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  • An agglo-german girl holds her skateboard. Karlsruhe, Germany, 27 May 2013. © Guy Bell Photography, GBPhotos
    Skateboard Girl.jpg
  • Girl in Bed - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 18.jpg
  • Girl in Bed - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 16.jpg
  • Girl Reading - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 17.jpg
  • Girl in Bed - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 15.jpg
  • Girl in Bed - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 14.jpg
  • Girl Reading - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 13.jpg
  • Girl by the Sea - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 12.jpg
  • Girl in Bed - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 10.jpg
  • Girl in Bed - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 09.jpg
  • Girl in Bed - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 08.jpg
  • Girl by the Sea - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 11.jpg
  • The Sisters - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 06.jpg
  • The Sisters - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 05.jpg
  • The Sisters - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 04.jpg
  • The Sisters - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 01.jpg
  • The Sisters - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 02.jpg
  • The Sisters - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 07.jpg
  • The Sisters - Lucian Freud  at Ordovas - Portraits chronicling the relationship of Lucian Freud and Caroline (Lady Caroline Blackwood, his second wife), dating from 1950s. The four paintings on show are - The Sisters, a delicate canvas from 1950, a life-size depiction of Caroline’s eye, which is being shown for the first time in the UK and is the earliest work in the exhibition; Girl in Bed; Girl Reading; and Girl by the Sea. They will be on show from 5 June until 1 August.
    Lucian Freud Ordovas GBPhotos 03.jpg
  • A young girl draws her rainbow message of hope and thanks, to key workers, on the front window of her house in Balham - The 'lockdown' continues for the Coronavirus (Covid 19) outbreak in London.
    GB53894 copy.jpg
  • A school girl attempts to protect a vandalised police van in Whitehall during student protests over fees.
    Student protest.jpg
  • Chelsea Auto Legends, The Chelsea Hospital London, Uk, 02 Sept 2012. Chelsea pensioners mingle with Playboy Bunny Girls, families and exotic luxury cars
    SentGB3534.jpg
  • Children enjoying swings.
    Swings GBPhotos.jpg
  • Britain needs a pay rise - A march organised by the TUC to demand fairer and pay rises for the lowest paid and particularly in the public sector. The march started at Embankment, passed through Trafalgar Square and ended with speeches in Hyde Park.
    TUC March GBPhotos 33.jpg
  • Haim perform on the Pyramid Stage. The 2013 Glastonbury Festival, Worthy Farm, Glastonbury. 28 June 2013.   © Guy Bell, guy@gbphotos.com, all rights reserved
    Glastonbury Festival GBPhotos 03.jpg
  • A photocall , attended by Gillian Merron (Minister of State for public health), Julie Morgan (MP for Cardiff North), and Sian James (MP for Swansea East) urges all members of the House of Commons who want to prevent children and teenagers from increasing their risk of skin cancer to come to the debate on Friday.
    Sunbed Cancer.jpg
  • Didyk Troupe acrobatics rehearse on Europe’s only double Russian swings - Moscow State Circus returns to London with it’s latest show GOSTINITSA in a centrally heated theatre style Big Top on Hampstead Heath. They will be there from Wed 27th Sept to Sun 1st Oct.
    Moscow State Circus GBPhotos 53.jpg
  • Henham Park, Suffolk, 21 July 2019. Boob Love is a serious business - People head in to the arean for the first time in the day.The 2019 Latitude Festival.
    Latitude 19 GBPhotos 201.jpg
  • Didyk Troupe acrobatics rehearse on Europe’s only double Russian swings - Moscow State Circus returns to London with it’s latest show GOSTINITSA in a centrally heated theatre style Big Top on Hampstead Heath. They will be there from Wed 27th Sept to Sun 1st Oct.
    Moscow State Circus GBPhotos 54.jpg
  • Didyk Troupe acrobatics rehearse on Europe’s only double Russian swings - Moscow State Circus returns to London with it’s latest show GOSTINITSA in a centrally heated theatre style Big Top on Hampstead Heath. They will be there from Wed 27th Sept to Sun 1st Oct.
    Moscow State Circus GBPhotos 55.jpg
  • Didyk Troupe acrobatics rehearse on Europe’s only double Russian swings - Moscow State Circus returns to London with it’s latest show GOSTINITSA in a centrally heated theatre style Big Top on Hampstead Heath. They will be there from Wed 27th Sept to Sun 1st Oct.
    Moscow State Circus GBPhotos 54.jpg
  • Didyk Troupe acrobatics rehearse on Europe’s only double Russian swings - Moscow State Circus returns to London with it’s latest show GOSTINITSA in a centrally heated theatre style Big Top on Hampstead Heath. They will be there from Wed 27th Sept to Sun 1st Oct.
    Moscow State Circus GBPhotos 52.jpg
  • Didyk Troupe acrobatics rehearse on Europe’s only double Russian swings - Moscow State Circus returns to London with it’s latest show GOSTINITSA in a centrally heated theatre style Big Top on Hampstead Heath. They will be there from Wed 27th Sept to Sun 1st Oct.
