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  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Dostoyevskiy, 2017, by Valsiliy Slonov  - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 45.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 41.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 30.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 25.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 20.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 17.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 15.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 11.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 07.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 20.jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Pussy Icons 2013 by Lucy Djanyan  - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 44.jpg
  • Mordov lag 2012 by Lusine Djanyan and Alexey Knedlyakovskij - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 43.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 42.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 40.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 39.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 38.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 37.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 36.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 35.jpg
  • History of Russia in Axes by Vasiliy Slonov with work by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 34.jpg
  • Islamic Project by the AES+F Collective - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 33.jpg
  • Mordov lag 2012 by Lusine Djanyan and Alexey Knedlyakovskij - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 32.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 31.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 28.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 27.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 26.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 23.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 22.jpg
  • United Kingdom of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 21.jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 19.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 16.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 14.jpg
  • Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 13.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 12.jpg
  • Madonna 2013 -Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 10.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 09.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 08.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 05.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 06.jpg
  • Works by Piotr Pavlensky - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 01.jpg
  • Works by Piotr Pavlensky - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 02.jpg
  • Donbass Chocolate series by Arsen Savadov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 03.jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • History of Russia in Axes by Vasiliy Slonov with United States and United Kingdom of Serbia by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 24.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 18.jpg
  • Donbass Chocolate series by Arsen Savadov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 04.jpg
  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 32.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 09.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 36.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 35.jpg
  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 34.jpg
  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 33.jpg
  • Evan Roth Internet Cache Self Portrait: November 24, 2015 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 31.jpg
  • Evan Roth Internet Cache Self Portrait: November 24, 2015 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 30.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 29.jpg
  • Eduardo Kac Reabracadabra 1985 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 26.jpg
  • Douglas Coupland Deep Face 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 25.jpg
  • Aleksandra Domanovic Sueño de una Tarde 2013 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 24.jpg
  • Tony Longson<br />
Square Tonal Drawing 198 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 23.jpg
  • Nam June  Paik Internet Dream 1994 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 20.jpg
  • Nam June  Paik Internet Dream 1994 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 19.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 17.jpg
  • Nam June  Paik Internet Dream 1994 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 18.jpg
  • Peter  Sedgley Light Pulse No 3 1968 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 15.jpg
  • Peter  Sedgley Light Pulse No 3 1968 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 14.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 13.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 and in the background, Amalia Ulman Excellences & Perfections (Instagram Update, 20th June 2014) 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 10.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 08.jpg
  • Jacolby Satterwhite En Plein Air: Music of Objective Romance 2016 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 05.jpg
  • Jacolby Satterwhite En Plein Air: Music of Objective Romance 2016 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 04.jpg
  • EOlaf Breuning Text Butt 2015 - lectronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 01.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 03.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 02.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 28.jpg
  • Douglas Coupland Deep Face 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 27.jpg
  • Rafael Lozano-Hemmer Surface Tension 199 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 22.jpg
  • Rafael Lozano-Hemmer Surface Tension 199 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 21.jpg
  • Peter  Sedgley Light Pulse No 3 1968 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 16.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 12.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 11.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 07.jpg
  • Lynn  Hershman Leeson Lorna 1979-198 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 06.jpg
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