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  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13480.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander and Mark Humphrey - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13478.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13518.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13515.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander(here with Judy Murray) - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13513.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13512.jpg
  • Artist Mark Humphrey talks to Judy Murray - The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13503.jpg
  • Artist Mark Humphrey talks to Judy Murray - The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13500.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13491.jpg
  • Artist Mark Humphrey with a shell case engraved by his great grandfather - The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13494.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13489.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13485.jpg
  • Artist Mark Humphrey - The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13484.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13521.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander and Mark Humphrey - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13474.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13520.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13519.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13516.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13511.jpg
  • Artist Mark Humphrey talks to Judy Murray - The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13505.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13499.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13498.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13488.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13481.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander and Mark Humphrey - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13479.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander and Mark Humphrey - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13477.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander and Mark Humphrey - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13476.jpg
  • The Every Man Remembered sculpture in Trafalgar Square unveiled by Royal British Legion beneficiary Serena Alexander and Mark Humphrey - Serena lost her son, Sam Alexander MC, in Afghanistan and received help through the Legion’s Independent Inquest Advice Service. Her links to the First World War are extensive and she is helping to promote the Every Man Remembered website. Her own Great Uncle, Norman Birtwistle MC was awarded the Military Cross before being killed in action during one of the last cavalry charges in 1918. The sculpture is a collaborative piece with the artist Mark Humphrey - being 7.5-metre high it will sit in Trafalgar Square until 16 November. Made of brass, it is loosely based on the Unknown Solider and stands on a plinth of limestone sourced from the Somme. It is encased in a Perspex obelisk, surrounded by poppies which float up around the figure every five minutes.  The sculpture will carry out a four-year tour of Great Britain, visiting a number of different locations across the country where members of the public will be invited to remember all those who fell during the First World War.
    GB13475.jpg
  • Marcia Milhazes Dance Company première GUARDE - ME, a new performance piece under Gamboa II (2015-2016) -  'Rio Azul' by Beatriz Milhazes at White Cube Bermondsey. Her first solo show in London for almost a decade features new paintings, installation, sculpture, collage and live performance, as well as her first ever tapestry.
    White Cube Milhazes GBPhotos 30.jpg
  • Marcia Milhazes Dance Company première GUARDE - ME, a new performance piece under Gamboa II (2015-2016) -  'Rio Azul' by Beatriz Milhazes at White Cube Bermondsey. Her first solo show in London for almost a decade features new paintings, installation, sculpture, collage and live performance, as well as her first ever tapestry.
    White Cube Milhazes GBPhotos 28.jpg
  • Marcia Milhazes Dance Company première GUARDE - ME, a new performance piece under Gamboa II (2015-2016) -  'Rio Azul' by Beatriz Milhazes at White Cube Bermondsey. Her first solo show in London for almost a decade features new paintings, installation, sculpture, collage and live performance, as well as her first ever tapestry.
    White Cube Milhazes GBPhotos 29.jpg
  • Marcia Milhazes Dance Company première GUARDE - ME, a new performance piece under Gamboa II (2015-2016) -  'Rio Azul' by Beatriz Milhazes at White Cube Bermondsey. Her first solo show in London for almost a decade features new paintings, installation, sculpture, collage and live performance, as well as her first ever tapestry.
    White Cube Milhazes GBPhotos 25.jpg
  • Marcia Milhazes Dance Company première GUARDE - ME, a new performance piece under Gamboa II (2015-2016) -  'Rio Azul' by Beatriz Milhazes at White Cube Bermondsey. Her first solo show in London for almost a decade features new paintings, installation, sculpture, collage and live performance, as well as her first ever tapestry.
    White Cube Milhazes GBPhotos 23.jpg
  • Marcia Milhazes Dance Company première GUARDE - ME, a new performance piece under Gamboa II (2015-2016) -  'Rio Azul' by Beatriz Milhazes at White Cube Bermondsey. Her first solo show in London for almost a decade features new paintings, installation, sculpture, collage and live performance, as well as her first ever tapestry.
