Show Navigation

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 613 images found }

Loading ()...

  • A woman wears a picture of a relative as veterans and descendants march past. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 22.jpg
  • A woman wears a picture of a relative as veterans and descendants march past. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 21.jpg
  • A boy carries an old picture of a relative as veterans and descendants march past. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 19.jpg
  • Veterans and descendants march past. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.
    GB16915.jpg
  • Chelsea pensioners, and descendants march past. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 18.jpg
  • A boy carries an old picture of a relative as veterans and descendants march past. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 20.jpg
  • Spitfire Engine and Propeller with curators Bianca Chu and Alina Brezhneva (R) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 32.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 31.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 30.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 29.jpg
  • Spitfire Engine and Propeller - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 27.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 25.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 24.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 23.jpg
  • Intersection Point room as seen through the 'eye of Barbara hepworth's Two Forms - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 22.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 20.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 18.jpg
  • The Building Blocks room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 17.jpg
  • Holy Virgin Mary by Chris Ofili (est £1.5-2m) and Baga Shoulder Mask (Euro 1.5-2.5m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 16.jpg
  • Lenin by Andy Warhol (est £1.2-1.8m)  looks down on the new pop-up coffee shop in The (anti) Portrait room - - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 15.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 14.jpg
  • Napoleons hat and Death of Repubic Soldiers by Zeng Fanzhi (est £0.7-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 10.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 09.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 07.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 05.jpg
  • St Peters Sq by Luigi Gallandt (est £150-250k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 04.jpg
  • Two men working in a field by Francis Bacon (est £7-10m)- Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 03.jpg
  • Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 01.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 28.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 26.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 21.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 19.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 13.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 12.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 11.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 08.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 06.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street, London.
    Christies Curates GBPhotos 02.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 16.jpg
  • 18 Spitfrires do a mass fly past as the finale - The Duxford Battle of Britain Air Show is a finale to the centenary of the Royal Air Force (RAF) with a celebration of 100 years of RAF history and a vision of its innovative future capability.
    Battle of Britain IWM Duxford GBPhot...jpg
  • The Battle of Britain Memorial flight Lancaster, is joined by a Tornado and a Lightning II for 617 Squadron fly past - The Duxford Battle of Britain Air Show is a finale to the centenary of the Royal Air Force (RAF) with a celebration of 100 years of RAF history and a vision of its innovative future capability.
    Battle of Britain IWM Duxford GBPhot...jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.
    GB16901.jpg
  • Tree Sculpture - 'Gallipoli 1915' by Nadir Imamoglu in front of the Cenotaph. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 17.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.
    GB16898.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 15.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 14.jpg
  • Deep in thought. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 13.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 12.jpg
  • Veterans stand behing members of the Royal Navy and in front of the Women of WW2 memeorial. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.
    GB16890.jpg
  • Senior politicicians including Nick Clegg and Ed Milliband after laying their wreaths. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 11.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 10.jpg
  • Her Majesty the Queen comes out to lay her wreath which is carried by her ecquerry. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.
    GB16883.jpg
  • Her Majesty the Queen comes out to lay her wreath which is carried by her ecquerry. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.
    GB16882.jpg
  • Her Majesty the Queen comes out to lay her wreath which is carried by her ecquerry. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.
