Show Navigation

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 42 images found }

Loading ()...

  • The Sheaf and Acanthus and Nuit de Noel - stained glass. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10244.jpg
  • The Snail. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10238.jpg
  • The Parakeet and the Mermaid. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10227.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10216.jpg
  • Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10213.jpg
  • Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10210.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10254.jpg
  • Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10253.jpg
  • Blue Nude and sculpture Reclining Nude. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10246.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Large Composition with Masks.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10224.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10221.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Blue Nude.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10203.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Blue Nude.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10195.jpg
  • Interior with Black Fern. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10251.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10252.jpg
  • Nuit de Noel - stained glass. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10243.jpg
  • The Sheaf and Acanthus. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10240.jpg
  • Ivy In Flower. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10235.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Acrobats.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10230.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Large Composition with Masks.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10226.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10218.jpg
  • A room dedicated to his book Jazz. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10215.jpg
  • Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10211.jpg
  • Pale Blue Window. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10208.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Blue Nude.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10206.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Blue Nude.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10204.jpg
  • Sophie Matisse, the artist's great grandaughter, launches the show - here with Blue Nude.Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10198.jpg
  • Large Composition with Masks. Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10222.jpg
  • Tate Modern’s new exhibition, Henri Matisse: The Cut-Outs, is devoted to the artist’s paper cut-outs made between 1943 and 1954. It brings together around 120 works, many seen together for the first time, in a “groundbreaking” reassessment of Matisse’s colourful and innovative final works. The exhibition opens at Tate Modern on 17 April 2014. They were collected together in Jazz 1947 (Pompidou, Paris), a book of 20 plates. And this will be the first time that the maquettes and the book have been shown together outside of France. Other major cut-outs in the exhibition include Tate’s The Snail 1953, its sister work Memory of Oceania 1953 and Large Composition with Masks 1953. The show also includes the largest number of Matisse’s Blue Nudes ever exhibited together, including the most significant of the group Blue Nude I 1952. Tate Britain, London, UK.
    GB10191.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 36.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 25.jpg
  • Jazz, Matisse Cut-outs behind Yves Klein table Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 22.jpg
  • Jazz, Matisse Cut-outs behind Yves Klein tables Bleu and Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 20.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 12.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 35.jpg
  • Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 29.jpg
  • Jazz, Matisse Cut-outs behind Yves Klein table Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 23.jpg
  • Jazz, Matisse Cut-outs behind Yves Klein tables Bleu and Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 19.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 13.jpg
  • Jazz, Matisse Cut-outs behind Yves Klein tables Bleu and Rose - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 21.jpg
  • Jazz - Matisse Cut-outs - Christie’sl pre-sale exhibition of Queen Anne’s Gate: Works from the Art Collection of Sting & Trudie Styler, opening to the public on Thursday 18th until Tuesday 23rd February. Built up over the past 20 years, over 150 lots will be offered from the collection. Alongside highlights by Henri Matisse, Pablo Picasso, Robert Mapplethorpe and Ben Nicholson, the collection includes Sting’s Steinway Grand Piano, which occupied pride of place in the music room at Queen Anne’s Gate.
    Christies Sting Styler GBPhotos 18.jpg
  • George Clooney lends his support (as a carboard figure). A protest on behalf of the Nuba people to express disgust and request immediate intervention by the UK government to protect against human rights violations in Sudan and Darfur and to bring those members of the Khartoum police responsible for the murder of Awadiya Aajabna to justice. Opposite Downing St, Whitehall, London, UK, 31 March 2012.  Guy Bell, 07771 786236, guy@gbphotos.com
    George Clooney Sudan GBPhotos.jpg
  • Facebook
  • Twitter
x

GBPhotos

  • Portfolio
  • Africa visit Diary
  • About
    • The Service
    • Mini Biog
  • Contact
  • Client Home Page
  • Client Tools
    • Your Galleries
    • Your Lightbox