    Moscow State Circus GBPhotos 51.jpg
  • Girls in hijabs (headscarfes) from Eden Girl's school, in Waltham Forest, show their support - Silence in the Square oraganised by the British Legion in Trafalgar Square  - 11 November 2016, London.
    GB35280.jpg
  • Girls in hijabs (headscarfes) from Eden Girl's school, in Waltham Forest, show their support - Silence in the Square oraganised by the British Legion in Trafalgar Square  - 11 November 2016, London.
    GB35282.jpg
  • A young girl enjoys her first go with her bubble gun - The 2017 Latitude Festival, Henham Park. Suffolk 15 July 2017
    Latitude festival 17 GBPhotos 142.jpg
  • Stalin's Utopia room including Girl in Football Jersey by Alexander Samokhvalov - Revolution: Russian Art 1917-1932 marks the centenary of the Russian Revolution.  This landmark exhibition focuses on the momentous period in Russian history between 1917, the year of the October Revolution, and 1932 when Stalin began his violent suppression of the Avant-Garde. Avant-Garde artists such as Chagall, Kandinsky, Malevich and Tatlin feature alongside the Socialist Realism of Brodsky, Deineka, Mukhina and Samokhvalov amongst others. The exhibition runs at the Royal Academy of Arts from 11 February – 17 April 2017.
    Royal Academy Russian GBPhotos 23.jpg
  • A girl excited by the programme is pushed by her sibling in a trolley - The 2016 Latitude Festival, Henham Park, Suffolk.
    Latitude 16 GBPhotos 019.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl, <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23541.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23535.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23626.jpg
  • Maggia Girl 19698- UNSEEN AND REDISCOVERED works by the former Canadian war artist, fashion illustrator & modern painter Irwin ‘Bud’ Crosthwait (1914 – 1981), go on sale in a selling exhibition by GrayMCA in London this September. The exhibition will present the most extensive selection of works by Crosthwait in 45 years, from across Europe and North America, including many works that have never before been on public view. The exhibition will run from 17-22nd September, 2015 and will feature a total of more than 60 original works ranging in price from £350-£10,000.
    GrayMCA Crosthwait GBPhotos 10.jpg
  • A batavian slave girl Aronwryn Roha (Elizabeth Webster, 18) in front of a tapestry of the empire - Gladiators gather on the site of London’s only performers that worked on Ridley Scott's Gladiator film will clash on the spot where gladiators battled 2,000 years ago in the courtyard of the Guildhall. Ten public evening and matinee performances will take place on selected dates between 8 and 16 August. Full information and tickets at www.museumoflondon.org.uk<br />
<br />
<br />
Hidden for centuries, the ancient remains of London’s Roman amphitheatre were discovered by archaeologists in 1988. They are open for viewing all year. The Gladiator Games are performed by Britannia, renowned for its work on the Ridley Scott film, Gladiator. Each performance is the result of research into events in the 1st century A.D., using images drawn from Roman coins, paintings, sculpture and mosaics.
    Gladiators Guildhall GBPhotos 24.jpg
  • A batavian slave girl Aronwryn Roha (Elizabeth Webster, 18) in front of a tapestry of the empire - Gladiators gather on the site of London’s only performers that worked on Ridley Scott's Gladiator film will clash on the spot where gladiators battled 2,000 years ago in the courtyard of the Guildhall. Ten public evening and matinee performances will take place on selected dates between 8 and 16 August. Full information and tickets at www.museumoflondon.org.uk<br />
<br />
<br />
Hidden for centuries, the ancient remains of London’s Roman amphitheatre were discovered by archaeologists in 1988. They are open for viewing all year. The Gladiator Games are performed by Britannia, renowned for its work on the Ridley Scott film, Gladiator. Each performance is the result of research into events in the 1st century A.D., using images drawn from Roman coins, paintings, sculpture and mosaics.
    Gladiators Guildhall GBPhotos 23.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 45.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 43.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 41.jpg
  • The Young Acrobat - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 37.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 36.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 33.jpg
  • Hunting Tower and Watchtower - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 32.jpg
  • Fear,  Black Man - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 31.jpg
  • Hunting Tower and Watchtower - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014. Guy Bell, 07771 786236, guy@gbphotos.com.
    Sigmar Polke Tate GBPhotos 30.jpg
  • Alice in Wonderland - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 26.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 27.jpg
  • Mao 1972 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 23.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 22.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 21.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 18.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 16.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 15.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 11.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 08.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 06.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 07.jpg
  • Season's Hottest Trend and Daphne (book) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 04.jpg
  • Season's Hottest Trend and Daphne (book) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014. Guy Bell, 07771 786236, guy@gbphotos.com.
    Sigmar Polke Tate GBPhotos 03.jpg
  • A huge mechanical elephant and a puppet girl were the centrepiece of a dramatised fairytale called The Sultan's Elephant.They were part of a three day piece of street theatre in central London.
    PAT 3718.jpg
  • Inflatable unicorn costunmes for a birthday girl and her friend - The 2016 Latitude Festival, Henham Park, Suffolk.
