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  • The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 13.jpg
  • The Duke enters the building - The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 11.jpg
  • The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 12.jpg
  • The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 09.jpg
  • The Duke arrives and is greeted by members of Kensington Council and museum staff - The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 07.jpg
  • The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 06.jpg
  • Details of the interior - The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 04.jpg
  • Details of the interior - The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 03.jpg
  • The Duke Leaves - The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 14.jpg
  • The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 10.jpg
  • The Duke arrives and is greeted by members of Kensington Council and museum staff - The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 08.jpg
  • Details of the interior - The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 05.jpg
  • The new entrance is guarded by police and security - The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 02.jpg
  • The new entrance is guarded by police and security - The Duke of Edinburgh opens the new Design Museum in Kensington. The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  14 November 2016, London.
    Design Museum Re Opens GBPhotos 01.jpg
  • Chancellor of the Exchequer, Rt Hon George Osborne MP opens BlackRock’s new European HQ at Drapers Gardens in the City of London.  Here he is accompanied by James Charrington (right), Chairman of BlackRock's EMEA business.  BlackRock is the largest money manager in the world - Guy Bell Photography, GBPhotos.com
    George Osborne MP opens BlackRock.jpg
  • The Pocket Belles sing at the opening of the Sunseeker stand. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    GB8913.jpg
  • The Pocket Belles sing at the opening of the Sunseeker stand. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 12.jpg
  • The champagne bar on the Sunseeker stand. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 07.jpg
  • The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    James Corden Boat Show GBPhotos 01.jpg
  • The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 14.jpg
  • The Sunseeker stand. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 10.jpg
  • The Sunseeker stand. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 09_1.jpg
  • The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 04.jpg
  • The Sunseeker stand. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 01.jpg
  • Children enjoy inflatable hamster wheels in th epool area. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 08.jpg
  • A father watches his son steer. The Sunseeker stand. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 06.jpg
  • The champagne bar on the Sunseeker stand. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 03.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum); and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together (PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 14.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum); and Laura Oldfield Ford - TQ3382:Tweed House, Teviot Street 2012  (PICTURED) . The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 19.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Photo Etchings - Incl. Beautiful Sheffield and The Crimea PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 11.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Photo Etchings - Incl. Beautiful Sheffield - top -and The Crimea PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 10.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 06.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 04.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9 -  PICTURED) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 01.jpg
  • James Corden  launches the new Sunseeker 75 Yacht with Robert Braithwaite, brand president and founder of Sunseeker. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    James Corden Boat Show GBPhotos 10_1.jpg
  • James Corden  launches the new Sunseeker 75 Yacht with Robert Braithwaite, brand president and founder of Sunseeker. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    James Corden Boat Show GBPhotos 07.jpg
  • James Corden  launches the new Sunseeker 75 Yacht with Robert Braithwaite, brand president and founder of Sunseeker. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    James Corden Boat Show GBPhotos 05.jpg
  • James Corden  launches the new Sunseeker 75 Yacht with Robert Braithwaite, brand president and founder of Sunseeker. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    James Corden Boat Show GBPhotos 03.jpg
  • James Corden  launches the new Sunseeker 75 Yacht with Robert Braithwaite, brand president and founder of Sunseeker. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    James Corden Boat Show GBPhotos 02.jpg
  • The Princess Stand attracts people of all ages. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 19.jpg
  • The Sunseeker 40m is the most expensive boat at the show at approximately £16.5m and draws many window shoppers on the quayside where it  is moored in the Royal Victoria Dock. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 16.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 02.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Photo Etchings -  PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 20.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum);and Laura Oldfield Ford - Ferrier Estate  (PICTURED) . The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 17.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum); Joseph Gandy - Aerial Cutaway View of the Bank of England  (PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 18.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum); and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together (PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 15.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum); and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together (PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 13.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Photo Etchings - Incl. Beautiful Sheffield and The Crimea PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 12.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum); and Estate Map 1999 by Inventory (PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 09.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (and here Bivilee PICTURED)  in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 07.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (and here Bivilee PICTURED)  in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 08.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 05.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 03.jpg
  • James Corden  launches the new Sunseeker 75 Yacht with Robert Braithwaite, brand president and founder of Sunseeker. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    James Corden Boat Show GBPhotos 09.jpg
  • James Corden  launches the new Sunseeker 75 Yacht with Robert Braithwaite, brand president and founder of Sunseeker. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    James Corden Boat Show GBPhotos 08.jpg
  • James Corden  launches the new Sunseeker 75 Yacht with Robert Braithwaite, brand president and founder of Sunseeker. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    James Corden Boat Show GBPhotos 06.jpg
  • James Corden  launches the new Sunseeker 75 Yacht with Robert Braithwaite, brand president and founder of Sunseeker. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    James Corden Boat Show GBPhotos 04.jpg
  • The Sunseeker 40m is the most expensive boat at the show at approximately £16.5m and draws many window shoppers (including this couple) on the quayside where it  is moored in the Royal Victoria Dock. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 18.jpg
  • The Sunseeker 40m is the most expensive boat at the show at approximately £16.5m and draws many window shoppers on the quayside where it  is moored in the Royal Victoria Dock. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 15.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum); David McFall - Bull Calf (PICTURED); and Patrick Caulfield - Ruins (PICTURED BACKGROUND) .The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 16.jpg
  • The Sunseeker 115 (feet - and £11m approx) is moored in the Royal Victoria Dock with a view of Canary Wharf. The London Boat Show opens at the Excel Centre, Docklands, London, UK 04 January 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Boat Show GBPhotos 17.jpg
  • London Art Fair opens at the Business Design Centre, Islington, London.