    GB16882 copy.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 08.jpg
  • Veterans stand behing members of the Royal Navy and in front of the Women of WW2 memeorial. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 07.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 23.jpg
  • Veterans stand behing members of the Royal Navy and in front of the Women of WW2 memeorial. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 06.jpg
  • The statue of Field Marshal Alan Brooke, who also served in the First World War, looks on. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 05.jpg
  • The statue of Field Marshal Alan Brooke, who also served in the First World War, looks on. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 04.jpg
  • Tree Sculpture - 'Gallipoli 1915' by Nadir Imamoglu in front of the Cenotaph. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 03.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.
    GB16867.jpg
  • Tree Sculpture - 'Gallipoli 1915' by Nadir Imamoglu in front of the Cenotaph. A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 01.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.Guy Bell, 07771 786236, guy@gbphotos.com
    Gallipoli Service GBPhotos 02.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.
    GB16907.jpg
  • A commemoration in London to mark the Centenary of the Gallipoli Campaign 25 April 2015 at the Cenotaph on Whitehall, Westminster. Descendants of those who fought in the campaign also march past, led by military personnel, as part of the ceremony. This is an addition to the usual annual ceremony organized byvThe High Commissions of Australia and New Zealand.
    GB16865.jpg
  • The band of the Household division marches past - The Combined Cavalry OCA Parade, Hyde Park. More than two thousand cavalrymen march in a mixture of uniforms or suits with bowler hats and furled umbrellas creating a quintessentially British scene. It is the 93rd Annual Parade and Service of The Combined Cavalry Old Comrades Association at the Cavalry Memorial adjacent and the Bandstand in Hyde Park. Field Marshal Baron Guthrie GCB, LVO, OBE, DL Colonel The Life Guards and Gold Stick took the salute at the march past for both serving and former soldiers of all the Regiments of Regular Cavalry and many Yeomanry Regiments.
    Cavalry Parade GBPhotos 47.jpg
  • Relaxing with guests before the march past - The Combined Cavalry OCA Parade, Hyde Park. More than two thousand cavalrymen march in a mixture of uniforms or suits with bowler hats (for officers only) and furled umbrellas creating a quintessentially British scene. It is the 93rd Annual Parade and Service of The Combined Cavalry Old Comrades Association at the Cavalry Memorial adjacent and the Bandstand in Hyde Park. Field Marshal Baron Guthrie GCB, LVO, OBE, DL Colonel The Life Guards and Gold Stick took the salute at the march past for both serving and former soldiers of all the Regiments of Regular Cavalry and many Yeomanry Regiments.
    Cavalry Parade GBPhotos 16.jpg
  • Relaxing with guests before the march past - The Combined Cavalry OCA Parade, Hyde Park. More than two thousand cavalrymen march in a mixture of uniforms or suits with bowler hats (for officers only) and furled umbrellas creating a quintessentially British scene. It is the 93rd Annual Parade and Service of The Combined Cavalry Old Comrades Association at the Cavalry Memorial adjacent and the Bandstand in Hyde Park. Field Marshal Baron Guthrie GCB, LVO, OBE, DL Colonel The Life Guards and Gold Stick took the salute at the march past for both serving and former soldiers of all the Regiments of Regular Cavalry and many Yeomanry Regiments.
    Cavalry Parade GBPhotos 09.jpg
  • The fly past. A memorial service, fly and march past for all the forces who fought in Afghanistan is attended by the Royal Family. St Paul's Cathedral, London, UK 13 Mar 2015
    Flypast GBphotos.jpg
  • The Royals watch the fly past. A memorial service, fly and march past for all the forces who fought in Afghanistan is attended by the Royal Family. St Paul's Cathedral, London, UK 13 Mar 2015
    Afghan Memorial Service GBPhotos 05.jpg
  • The band of the Household division marches past - The Combined Cavalry OCA Parade, Hyde Park. More than two thousand cavalrymen march in a mixture of uniforms or suits with bowler hats and furled umbrellas creating a quintessentially British scene. It is the 93rd Annual Parade and Service of The Combined Cavalry Old Comrades Association at the Cavalry Memorial adjacent and the Bandstand in Hyde Park. Field Marshal Baron Guthrie GCB, LVO, OBE, DL Colonel The Life Guards and Gold Stick took the salute at the march past for both serving and former soldiers of all the Regiments of Regular Cavalry and many Yeomanry Regiments.
    Cavalry Parade GBPhotos 48.jpg
  • Relaxing with guests before the march past - The Combined Cavalry OCA Parade, Hyde Park. More than two thousand cavalrymen march in a mixture of uniforms or suits with bowler hats (for officers only) and furled umbrellas creating a quintessentially British scene. It is the 93rd Annual Parade and Service of The Combined Cavalry Old Comrades Association at the Cavalry Memorial adjacent and the Bandstand in Hyde Park. Field Marshal Baron Guthrie GCB, LVO, OBE, DL Colonel The Life Guards and Gold Stick took the salute at the march past for both serving and former soldiers of all the Regiments of Regular Cavalry and many Yeomanry Regiments.
    Cavalry Parade GBPhotos 08.jpg