    Latitude 16 GBPhotos 093.jpg
  • A young girl tries to lead her mother further in - A large puddle left over from teh previous nights rain addsto the problems of moving around  albeit some see it as a leisure facility- 2016 Glastonbury Festival, Worthy Farm, Glastonbury.
    Glastonbury 2016 GBPhotos 191.jpg
  • A fourteen year old girl read Harry Potter as she waits for her Dad on the Mexico stand - The London Book Fair, celebrating its 45 year anniversary, is the global marketplace for rights negotiation and the sale and distribution of content across print, audio, TV, film and digital channels. Staged annually, LBF sees more than 25,000 publishing professionals arrive in London for the week of the show to learn, network and kick off their year of business. The London Book Fair sits at the heart of London Book & Screen Week, and runs from the 12-14 April 2016.
    London Book Faiir GBPhotos 15.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23627.jpg
  • A girl waits with her mother for th rest of the family to catch up - Prudential RideLondon a festival of cycling, with more than 95,000 cyclists, including some of the world's top professionals, participating in five separate events over the weekend of 1-2 August.
    Prudential RideLondon GBPhotos 27.jpg
  • Season's Hottest Trend and Daphne (book) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014. Guy Bell, 07771 786236, guy@gbphotos.com.
    Sigmar Polke Tate GBPhotos 02.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 44.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 42.jpg
  • The Young Acrobat - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 39.jpg
  • The Young Acrobat - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 40.jpg
  • The Young Acrobat - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 38.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 35.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 34.jpg
  • Untitled, Soot on Glass - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 28.jpg
  • The Spirits that Lend Strength are invisible, Meteor material - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 29.jpg
  • Alice in Wonderland - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 25.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 24.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 19.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 20.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 17.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 14.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 12.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 09.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 10.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 05.jpg
  • Season's Hottest Trend and Daphne (book) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014. Guy Bell, 07771 786236, guy@gbphotos.com.
    Sigmar Polke Tate GBPhotos 01.jpg
  • Stalin's Utopia room including Girl in Football Jersey by Alexander Samokhvalov - Revolution: Russian Art 1917-1932 marks the centenary of the Russian Revolution.  This landmark exhibition focuses on the momentous period in Russian history between 1917, the year of the October Revolution, and 1932 when Stalin began his violent suppression of the Avant-Garde. Avant-Garde artists such as Chagall, Kandinsky, Malevich and Tatlin feature alongside the Socialist Realism of Brodsky, Deineka, Mukhina and Samokhvalov amongst others. The exhibition runs at the Royal Academy of Arts from 11 February – 17 April 2017.
    Royal Academy Russian GBPhotos 22.jpg
  • Mersey Girls, known for their appearance on ITV Britain's Got Talent 2017, dance on The B&Q Bursting Bizzie Lizzy garden by Matthew Childs - Press day at The RHS Hampton Court Flower Show.
    Hampton Court Flower Show GBPhotos 5...jpg
  • Mersey Girls, known for their appearance on ITV Britain's Got Talent 2017, dance on The B&Q Bursting Bizzie Lizzy garden by Matthew Childs - Press day at The RHS Hampton Court Flower Show.
    Hampton Court Flower Show GBPhotos 5...jpg
  • PROCESSIONS by 14-18 NOW and Artichoke - On 6 February 1918, the Representation of the People Act gave the first British women the right to vote. Artichoke, the UK’s largest producer of art in the public realm, invited women and girls to mark this moment by taking part in a major mass-participation artwork. They walk together in public processions, forming a living portrait of women in the 21st century and a visual expression of equality. celebrating the fight for suffrage. Text and textiles are at the heart of the project - the public took part in a creative programme of banner-making and 100 artists worked with community groups across the country to deliver expressive banners and iconic artworks.
    Processions GBPhotos 52.jpg
  • PROCESSIONS by 14-18 NOW and Artichoke - On 6 February 1918, the Representation of the People Act gave the first British women the right to vote. Artichoke, the UK’s largest producer of art in the public realm, invited women and girls to mark this moment by taking part in a major mass-participation artwork. They walk together in public processions, forming a living portrait of women in the 21st century and a visual expression of equality. celebrating the fight for suffrage. Text and textiles are at the heart of the project - the public took part in a creative programme of banner-making and 100 artists worked with community groups across the country to deliver expressive banners and iconic artworks.
    Processions GBPhotos 39.jpg
  • PROCESSIONS by 14-18 NOW and Artichoke - On 6 February 1918, the Representation of the People Act gave the first British women the right to vote. Artichoke, the UK’s largest producer of art in the public realm, invited women and girls to mark this moment by taking part in a major mass-participation artwork. They walk together in public processions, forming a living portrait of women in the 21st century and a visual expression of equality. celebrating the fight for suffrage. Text and textiles are at the heart of the project - the public took part in a creative programme of banner-making and 100 artists worked with community groups across the country to deliver expressive banners and iconic artworks.
    Processions GBPhotos 18.jpg
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