    London Art Fair GBPhotos 46.jpg
  • Statesmen of World War 1, 1924-30, by Sir James Guthrie - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 15.jpg
  • The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 33.jpg
  • Dame Edith Sitwell, by Maurice Lambert, and Sir Osbert Sitwell, by Frank Dobson, and other works - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 31.jpg
  • The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 29.jpg
  • Dame Edith Sitwell, by Maurice Lambert, and Sir Osbert Sitwell, by Frank Dobson, and other works - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 28.jpg
  • Dame Margot Fontaine, by Maurice Lambert, and other works - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 26.jpg
  • Dame Margot Fontaine, by Maurice Lambert, and other works - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 25.jpg
  • Self-portrait, 1958, by artist and actor, Pauline Boty - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 23.jpg
  • Self-portrait, 1958, by artist and actor, Pauline Boty - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 22.jpg
  • Prince Edward, Duke of Windsor (later King Edward VIII) as Prince of Wales, 1917, painted during the First World War by artist Frank O. Salisbury and other works - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 17.jpg
  • Statesmen of World War 1, 1924-30, by Sir James Guthrie and Sir Winston Churchill by Sir William Orpen - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 16.jpg
  • Statesmen of World War 1, 1924-30, by Sir James Guthrie - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 15.jpg
  • Statesmen of World War 1, 1924-30, by Sir James Guthrie - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 13.jpg
  • General Officers of World War 1, 1922, by John Singer Sargent - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 10.jpg
  • General Officers of World War 1, 1922, by John Singer Sargent - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 09.jpg
  • General Officers of World War 1, 1922, by John Singer Sargent The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 07.jpg
  • General Officers of World War 1, 1922, by John Singer Sargent - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 08.jpg
  • General Officers of World War 1, 1922, by John Singer Sargent The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 06.jpg
  • General Officers of World War 1, 1922, by John Singer Sargent - The National Portrait Gallery, London opens brand new gallery spaces devoted to its early 20th Century Collection on 4 November 2017. The creation of these new spaces within the Gallery’s free permanent Collection, has been made possible by a grant from the DCMS/ Wolfson Museums & Galleries Improvement Fund. London 03 Nov 2017.
    NPG New Galleries GBPhotos 05.jpg
  • London Art Fair opens at the Business Design Centre, Islington, London.
    London Art Fair GBPhotos 47.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London (pictured) – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9190.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House  (pictured) – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9227.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House  (pictured) – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9228.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House  (pictured) – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9222.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; the Reaper series pictured); and his final work computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9218.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House  (interior pictured) – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9217.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Here is a Lush Situation  (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9216.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Sign  (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9213.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; The Solomon R. Guggenheim series (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9212.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Lobby  (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9209.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; The Solomon R. Guggenheim series (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9210.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Lobby  (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9208.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Reapers and Growth and Form (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9205.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Reapers and Growth and Form (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9204.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Reapers and Growth and Form (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9201.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; the reflective Toaster Deluxe series  (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9197.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Shock and Awe with a western Tony Blair (pictured);  and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9193.jpg
  • The Affordable Art Fair opens in Battersea and runs until 27 October. Here  by  . It offers visitors a chance to purchase work from over 100 galleries at prices between £40 and £4,000.  Battersea Park, London UK 23 Oct 2013.
    Smile Affordable Art Fair.jpg
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