Show Navigation

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 398 images found }

Loading ()...

  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 20.jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Mordov lag 2012 by Lusine Djanyan and Alexey Knedlyakovskij - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 32.jpg
  • Madonna 2013 -Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 10.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 06.jpg
  • Maria Alyokhina from Pussy Riot in front of Pussy Icons 2013 by Lucy Djanyan  - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Dostoyevskiy, 2017, by Valsiliy Slonov  - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 44.jpg
  • Mordov lag 2012 by Lusine Djanyan and Alexey Knedlyakovskij - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 43.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 41.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 40.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 37.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 36.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 35.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 30.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 27.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 25.jpg
  • United Kingdom of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 21.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 20.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 16.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 15.jpg
  • Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 13.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 11.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 08.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 07.jpg
  • Works by Piotr Pavlensky - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 02.jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 45.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 42.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 39.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 38.jpg
  • History of Russia in Axes by Vasiliy Slonov with work by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 34.jpg
  • Islamic Project by the AES+F Collective - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 33.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 28.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 26.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 23.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 22.jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 19.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 18.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 17.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 14.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 12.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 09.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 05.jpg
  • Donbass Chocolate series by Arsen Savadov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 04.jpg
  • Donbass Chocolate series by Arsen Savadov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 03.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 31.jpg
  • History of Russia in Axes by Vasiliy Slonov with United States and United Kingdom of Serbia by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 24.jpg
  • Works by Piotr Pavlensky - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 01.jpg
  • Spitfire Engine and Propeller with curators Bianca Chu and Alina Brezhneva (R) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 32.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 30.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 29.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 31.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 28.jpg
  • Spitfire Engine and Propeller - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 27.jpg
  • Intersection Point room as seen through the 'eye of Barbara hepworth's Two Forms - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 22.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 20.jpg
  • The Building Blocks room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 17.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 14.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 05.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 25.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 24.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 23.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 18.jpg
  • Holy Virgin Mary by Chris Ofili (est £1.5-2m) and Baga Shoulder Mask (Euro 1.5-2.5m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 16.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 09.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 08.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 07.jpg
  • St Peters Sq by Luigi Gallandt (est £150-250k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 04.jpg
  • Two men working in a field by Francis Bacon (est £7-10m)- Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 03.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 26.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 21.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 19.jpg
  • Lenin by Andy Warhol (est £1.2-1.8m)  looks down on the new pop-up coffee shop in The (anti) Portrait room - - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 15.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 13.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 12.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 11.jpg
  • Napoleons hat and Death of Repubic Soldiers by Zeng Fanzhi (est £0.7-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 10.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 06.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street, London.
    Christies Curates GBPhotos 02.jpg
  • Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 01.jpg
  • Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23572.jpg
  • Peju Alatise (Nigerian, born 1975), 'High Horses' triptych. est £25,000-30,000 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23562.jpg
  • Yayoi Kusama(Japanese,  1929) Macaroni Shirt 1965<br />
 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23552.jpg
  • Kazuo Shiraga(Japanese, born 1924)Untitled (Red Fan)<br />
1964 - Bonhams previews works from its Africa Now sail - the first contemporary sale of African artists - and its Gutai and ZERO exhibition. In their offices on New Bond Street.
    GB23543.jpg
Next
  • Facebook
  • Twitter
x

GBPhotos

  • Portfolio
  • Africa visit Diary
  • About
    • The Service
    • Mini Biog
  • Contact
  • Client Home Page
  • Client Tools
    • Your Galleries
    • Your Lightbox