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  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 32.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 36.jpg
  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 34.jpg
  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 33.jpg
  • Evan Roth Internet Cache Self Portrait: November 24, 2015 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 31.jpg
  • Douglas Coupland Deep Face 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 25.jpg
  • Nam June  Paik Internet Dream 1994 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 20.jpg
  • Nam June  Paik Internet Dream 1994 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 19.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 and in the background, Amalia Ulman Excellences & Perfections (Instagram Update, 20th June 2014) 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 10.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 08.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 03.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 35.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 29.jpg
  • Eduardo Kac Reabracadabra 1985 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 26.jpg
  • Aleksandra Domanovic Sueño de una Tarde 2013 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 24.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 17.jpg
  • Nam June  Paik Internet Dream 1994 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 18.jpg
  • Peter  Sedgley Light Pulse No 3 1968 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 15.jpg
  • Peter  Sedgley Light Pulse No 3 1968 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 14.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 09.jpg
  • Jacolby Satterwhite En Plein Air: Music of Objective Romance 2016 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 05.jpg
  • Jacolby Satterwhite En Plein Air: Music of Objective Romance 2016 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 04.jpg
  • EOlaf Breuning Text Butt 2015 - lectronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 01.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 02.jpg
  • Evan Roth Internet Cache Self Portrait: November 24, 2015 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 30.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 28.jpg
  • Douglas Coupland Deep Face 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 27.jpg
  • Tony Longson<br />
Square Tonal Drawing 198 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 23.jpg
  • Rafael Lozano-Hemmer Surface Tension 199 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 22.jpg
  • Rafael Lozano-Hemmer Surface Tension 199 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 21.jpg
  • Peter  Sedgley Light Pulse No 3 1968 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 16.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 13.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 12.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 11.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 07.jpg
  • Lynn  Hershman Leeson Lorna 1979-198 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 06.jpg
  • A gang of school friends come up from Brighton as characters from computer game Leaguge of Legends. Katie, 23, as Varus; Sam, 24, as Sona, Alice, 21, as Ezreal; Vicky, 21, as Janna; and Jenny (pictured), 21, as Ashe.  London Film and Comic Con 2014, (LFCC), at Earls Court, London, UK.
    London Film and Comic Con 391.jpg
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