  • Tpr Oliver Wain, 24, Rick Forest, 89 D-day, Reginald Widerspoon, 90, Charles Jeffries, 93 D-day/Dessert Rat, John Cuthbert, 92, Peter Kent, 90 Royal Navy, Tpr Joel Robinson, 20 - Second World War Veterans, Reg Wilderspin (89) and John Cuthbert (92), and serving Guardsmen on Horse Guards Parade Ground to highlight Royal British Legion events on Victory in Europe (VE) Day. The Legion is also announcing that veterans and their carers will receive funding towards attending the event on the weekend of the 8-10th May.<br />
<br />
Places will be available for a series of commemorative events over the weekend including on VE Day itself, Friday 8 May, when a Service of Remembrance will be held at The Cenotaph, with a national two minute silence at 3pm. On Sunday 10 May, there will a Service of Thanksgiving at 11am at Westminster Abbey attended by HM The Queen, followed by a parade from the Abbey to Horse Guards Parade and into St James’s Park, where the Legion will host a lunch reception for the veterans.
    British Legion VE Day GBPhotos 02.jpg
  • People sop to spare a thought for the men of the Royal Tank Regiment at their memorial. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 48.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 43.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 42.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 41.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 40.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 37.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 35.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 34.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 33.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 23.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 22.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 21.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services - but some are determined to walk and their wheelchairs follow. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 18.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 16.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 15.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 14.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 12.jpg
  • Many of the veterans are in wheelchairs pushed by personel from the armed forces and emergency services. VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 10.jpg
  • VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans, led by a military pipe band, and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 07.jpg
  • VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 06.jpg
  • VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 04.jpg
  • VE Day 70 commemorations -  marking historic anniversary of end of the Second World War in Europe. following a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast - down whitehall and into Horse Guards Parade.
    VE Day 70 Veterans March GBPhotos 01.jpg
  • A Russian boy has a go at aiming a 17 pounder anti-tank gun in St James Park. VE Day 70 commemorations - Three days of events in London and across the UK marking historic anniversary of end of the Second World War in Europe. Trafalgar Square, scene of jubilant celebrations marking the end of the Second World War in Europe on 8 May 1945, plays a central part in a host of national events, which include a Service of Remembrance at the Cenotaph, a concert in Horse Guards Parade, a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast.
    VE Day 70 GBPhotos 33.jpg
  • The Queen and The Duke of Edinburgh light a Beacon at Windsor Castle as part of chain of signals to mark VE Day 70 commemorations . Three days of events in London and across the UK to mark the historic anniversary of end of the Second World War in Europe - include a Service of Remembrance at the Cenotaph, a concert in Horse Guards Parade, a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast.
    VE Day 70 GBPhotos 21.jpg
  • The Queen and The Duke of Edinburgh light a Beacon at Windsor Castle as part of chain of signals to mark VE Day 70 commemorations . Three days of events in London and across the UK to mark the historic anniversary of end of the Second World War in Europe - include a Service of Remembrance at the Cenotaph, a concert in Horse Guards Parade, a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast.
    VE Day 70 GBPhotos 15.jpg
  • The Queen and The Duke of Edinburgh light a Beacon at Windsor Castle as part of chain of signals to mark VE Day 70 commemorations . Three days of events in London and across the UK to mark the historic anniversary of end of the Second World War in Europe - include a Service of Remembrance at the Cenotaph, a concert in Horse Guards Parade, a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast.
    VE Day 70 GBPhotos 12.jpg
  • VE Day 70 commemorations - Three days of events in London and across the UK marking historic anniversary of end of the Second World War in Europe. Trafalgar Square, scene of jubilant celebrations marking the end of the Second World War in Europe on 8 May 1945, plays a central part in a host of national events, which include a Service of Remembrance at the Cenotaph, a concert in Horse Guards Parade, a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast.
    VE Day 70 GBPhotos 09.jpg
  • The crowd join in with the memorial service in Whitehall. VE Day 70 commemorations - Three days of events in London and across the UK marking historic anniversary of end of the Second World War in Europe. Trafalgar Square, scene of jubilant celebrations marking the end of the Second World War in Europe on 8 May 1945, plays a central part in a host of national events, which include a Service of Remembrance at the Cenotaph, a concert in Horse Guards Parade, a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast.
    VE Day 70 GBPhotos 04.jpg
  • The memorial service in Whitehall attended by Prince Andrew, David Cameron, Nick Clegg and Ed Miliband (seeming to give DC the eye). VE Day 70 commemorations - Three days of events in London and across the UK marking historic anniversary of end of the Second World War in Europe. Trafalgar Square, scene of jubilant celebrations marking the end of the Second World War in Europe on 8 May 1945, plays a central part in a host of national events, which include a Service of Remembrance at the Cenotaph, a concert in Horse Guards Parade, a Service of Thanksgiving at Westminster Abbey, a parade of Service personnel and veterans and a flypast.
    VE Day 70 GBPhotos 03.jpg
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