    White Cube Milhazes GBPhotos 21.jpg
  • Marcia Milhazes Dance Company première GUARDE - ME, a new performance piece under Gamboa II (2015-2016) -  'Rio Azul' by Beatriz Milhazes at White Cube Bermondsey. Her first solo show in London for almost a decade features new paintings, installation, sculpture, collage and live performance, as well as her first ever tapestry.
    White Cube Milhazes GBPhotos 20.jpg
  • Marcia Milhazes Dance Company première GUARDE - ME, a new performance piece under Gamboa II (2015-2016) -  'Rio Azul' by Beatriz Milhazes at White Cube Bermondsey. Her first solo show in London for almost a decade features new paintings, installation, sculpture, collage and live performance, as well as her first ever tapestry.
    White Cube Milhazes GBPhotos 19.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 43.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 40.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 37.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 35.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 34.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 33.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 32.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 31.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 30.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 27.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 22.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 19.jpg
  • Mirror Piece II, an early work in which a group of performers make choreographed movements while holding tall; narrow mirrors - Joan Jonas, Tate Modern opens largest survey of pioneering performance artist’s work from her five decade career. It includes an immersive gallery exhibition and live performance programme.
    Tate Modern GBPhotos 18.jpg
  • Run 2016 with Antony Gormley -  Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 77.jpg
  • Block 2015 with Antony Gormley - Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 74.jpg
  • Block 2015 with Antony Gormley - Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 72.jpg
  • Block 2015 with Antony Gormley - Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 73.jpg
  • Block 2015 with Antony Gormley - Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 71.jpg
  • Passage 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 67.jpg
  • Passage 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 66.jpg
  • Passage 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 60.jpg
  • Passage 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 58.jpg
  • Passage 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 57.jpg
  • Passage 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 55.jpg
  • Passage 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 53.jpg
  • Passage 2016 (from inside) - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 51.jpg
  • Passage 2016 (from inside) - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 50.jpg
  • Passage 2016 (from inside) - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 48.jpg
  • Sleeping Field 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 44.jpg
  • Sleeping Field 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 43.jpg
  • Sleeping Field 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 42.jpg
  • Fit 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 38.jpg
  • Passage 2016 with Antony Gormley -  Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 35.jpg
  • Block 2015 with Antony Gormley - Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 34.jpg
  • Block 2015 with Antony Gormley - Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 33.jpg
  • Block 2015 with Antony Gormley - Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 30.jpg
  • Block 2015 with Antony Gormley - Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 29.jpg
  • Run 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 25.jpg
  • Run 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 24.jpg
  • Run 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 16.jpg
  • Mean 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 15.jpg
  • Block 2015 and Look 2016 - Antony Gormley,  Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 14.jpg
  • Passage 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 12.jpg
  • Passage 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 11.jpg
  • Passage 2016 (from inside) - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 06.jpg
  • Passage 2016 (from inside) - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 05.jpg
  • Sleeping Field 2016 - Antony Gormley, Fit, a new exhibition of work in the South Galleries of White Cube Bermondsey. The piece is divided into 15 discrete chambers to create a series of dramatic physiological encounters in the form of a labyrinth.
    Gormley Fit white Cube GBPhotos 03.jpg
  • A silent disco is filmed for later use in an installation piece - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 11.jpg
  • A silent disco is filmed for later use in an installation piece - The Turbine Festival 2015 - One City One Day - sponsored by Hyundai. The festival includes many activities for all ages exploring art and technology. The hall is decorated with giant white streamers.
