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  • Mise en Abyme by Laetitia de Allegri and Matteo Fogale  (both pictured)-  The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 34.jpg
  • Mise en Abyme by Laetitia de Allegri and Matteo Fogale  (both pictured)-  The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 36.jpg
  • Mise en Abyme by Laetitia de Allegri and Matteo Fogale  (both pictured)-  The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 35.jpg
  • Mise en Abyme by Laetitia de Allegri and Matteo Fogale  (both pictured)-  The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 33.jpg
  • Mise en Abyme by Laetitia de Allegri and Matteo Fogale  (both pictured)-  The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 32.jpg
  • Mise en Abyme by Laetitia de Allegri and Matteo Fogale  (both pictured)-  The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 31.jpg
  • Mise en Abyme by Laetitia de Allegri and Matteo Fogale  (both pictured)-  The London Design Festival comes to the V&A with a range of installations including: Zotem, supported by Swarovski, is an 18m tall double-sided monolith created by young Norwegian designer Kim Thomé; The Cloakroom by Faye Toogood, where visitors are invited to take one of 150 coats to wear as they explore the Museum using a sewn-in fabric map to guide them to discover 10 different coat sculptures; Curiosity Cloud by mischer’traxler, for Perrier-Jouet in the Music Room, in which 250 mouth-blown glass globes hang from the ceiling containing a single, hand-made insect; and The Ogham Wall, by Grafton Architects for Irish Design 2015, in which 23 ‘fins’ (resembling Irish and British standing stones) carry an ancient alphabet which originated deep in Irish Celtic history. The annual festival runs from 19 – 27 September, and the Victoria and Albert Museum is the Festival’s hub - www.londondesignfestival.com
    VandA design Festival GBPhotos 37.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 17.jpg
  • Clare Twomey (c) working with students in FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 08.jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 21.jpg
  • Student Flor Mendschein collects some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 52.jpg
  • Student Flor Mendschein collects some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 51.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 50.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 49.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 46.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 44.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 43.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 41.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 40.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 38.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 37.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 36.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 35.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 34.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 33.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 32.jpg
  • Clare Twomey gets a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 30.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 29.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 28.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 26.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 25.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 24.jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 23.jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 21.jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 22.jpg
  • Student Bridgitte Chang getting a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 20.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 18.jpg
  • Filling th nmoulds - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 16.jpg
  • Filling th nmoulds - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 15.jpg
  • Filling th nmoulds - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 14.jpg
  • Clare Twomey (c) working with students in FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 11.jpg
  • Filling th nmoulds - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 09.jpg
  • Clare Twomey (c) working with students in FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 10.jpg
  • Clare Twomey (L) with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 07.jpg
  • Clare Twomey (2nd L) with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 06.jpg
  • Clare Twomey (2nd L) with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 05.jpg
  • Clare Twomey with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 04.jpg
  • Clare Twomey with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 02.jpg
  • Bonnie Greer(social critic and playwright, pictured), Andrew Cracknell (author of “The Real Mad Men”), Gail Parminter (creative director, Madwomen), Heather Alderson (managing partner, BBH) and Rory Ahern (partner, Rubber Republic) are panelists at the East London Fawcett Group with the subject: Who Cares What She Thinks? Advertising and its impact on women. Held at Sapient Nitro, Eden House, Spital Square, London, UK, 27 March 2013.
    Bonnie Greer 05.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 45.jpg
  • Student Bridgette Chang with racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 42.jpg
  • Clare Twomey gets a jug out of a mould - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 31.jpg
  • With racks of completed ceramics - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 27.jpg
  • FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 19.jpg
  • Clare Twomey with FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 03.jpg
  • Students Flor Mendschein and Bridgette Chang collect some more raw clay - FACTORY: the seen and the unseen - an installation, in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 48.jpg
  • Metal and mirror panels by Tomas Saranceno in front of Hanami by Thomas Demand, Esher Schipper Gallery - ,Frieze London and Frieze Masters 2014, Regents Park, London, 14 Oct 2014.
    Frieze London GBPhotos 13.jpg
  • Metal and mirror panels by Tomas Saranceno in front of Hanami by Thomas Demand, Esher Schipper Gallery - ,Frieze London and Frieze Masters 2014, Regents Park, London, 14 Oct 2014.
    Frieze London GBPhotos 14.jpg
  • Metal and mirror panels by Tomas Saranceno in front of Hanami by Thomas Demand, Esher Schipper Gallery - ,Frieze London and Frieze Masters 2014, Regents Park, London, 14 Oct 2014.
