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  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 36.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 10.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 35.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 33.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 32.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 31.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 30.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 28.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 27.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 25.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 21.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 20.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 17.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 16.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 15.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 13.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 09.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 08.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 07.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 06.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 05.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 04.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 01.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 02.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 03.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 34.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 29.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 26.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 24.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 23.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 22.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 19.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 18.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 14.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 12.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 11.jpg
  • Young people puffing on balloons in The Unfair Ground - The 2019 Glastonbury Festival, Worthy Farm. Glastonbury.
    GB39783.jpg
  • Seung-taek Lee Earth Play, 1979–89, Gallery Hyundai - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23751.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23733.jpg
  • Seung-taek Lee Earth Play, 1979–89, Gallery Hyundai - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23748.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23742.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23744.jpg
  • Jesse Wine Let me entertain you, 2015, Limoncello - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23737.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23729.jpg
  • Gary Webb<br />
Dreamy Bathroom, 2014, The Approach - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23723.jpg
  • Gary Webb<br />
Dreamy Bathroom, 2014, The Approach - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23717.jpg
  • Seung-taek Lee Earth Play, 1979–89, Gallery Hyundai - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23749.jpg
  • Conrad Shawcross, The Dappled Light<br />
of the Sun IV, 2015, <br />
Victoria Miro - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23740.jpg
  • Jesse Wine Let me entertain you, 2015, Limoncello - Frieze Sculpture Park London 2015, Regents Park, London. The Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London. Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare opportunity to encounter exceptional sculpture and installation art by international artists in the open air. Works for 2015 include: Lock (1976-7), a major installation by Richard Serra, which Peter Freeman (New York) will be shown for the first time publicly since it was exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay or Should I Go) (2014-15), remade for Frieze together with live performances originally commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris & Marian Goodman Gallery, London); a new solar-powered sound and light work by Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen (2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels). The fair is open to the public 14–17 October.
    GB23739.jpg
  • NHS balloons outside Downing Street - Doctors leave the picket line at St Thomas' Hospital to march to the DoH in Whitehall. Junior Doctors stage a 7 day all out strike action, this time imncluding accident and emergency coverage. They are striking against the new contracts due to be imposed by the Governemnt and health minister Jeremy Hunt. They are supported by the British Medical Association.
    Doctors All Out Strike 46.jpg
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