  • Retired/injured soldiers march past. A memorial service, fly and march past for all the forces who fought in Afghanistan is attended by the Royal Family. St Paul's Cathedral, London, UK 13 Mar 2015
    Afghan Memorial Service GBPhotos 12.jpg
  • Retired/injured soldiers march past. A memorial service, fly and march past for all the forces who fought in Afghanistan is attended by the Royal Family. St Paul's Cathedral, London, UK 13 Mar 2015
    Afghan Memorial Service GBPhotos 11.jpg
  • The fly past. A memorial service, fly and march past for all the forces who fought in Afghanistan is attended by the Royal Family. St Paul's Cathedral, London, UK 13 Mar 2015
    Afghan Memorial Service GBPhotos 04.jpg
  • Glastonbury, UK. 23 Jun 2022. 20 years od daemon or doppleganger - clay figures created at past festivals. The 50th 2022 Glastonbury Festival, Worthy Farm. Glastonbury,  Credit: Guy Bell/Alamy Live News
    GB29628.jpg
  • The Household Cavalry and Kings Troop Royal Horse Artillery march past in slow and quick time - The parade on Horse Guards - His Royal Highness the Duke of York reviews the final rehearsal for the Trooping the Colour on Horseguards Parade and the Mall.
    Trooping GBPhotos 070.jpg
  • The Household Cavalry and Kings Troop Royal Horse Artillery march past in slow and quick time - The parade on Horse Guards - His Royal Highness the Duke of York reviews the final rehearsal for the Trooping the Colour on Horseguards Parade and the Mall.
    Trooping GBPhotos 069.jpg
  • The Household Cavalry and Kings Troop Royal Horse Artillery march past in slow and quick time - The parade on Horse Guards - His Royal Highness the Duke of York reviews the final rehearsal for the Trooping the Colour on Horseguards Parade and the Mall.
    Trooping GBPhotos 067.jpg
  • The Household Cavalry and Kings Troop Royal Horse Artillery march past in slow and quick time - The parade on Horse Guards - His Royal Highness the Duke of York reviews the final rehearsal for the Trooping the Colour on Horseguards Parade and the Mall.
    Trooping GBPhotos 061.jpg
  • The Guards regiments march past in slow and quick time - The parade on Horse Guards - His Royal Highness the Duke of York reviews the final rehearsal for the Trooping the Colour on Horseguards Parade and the Mall.
    Trooping GBPhotos 052.jpg
  • The Guards regiments march past in slow and quick time - The parade on Horse Guards - His Royal Highness the Duke of York reviews the final rehearsal for the Trooping the Colour on Horseguards Parade and the Mall.
    Trooping GBPhotos 051.jpg
  • The Guards regiments march past in slow and quick time - The parade on Horse Guards - His Royal Highness the Duke of York reviews the final rehearsal for the Trooping the Colour on Horseguards Parade and the Mall.
    Trooping GBPhotos 046.jpg
  • The Guards regiments march past in slow and quick time - The parade on Horse Guards - His Royal Highness the Duke of York reviews the final rehearsal for the Trooping the Colour on Horseguards Parade and the Mall.
    Trooping GBPhotos 043.jpg
  • The Guards regiments march past in slow and quick time - The parade on Horse Guards - His Royal Highness the Duke of York reviews the final rehearsal for the Trooping the Colour on Horseguards Parade and the Mall.
    Trooping GBPhotos 035.jpg
  • Veterans march past the Cenotaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 076.jpg
  • Veterans march past the Cenotaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 075.jpg
  • Veterans, incl the Paras, march past the Cenothaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 070.jpg
  • Veterans, incl Highland units, march past the Cenothaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 066.jpg
  • Veterans, incl the Royal Artillery , march past the Cenothaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 056.jpg
  • Veterans, incl Chelsea Pensioners, march past the Cenothaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 053.jpg
  • Veterans, incl Wrens, march past the Cenothaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 047.jpg
  • Veterans, incl members of the Association of  Royal Yachtsmen,  march past the Cenothaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 044.jpg
  • Veterans from the Navy march past the Cenothaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 043.jpg
  • Veterans from the Navy march past the Cenothaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 040.jpg
  • Veterans from the Navy march past the Cenothaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 038.jpg
  • Veterans from the Navy and the Royal Marines march past the Cenothaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 037.jpg
  • Veterans from the Navy and the Royal Marines march past the Cenothaph and down Whitehall - Remembrance Sunday and Armistice Day commemorations fall on the same day, remembering the fallen of all conflicts but particularly the centenary of the end of World War One.
    Remebrance Sunday GBPhotos 035.jpg
  • 18 Spitfrires do a mass fly past as the finale - The Duxford Battle of Britain Air Show is a finale to the centenary of the Royal Air Force (RAF) with a celebration of 100 years of RAF history and a vision of its innovative future capability.
    Battle of Britain IWM Duxford GBPhot...jpg
Next
  • Facebook
  • Twitter
x

GBPhotos

  • Portfolio
  • About
    • The Service
    • Mini Biog
  • Contact
  • Client Home Page
  • Client Tools
    • Your Galleries
    • Your Lightbox