    Frieze London GBPhotos 11.jpg
  • Metal and mirror panels by Tomas Saranceno in front of Hanami by Thomas Demand, Esher Schipper Gallery - ,Frieze London and Frieze Masters 2014, Regents Park, London, 14 Oct 2014.
    Frieze London GBPhotos 12.jpg
  • Three dimennsional paintings incl Red Panel and Blue Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 41.jpg
  • Three dimennsional paintings incl Red Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 42.jpg
  • Three dimennsional paintings incl Blue Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 40.jpg
  • Three dimennsional paintings incl Red Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 36.jpg
  • Three dimennsional paintings incl White Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 45.jpg
  • Three dimennsional paintings incl Red Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 37.jpg
  • Three dimennsional paintings incl Red Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 35.jpg
  • Three dimennsional paintings incl Red Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 34.jpg
  • Three dimennsional paintings incl Blue Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 14.jpg
  • Three dimennsional paintings incl Red Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 12.jpg
  • Three dimennsional paintings incl Red Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 11.jpg
  • Three dimennsional paintings incl Red Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 10.jpg
  • Three dimennsional paintings incl Red Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 09.jpg
  • Three dimennsional paintings incl Red Panel 1936 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 13.jpg
  • Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 55.jpg
  • Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 54.jpg
  • Wire sculptures of famous artists and circus performers - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 32.jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 26.jpg
  • Francis Danby, The Deluge, 1840 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 21.jpg
  • John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 02.jpg
  • The Naked and the Nude - The first solo show in London by Venezuelan painter, Rodolfo Villaplana.  Highlights include Ratzinger Revisited, Oil on Canvas, 300x170cm, £25,000 (pictured). Supported by the Museum of Contemporary Art, the selling exhibition will take place at the 20th Century Theatre in Notting Hill, London, during Frieze Week from 16 - 19 October 2014. The young painter finished his MA studies at the Chelsea College of Art in 2013 and ‘has gone from strength to strength since’. He has been endorsed by the Young Masters 2013 panel and his debut solo show ‘Anarchivolto’ ran in Venice, throughout the Venice Architecture Biennale in Sant’Erasmo.
    Rodolfo Villaplana GBPhotos 17.jpg
  • The Naked and the Nude - The first solo show in London by Venezuelan painter, Rodolfo Villaplana (pictured).  Highlights include Ratzinger Revisited, Oil on Canvas, 300x170cm, £25,000 (pictured). Supported by the Museum of Contemporary Art, the selling exhibition will take place at the 20th Century Theatre in Notting Hill, London, during Frieze Week from 16 - 19 October 2014. The young painter finished his MA studies at the Chelsea College of Art in 2013 and ‘has gone from strength to strength since’. He has been endorsed by the Young Masters 2013 panel and his debut solo show ‘Anarchivolto’ ran in Venice, throughout the Venice Architecture Biennale in Sant’Erasmo.
    Rodolfo Villaplana GBPhotos 12.jpg
  • Enterprising Women - an event to mark the 40th anniversary of co-residence at St Catherine's College, Oxford (Catz).  A discussion panel featured author, journalist and research Fellow Harriet Sergeant (1974, English), Chief Executive of NS&I Jane Platt (1975, Modern Languages), and presenter and hotelier Alex Polizzi (1990, English) of The Hotel Inspector. Each of these Catz alumnae has gone on to forge a successful career in their chosen profession -  they discussed their achievements and their experiences along the way. RIBA, London 25 September 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Enterprising Women St Catz GBPhotos ...jpg
  • Enterprising Women - an event to mark the 40th anniversary of co-residence at St Catherine's College, Oxford (Catz).  A discussion panel featured author, journalist and research Fellow Harriet Sergeant (1974, English), Chief Executive of NS&I Jane Platt (1975, Modern Languages), and presenter and hotelier Alex Polizzi (1990, English) of The Hotel Inspector. Each of these Catz alumnae has gone on to forge a successful career in their chosen profession -  they discussed their achievements and their experiences along the way. RIBA, London 25 September 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Enterprising Women St Catz GBPhotos ...jpg
  • Enterprising Women - an event to mark the 40th anniversary of co-residence at St Catherine's College, Oxford (Catz).  A discussion panel featured author, journalist and research Fellow Harriet Sergeant (1974, English), Chief Executive of NS&I Jane Platt (1975, Modern Languages), and presenter and hotelier Alex Polizzi (1990, English) of The Hotel Inspector. Each of these Catz alumnae has gone on to forge a successful career in their chosen profession -  they discussed their achievements and their experiences along the way. RIBA, London 25 September 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Enterprising Women St Catz GBPhotos ...jpg
