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  • Socle du Monde 1992-3 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 62.jpg
  • Socle du Monde 1992-3 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 58.jpg
  • Jardin Suspendu 2008-10 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 57.jpg
  • Jardin Suspendu 2008-10 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 54.jpg
  • Jardin Suspendu 2008-10 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 55.jpg
  • Jardin Suspendu 2008-10 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 53.jpg
  • Jardin Suspendu 2008-10 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 52.jpg
  • Over My Dead Body 1988 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 50.jpg
  • Jardin Suspendu 2008-10 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 51.jpg
  • Undercurrent (red) 2008 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 48.jpg
  • Undercurrent (red) 2008 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 44.jpg
  • Undercurrent (red) 2008 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 41.jpg
  • Cellules 2012-13 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 39.jpg
  • Twelve Windows 22012-13 (with Inaash) - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 37.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 35.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 34.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 33.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 32.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 26.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 28.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 27.jpg
  • Quarters 1996 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 23.jpg
  • Quarters 1996 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 20.jpg
  • Quarters 1996 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 21.jpg
  • Hot Spot 2013 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 18.jpg
  • Hot Spot 2013 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 13.jpg
  • Hot Spot 2013 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 10.jpg
  • Light Sentence 1992 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 07.jpg
  • Light Sentence 1992 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 08.jpg
  • Light Sentence 1992 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 04.jpg
  • Jardin Suspendu 2008-10 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 56.jpg
  • Undercurrent (red) 2008 -  Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 49.jpg
  • Undercurrent (red) 2008 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 47.jpg
  • Undercurrent (red) 2008 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 45.jpg
  • Undercurrent (red) 2008 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 46.jpg
  • Undercurrent (red) 2008 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 43.jpg
  • Undercurrent (red) 2008 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 42.jpg
  • Cellules 2012-13 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 40.jpg
  • Cellules 2012-13 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 38.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 36.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 31.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 29.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 30.jpg
  • Quarters 1996 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 24.jpg
  • Impenetrable 2009 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 25.jpg
  • Quarters 1996 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 22.jpg
  • Hot Spot 2013 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 19.jpg
  • Hot Spot 2013 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 17.jpg
  • Hot Spot 2013 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 12.jpg
  • Homebound 2000 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 09.jpg
  • Light Sentence 1992 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 06.jpg
  • Light Sentence 1992 - Mona Hatoum a new Tate Modern exhibition. It presents around 100 works from the 1980s to the present day, including early performances and video, sculpture, installation, photography and works on paper. Mona Hatoum runs from 4 May to 21 August 2016.<br />
<br />
Highlights include:  Large-scale installations that fill entire rooms, including Impenetrable 2009, a suspended square formed of hundreds of delicate rods of barbed wire which hover above the floor, and Light Sentence 1992, in which walls of wire mesh lockers and a single lightbulb cast constantly moving shadows; Hot Spot 2013, a giant globe that uses red neon to outline the contours of the continents; a kinetic sculpture in which a rotating motor-driven arm draws circular lines across a large sandpit; and Homebound 2000, an installation of kitchen utensils and furniture which buzzes with electricity
    Mona Hatoum Tate GBPhotos 05.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 36.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 10.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 35.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 34.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 33.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 32.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 31.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 30.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 28.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 27.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 26.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 25.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 24.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 21.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 20.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 19.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 17.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 15.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 11.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 09.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 08.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 07.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 06.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 05.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 01.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 02.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 03.jpg
  • Specially commissioned for Photo London, an installation by Rut Blees Luxemburg (pictured) in the courtyard of Somerset House, London. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 13.jpg
  • Specially commissioned for Photo London, an installation by Rut Blees Luxemburg (pictured) in the courtyard of Somerset House, London. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 11.jpg
  • Specially commissioned for Photo London, an installation by Rut Blees Luxemburg in the courtyard of Somerset House, London. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 10.jpg
  • Specially commissioned for Photo London, an installation by Rut Blees Luxemburg (pictured) in the courtyard of Somerset House, London. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 09.jpg
  • Specially commissioned for Photo London, an installation by Rut Blees Luxemburg (pictured) in the courtyard of Somerset House, London. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 08.jpg
  • Specially commissioned for Photo London, an installation by Rut Blees Luxemburg in the courtyard of Somerset House, London. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 04.jpg
  • Specially commissioned for Photo London, an installation by Rut Blees Luxemburg in the courtyard of Somerset House, London. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 02.jpg
  • The London light installation for LIGHTS OUT looms above Westminster - 'Spectra' by Ryoji Ikeda, was designed to be able to be seen across the city and appeared at 10 pm as part of a series of art commissions. 14-18 NOW, the official cultural programme for the WW1 centenary commemorations, has organised a number of events to mark the centenary. As part of that, LIGHTS OUT is a nationwide event which are taking place at hundreds of venues, churches, war memorials and iconic buildings across the country on 4 August between 10pm and 11pm.
