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  • Damien Hirst, Holbein (Artists watercolours) in white Cube - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23773.jpg
  • Ken Kagami draws sketches of mens genitals and womens bresasts for a large queue of visitors - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 18.jpg
  • Polychromatic Attentio by Olafur Eliason in the Tanya Bonakdar gallery- Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 16.jpg
  • A glass work by Armando Andrade Tudela in the Carl Freedman Gallery -  Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 13.jpg
  • John de Andrea, Cierra 2003 in the gallery Perrotin - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 09.jpg
  • Works by Chris Martin int he Anto Kern Gallery - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23793.jpg
  • The Frieze Project by Ayr - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23791.jpg
  • Cocktail party by Tom Friedman - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23788.jpg
  • Mark Leckey, Felix in the Buchholz Gallery - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23778.jpg
  • Lui Wei Puzzle, in White Cube - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23771.jpg
  • Art by Allen Ruppersberg - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 22.jpg
  • Works at White Cube - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 21.jpg
  • Works at White Cube - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 20.jpg
  • Works at White Cube - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 19.jpg
  • Ken Kagami draws sketches of mens (in this case Philip aged 10 slips under the age bar) genitals and womens bresasts for a large queue of visitors - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 17.jpg
  • Polychromatic Attentio by Olafur Eliason in the Tanya Bonakdar gallery- Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 15.jpg
  • Still Life in the Doldrums by Anri Sala in the Marian Goodman Gallery - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 14.jpg
  • A glass work by Armando Andrade Tudela in the Carl Freedman Gallery -  Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 12.jpg
  • A glass work by Armando Andrade Tudela in the Carl Freedman Gallery -  Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 11.jpg
  • John de Andrea, Cierra 2003 in the gallery Perrotin - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 10.jpg
  • Untitled by Heimo Zobernig - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 08.jpg
  • Rendezvous with Rama by Shezad Dawood - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 07.jpg
  • Eva Kotatkova performs in an installation piece for the Meyer Riegger Gallery - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 06.jpg
  • Eva Kotatkova performs in an installation piece for the Meyer Riegger Gallery - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 05.jpg
  • Blockman 2 by Mathew Day Jackson - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 04.jpg
  • Work by Kerstin Bratsch and Debo Eilers - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 02.jpg
  • Couple by Louise Bourgeois - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 03.jpg
  • Lui Wei Puzzle, in White Cube - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    Frieze Art 15 GBPhotos 01.jpg
  • Cocktail party by Tom Friedman - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23796.jpg
  • Work by Gilbert and George - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23794.jpg
  • Work by Glenn Brown in the Gagosian Gallery - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23834.jpg
  • The Frieze Project by Ayr - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23792.jpg
  • Cocktail party by Tom Friedman - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23787.jpg
  • Siamese Hair Twins, A walking installation, by Tunga - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23799.jpg
  • A piece in the David Zwirner gallery - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23798.jpg
  • Anish Kapoor, Untitled in the Lisson Gallery - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23785.jpg
  • John de Andrea, Cierra 2003 in the gallery Perrotin - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23784.jpg
  • Work by Do Ho Sum in the Lehman Maupin Gallery - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23782.jpg
  • Work by Do Ho Sum in the Lehman Maupin Gallery - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23781.jpg
  • Kelley Walker, Pioneer PL-58 & inch series -  Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23779.jpg
  • Simon Denny - Cisco rack dolphin - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23821.jpg
  • Mark Leckey, Felix in the Buchholz Gallery - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23774.jpg
  • Lonely Planet ii 2015 by Samara Scott - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23789.jpg
  • Lui Wei Puzzle, in White Cube - Frieze London 2015, Regents Park, London. Frieze London is one of the few fairs to focus only on contemporary art and living artists. The exhibiting galleries represent the most 'exciting' contemporary galleries working today. The focus on living artists is also evident in the critically acclaimed Frieze Projects’ programme. The fair presents a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative and encourage visitors to engage with art and artists directly. The fair is open to the public 14–17 October.