  • Enterprising Women - an event to mark the 40th anniversary of co-residence at St Catherine's College, Oxford (Catz).  A discussion panel featured author, journalist and research Fellow Harriet Sergeant (1974, English), Chief Executive of NS&I Jane Platt (1975, Modern Languages), and presenter and hotelier Alex Polizzi (1990, English) of The Hotel Inspector. Each of these Catz alumnae has gone on to forge a successful career in their chosen profession -  they discussed their achievements and their experiences along the way. RIBA, London 25 September 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Enterprising Women St Catz GBPhotos ...jpg
  • Enterprising Women - an event to mark the 40th anniversary of co-residence at St Catherine's College, Oxford (Catz).  A discussion panel featured author, journalist and research Fellow Harriet Sergeant (1974, English), Chief Executive of NS&I Jane Platt (1975, Modern Languages), and presenter and hotelier Alex Polizzi (1990, English) of The Hotel Inspector. Each of these Catz alumnae has gone on to forge a successful career in their chosen profession -  they discussed their achievements and their experiences along the way. RIBA, London 25 September 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Enterprising Women St Catz GBPhotos ...jpg
  • Enterprising Women - an event to mark the 40th anniversary of co-residence at St Catherine's College, Oxford (Catz).  A discussion panel featured author, journalist and research Fellow Harriet Sergeant (1974, English), Chief Executive of NS&I Jane Platt (1975, Modern Languages), and presenter and hotelier Alex Polizzi (1990, English) of The Hotel Inspector. Each of these Catz alumnae has gone on to forge a successful career in their chosen profession -  they discussed their achievements and their experiences along the way. RIBA, London 25 September 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Enterprising Women St Catz GBPhotos ...jpg
  • Enterprising Women - an event to mark the 40th anniversary of co-residence at St Catherine's College, Oxford (Catz).  A discussion panel featured author, journalist and research Fellow Harriet Sergeant (1974, English), Chief Executive of NS&I Jane Platt (1975, Modern Languages), and presenter and hotelier Alex Polizzi (1990, English) of The Hotel Inspector. Each of these Catz alumnae has gone on to forge a successful career in their chosen profession -  they discussed their achievements and their experiences along the way. RIBA, London 25 September 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Enterprising Women St Catz GBPhotos ...jpg
  • Enterprising Women - an event to mark the 40th anniversary of co-residence at St Catherine's College, Oxford (Catz).  A discussion panel featured author, journalist and research Fellow Harriet Sergeant (1974, English), Chief Executive of NS&I Jane Platt (1975, Modern Languages), and presenter and hotelier Alex Polizzi (1990, English) of The Hotel Inspector. Each of these Catz alumnae has gone on to forge a successful career in their chosen profession -  they discussed their achievements and their experiences along the way. RIBA, London 25 September 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    Enterprising Women St Catz GBPhotos ...jpg
  • The control panel for Mimus by Madeline Gannon using a curious dog like robot supplied by ABB Robotics - The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  17  November 2016, London.
    Design Museum Re Opens GBPhotos 64.jpg
  • The control panel for Mimus by Madeline Gannon using a curious dog like robot supplied by ABB Robotics - The Design Museum has moved to Kensington High Street from its former home as an established London landmark on the banks of the river Thames.  The new museum will be devoted to contemporary design and architecture, an international showcase for the many design skills at which Britain excels and a creative centre, promoting innovation and nurturing the next generation of design talent. His Royal Highness toured the museum to view the transformation of a modernist building from the 1960s, which was the former Commonwealth Institute.  17  November 2016, London.
    Design Museum Re Opens GBPhotos 63.jpg
  • Black Widow 1948 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 56.jpg
  • Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 53.jpg
  • Vertical Foliage, 1941 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 52.jpg
  • Vertical Foliage, 1941 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 51.jpg
  • Vertical Foliage, 1941 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 49.jpg
  • Red and Yellow Vane 1934 - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 47.jpg
  • Untitled - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 46.jpg
  • Three dimennsional paintings - Alexander Calder: Performing Sculpture. Calder was one of the truly ground-breaking artists of the 20th century and as a pioneer of kinetic sculpture, played an essential role in shaping the history of modernism. Alexander Calder: Performing Sculpture brings together approximately 100 works to reveal how Calder turned sculpture from a static object into a continually changing work to be experienced in real time. Highlights include: One of Calder’s largest mobiles Black Widow 1948, which has never been shown in the UK before; Seven of Calder’s influential panel works, which are being shown together for the first time; A selection of Calder’s early wire portraits, which include those representing illustrious figures such as Joan Miró, Edgard Varése and Fernand Léger; and recently restored works which haven’t been shown for decades, including Acrobats 1929. The exhibition is at Tate Modern from 11 November 2015 - 3 April 2016.
    Tate Alexander Calder GBPhotos 43.jpg
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