    Spectra 14-18 Now GBPhotos 01.jpg
  • The London light installation for LIGHTS OUT looms above Westminster - 'Spectra' by Ryoji Ikeda, was designed to be able to be seen across the city and appeared at 10 pm as part of a series of art commissions. 14-18 NOW, the official cultural programme for the WW1 centenary commemorations, has organised a number of events to mark the centenary. As part of that, LIGHTS OUT is a nationwide event which are taking place at hundreds of venues, churches, war memorials and iconic buildings across the country on 4 August between 10pm and 11pm.
    Spectra 14-18 Now GBPhotos 10.jpg
  • The London light installation for LIGHTS OUT looms above Westminster - 'Spectra' by Ryoji Ikeda, was designed to be able to be seen across the city and appeared at 10 pm as part of a series of art commissions. 14-18 NOW, the official cultural programme for the WW1 centenary commemorations, has organised a number of events to mark the centenary. As part of that, LIGHTS OUT is a nationwide event which are taking place at hundreds of venues, churches, war memorials and iconic buildings across the country on 4 August between 10pm and 11pm.
    Spectra 14-18 Now GBPhotos 11.jpg
  • The London light installation for LIGHTS OUT looms above Westminster - 'Spectra' by Ryoji Ikeda, was designed to be able to be seen across the city and appeared at 10 pm as part of a series of art commissions. 14-18 NOW, the official cultural programme for the WW1 centenary commemorations, has organised a number of events to mark the centenary. As part of that, LIGHTS OUT is a nationwide event which are taking place at hundreds of venues, churches, war memorials and iconic buildings across the country on 4 August between 10pm and 11pm.
    Spectra 14-18 Now GBPhotos 06.jpg
  • The London light installation for LIGHTS OUT looms above Westminster - 'Spectra' by Ryoji Ikeda, was designed to be able to be seen across the city and appeared at 10 pm as part of a series of art commissions. 14-18 NOW, the official cultural programme for the WW1 centenary commemorations, has organised a number of events to mark the centenary. As part of that, LIGHTS OUT is a nationwide event which are taking place at hundreds of venues, churches, war memorials and iconic buildings across the country on 4 August between 10pm and 11pm.
    Spectra 14-18 Now GBPhotos 04.jpg
  • The London light installation for LIGHTS OUT looms above Westminster - 'Spectra' by Ryoji Ikeda, was designed to be able to be seen across the city and appeared at 10 pm as part of a series of art commissions. 14-18 NOW, the official cultural programme for the WW1 centenary commemorations, has organised a number of events to mark the centenary. As part of that, LIGHTS OUT is a nationwide event which are taking place at hundreds of venues, churches, war memorials and iconic buildings across the country on 4 August between 10pm and 11pm.
    Spectra 14-18 Now GBPhotos 02.jpg
  • The London light installation for LIGHTS OUT looms above Westminster - 'Spectra' by Ryoji Ikeda, was designed to be able to be seen across the city and appeared at 10 pm as part of a series of art commissions. 14-18 NOW, the official cultural programme for the WW1 centenary commemorations, has organised a number of events to mark the centenary. As part of that, LIGHTS OUT is a nationwide event which are taking place at hundreds of venues, churches, war memorials and iconic buildings across the country on 4 August between 10pm and 11pm.
    GB36318.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 29.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 23.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 22.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 18.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 16.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 14.jpg
  • Heartbeat - French artist Charles Pétillon’s first public art installation (and his first ever live work outside of France) in Covent Garden. 100,000 giant white balloons fill the grand interior of the 19th Century Market Building. Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district. The complex yet fragile composition represents Charles’ largest and most ambitious project to date and will run from 27th August until 27th September. Charles is best known for Invasions, a series of arresting sculptures which challenge perceptions of everyday scenes by filling the likes of derelict houses, basketball courts and even cars with hundreds of white balloons.
    Heartbeat GBPhotos 13.jpg
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