    GB23770.jpg
  • Both outside Horse Guards - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 21.jpg
  • Both outside the old London Stock Exchange in the City - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 30.jpg
  • Passing the Bank of England - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 28.jpg
  • Passing the Bank of England Ai Weiwei give bankers the 'finger' - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 27.jpg
  • Both passing Downing Street in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 24.jpg
  • Both outside Horse Guards - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 23.jpg
  • Both in Piccadilly Circus  in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 18.jpg
  • Both leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 16.jpg
  • Both leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 15.jpg
  • Both doing interviews  (in front of Ai Weiwei's Trees) before leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 06.jpg
  • Both leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 15.jpg
  • Leading their fellow walkers out of the City - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 34.jpg
  • Leading their fellow walkers out of the City - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 33.jpg
  • Passing Weiwei's sculpture Forever outside the Gherkin in the City the media interviews continue - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 31.jpg
  • Passing Weiwei's sculpture Forever outside the Gherkin in the City - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 32.jpg
  • Both outside the old London Stock Exchange in the City - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 29.jpg
  • Both on the Victoria Embankment still pursued by the media pack - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 26.jpg
  • Both passing Downing Street in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 25.jpg
  • Both passing Trafalgar Sq - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 20.jpg
  • Both in Piccadilly Circus in front of Eros - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 19.jpg
  • Both leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 17.jpg
  • Both leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 13.jpg
  • Both leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 12.jpg
  • Both leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 11.jpg
  • Both doing interviews  (in front of Ai Weiwei's Trees) before leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 10.jpg
  • Both leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 09.jpg
  • Both leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 08.jpg
  • Both doing interviews  (in front of Ai Weiwei's Trees) before leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 07.jpg
  • Ai Weiwei films the photogrpahers (in front of his Trees) before  leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 05.jpg
  • Both doing interviews  (in front of Ai Weiwei's Trees) before leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 04.jpg
  • Both doing interviews  (in front of Ai Weiwei's Trees) before leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 03.jpg
  • Ai Weiwei doing interviews (in front of his Trees) before leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 02.jpg
  • Both taking selfies outside Horse Guards - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 22.jpg
  • Both leaving the Royal Academy in a media scrummage - Anish Kapoor and Ai Weiwei go for a walk in London - The two artists have joined hands to walk out of London on Thursday. Each will carry a single blanket as a symbol of the need that faces 60 million refugees in the world today. The Artists have said that they welcome Londoners to join them along their route and ask that Londoners too bring a blanket in gesture of support. The artists will repeat this action in cities across the world over the next few months. The walk started at 10am on Thursday 17th September, at the Royal Academy of Arts passed: Piccadilly Circus; Trafalgar Square; Whitehall;  St Paul’s Cathedral; Bank and ended up at Stratford.
    Weiwei Kapoor walk GBPhotos 01.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 36.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 35.jpg
  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 34.jpg
  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 33.jpg
  • Evan Roth Internet Cache Self Portrait: November 24, 2015 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 31.jpg
  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 32.jpg
  • Eduardo Kac Reabracadabra 1985 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 26.jpg
  • Douglas Coupland Deep Face 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 25.jpg
  • Aleksandra Domanovic Sueño de una Tarde 2013 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 24.jpg
  • Nam June  Paik Internet Dream 1994 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 20.jpg
  • Nam June  Paik Internet Dream 1994 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 19.jpg
  • Peter  Sedgley Light Pulse No 3 1968 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 15.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 09.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 and in the background, Amalia Ulman Excellences & Perfections (Instagram Update, 20th June 2014) 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 10.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 08.jpg
  • Jacolby Satterwhite En Plein Air: Music of Objective Romance 2016 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 05.jpg
  • Jacolby Satterwhite En Plein Air: Music of Objective Romance 2016 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 04.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 03.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 02.jpg
  • Evan Roth Internet Cache Self Portrait: November 24, 2015 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 30.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 29.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 28.jpg
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