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  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 30.jpg
  • Spitfire Engine and Propeller with curators Bianca Chu and Alina Brezhneva (R) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 32.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 31.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 29.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 28.jpg
  • Spitfire Engine and Propeller - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 27.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 24.jpg
  • Intersection Point room as seen through the 'eye of Barbara hepworth's Two Forms - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 22.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 20.jpg
  • The Building Blocks room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 17.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 14.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 05.jpg
  • St Peters Sq by Luigi Gallandt (est £150-250k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 04.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 21.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 07.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 26.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 19.jpg
  • Holy Virgin Mary by Chris Ofili (est £1.5-2m) and Baga Shoulder Mask (Euro 1.5-2.5m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 16.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 13.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 12.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 11.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 09.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street, London.
    Christies Curates GBPhotos 02.jpg
  • Two men working in a field by Francis Bacon (est £7-10m)- Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 03.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 25.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 18.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 06.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 23.jpg
  • Lenin by Andy Warhol (est £1.2-1.8m)  looks down on the new pop-up coffee shop in The (anti) Portrait room - - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 15.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 08.jpg
  • Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 01.jpg
  • Napoleons hat and Death of Repubic Soldiers by Zeng Fanzhi (est £0.7-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 10.jpg
  • PAUL CÉZANNE (1839-1906)<br />
L'homme à la pipe (Étude pour un joueur de cartes)<br />
(recto ) drawn in 1890-1892 (verso )<br />
Estimate: $18,000,000-25,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23621.jpg
  • El Anatsui (Ghanaian, born 1944), 'The Pilgrims', est £30,000-50,000<br />
- Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23583.jpg
  • Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23572.jpg
  • JOSEPH "PAA JOE" TETTEH-ASHONG (GHANAIAN, BORN 1945)'JFK Limousine' <br />
£4,000-6,000<br />
 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23569.jpg
  • Peju Alatise (Nigerian, born 1975), 'High Horses' triptych. est £25,000-30,000 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23561.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23627.jpg
  • PABLO PICASSO (1881-1973)<br />
Homme à l’épée<br />
Painted on 25 July 1969<br />
Estimate on Request (in the region of $25 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23624.jpg
  • PAUL CÉZANNE (1839-1906)<br />
L'homme à la pipe (Étude pour un joueur de cartes)<br />
(recto ) drawn in 1890-1892 (verso )<br />
Estimate: $18,000,000-25,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23620.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23605.jpg
  • LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23603.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23589.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23526.jpg
  • Peter Doig Cabin Essence, 1993-4 to be autioned in Frieze week - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23585.jpg
  • El Anatsui (Ghanaian, born 1944), 'The Pilgrims', est £30,000-50,000<br />
- Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23582.jpg
  • Maïmouna Guerresi (Italian, born 1951), Mohamed and Daughters. est £12,000-18,000 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23579.jpg
  • El Anatsui (Ghanaian, born 1944), 'Al Haji', signed 'EL 90' (18th plank from base), est £100,000-150,000<br />
 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23575.jpg
  • El Anatsui (Ghanaian, born 1944), 'Al Haji', signed 'EL 90' (18th plank from base), est £100,000-150,000<br />
 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23573.jpg
  • Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23571.jpg
  • JOSEPH "PAA JOE" TETTEH-ASHONG (GHANAIAN, BORN 1945)'JFK Limousine' <br />
£4,000-6,000<br />
 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23566.jpg
  • GONÇALO MABUNDA (MOZAMBICAN, BORN 1975) Weapon Throne I <br />
welded metal and decommissioned weapons£7,000-10,000<br />
 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23565.jpg
  • Peju Alatise (Nigerian, born 1975), 'High Horses' triptych. est £25,000-30,000 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23562.jpg
  • Günther Uecker(German, born 1930) Untitled <br />
1967 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23556.jpg
  • Yayoi Kusama(Japanese,  1929) Macaroni Shirt 1965<br />
 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23552.jpg
  • Kazuo Shiraga(Japanese, born 1924)Untitled (Red Fan)<br />
1964 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23551.jpg
  • Kazuo Shiraga(Japanese, born 1924)Untitled (Red Fan)<br />
1964 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23543.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl, <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23541.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23614.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23610.jpg
  • Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23607.jpg
  • Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23606.jpg
  • LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23604.jpg
  • RENÉ MAGRITTE (1898-1967)<br />
Le miroir universel<br />
signed 'Magritte'<br />
Painted in 1938-1939<br />
Estimate: $3,000,000-5,000,000Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23599.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23598.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23537.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23595.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23594.jpg
  • FRANCIS BACON (1909-1992)<br />
Studies for Portrait Painted in 1976.<br />
Estimate: $12,000,000-18,000,000Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23528.jpg
  • FRANCIS BACON (1909-1992)<br />
Studies for Portrait Painted in 1976.<br />
Estimate: $12,000,000-18,000,000Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23591.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23590.jpg
  • JEAN DUBUFFET (1901-1985)<br />
Cote Chipote<br />
Painted in 1961.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23588.jpg
  • FRANCIS BACON (1909-1992)<br />
Studies for Portrait<br />
Painted in 1976.<br />
Estimate: $12,000,000-18,000,000 and JEAN DUBUFFET (1901-1985)<br />
Cote Chipote<br />
Painted in 1961.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23587.jpg
  • Peter Doig Cabin Essence, 1993-4 to be autioned in Frieze week - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23584.jpg
  • Kumiko Imanaka(Japanese, born 1939)Untitled <br />
1967<br />
 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23560.jpg
  • Yayoi Kusama(Japanese,  1929) Macaroni Shirt 1965<br />
 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23554.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23535.jpg
  • PABLO PICASSO (1881-1973)<br />
Homme à l’épée<br />
Painted on 25 July 1969<br />
Estimate on Request (in the region of $25 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23623.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23540.jpg
  • ALBERTO GIACOMETTI (1901-1966)<br />
Femme debout<br />
Conceived in 1956-1957 and cast by 1958<br />
Estimate: $4,000,000-6,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23619.jpg
  • A staff member takes a selfie in front of Four Marilyns by ANDY WARHOL (1928-1987)<br />
Painted in 1962.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23617.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23608.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23532.jpg
  • Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23601.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23538.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23530.jpg
  • PAUL CÉZANNE (1839-1906)<br />
Pommes sur un linge<br />
Painted circa 1885<br />
Estimate: $7,000,000-10,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23536.jpg
  • FRANCIS BACON (1909-1992)<br />
Studies for Portrait<br />
Painted in 1976.<br />
Estimate: $12,000,000-18,000,000 and JEAN DUBUFFET (1901-1985)<br />
Cote Chipote<br />
Painted in 1961.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23586.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23524.jpg
  • Chéri Samba (Democratic Republic of Congo, born 1956), 'J'aime la couleur', est £25,000-35,000<br />
Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23580.jpg
  • Günther Uecker(German, born 1930) Untitled <br />
1967 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23559.jpg
  • Kazuo Shiraga(Japanese, born 1924)Untitled (Red Fan)<br />
1964 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23550.jpg
  • Kazuo Shiraga(Japanese, born 1924)Untitled (Red Fan)<br />
1964 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23548.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23626.jpg
  • LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23609.jpg
  • RENÉ MAGRITTE (1898-1967)<br />
Le miroir universel<br />
signed 'Magritte'<br />
Painted in 1938-1939<br />
Estimate: $3,000,000-5,000,000Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23597.jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Madonna 2013 -Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 10.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 20.jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
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