    Tate Turbine Festival GBPhotos 10.jpg
  • Specially commissioned for Photo London, an installation by Rut Blees Luxemburg (pictured) in the courtyard of Somerset House, London. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 13.jpg
  • Specially commissioned for Photo London, an installation by Rut Blees Luxemburg in the courtyard of Somerset House, London. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 10.jpg
  • Specially commissioned for Photo London, an installation by Rut Blees Luxemburg (pictured) in the courtyard of Somerset House, London. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 09.jpg
  • Specially commissioned for Photo London, an installation by Rut Blees Luxemburg in the courtyard of Somerset House, London. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 04.jpg
  • Bentley are the VIP transport partners. The piece involes 10 lightbox cubes and framed lights which show ‘an urban love story overlaid with text by philosopher Alexander Garcia Duttmann’. The inaugural edition of Photo London - London’s first international photography fair, it aims to harness the growing audience for photography in the city and nurture a new generation of collectors. Photo London is produced by the consultancy and curatorial organisation Candlestar, known for their work with Condé Nast and the Prix Pictet photography award and touring exhibition. Photo London’s public programme is supported by the LUMA Foundation.
    Photo London GBPhotos 01.jpg
  • Tracey Emin with My Bed 1998, in front of six of her recent figure drawings which have been gifted by the artist to the nation. My Bed 1998 became famous when it was shown in the 1999 Turner Prize exhibition, for which Emin was shortlisted. It was made in Tracey Emin's Waterloo council flat in 1998 and was referred to by the artist as an unconventional and uncompromising self-portrait through objects - featuring the artist's own bed covered in stained sheets, discarded condoms, underwear and empty bottles of alcohol. The piece gives a snapshot of the artist's life after a traumatic relationship breakdown. The Duerckheim Collection acquired the work in early July 2014 and it is now on loan to Tate for 10 years. <br />
<br />
The drawings and My Bed are positioned alongside two paintings by Francis Bacon, Study of a Dog 1952 and Reclining Woman 1961. And are part of a refresh of the galleries showing art from the 1970s to the present day - featuring major works by Gilbert & George, Anish Kapoor, Nicholas Pope and John Gerrard.
    Tate Emin Bed 03 15 GBPhotos 24.jpg
  • Tracey Emin with My Bed 1998, in front of six of her recent figure drawings which have been gifted by the artist to the nation. My Bed 1998 became famous when it was shown in the 1999 Turner Prize exhibition, for which Emin was shortlisted. It was made in Tracey Emin's Waterloo council flat in 1998 and was referred to by the artist as an unconventional and uncompromising self-portrait through objects - featuring the artist's own bed covered in stained sheets, discarded condoms, underwear and empty bottles of alcohol. The piece gives a snapshot of the artist's life after a traumatic relationship breakdown. The Duerckheim Collection acquired the work in early July 2014 and it is now on loan to Tate for 10 years. <br />
<br />
The drawings and My Bed are positioned alongside two paintings by Francis Bacon, Study of a Dog 1952 and Reclining Woman 1961. And are part of a refresh of the galleries showing art from the 1970s to the present day - featuring major works by Gilbert & George, Anish Kapoor, Nicholas Pope and John Gerrard.
    Tate Emin Bed 03 15 GBPhotos 22.jpg
  • Tracey Emin with My Bed 1998, in front of six of her recent figure drawings which have been gifted by the artist to the nation. My Bed 1998 became famous when it was shown in the 1999 Turner Prize exhibition, for which Emin was shortlisted. It was made in Tracey Emin's Waterloo council flat in 1998 and was referred to by the artist as an unconventional and uncompromising self-portrait through objects - featuring the artist's own bed covered in stained sheets, discarded condoms, underwear and empty bottles of alcohol. The piece gives a snapshot of the artist's life after a traumatic relationship breakdown. The Duerckheim Collection acquired the work in early July 2014 and it is now on loan to Tate for 10 years. <br />
<br />
The drawings and My Bed are positioned alongside two paintings by Francis Bacon, Study of a Dog 1952 and Reclining Woman 1961. And are part of a refresh of the galleries showing art from the 1970s to the present day - featuring major works by Gilbert & George, Anish Kapoor, Nicholas Pope and John Gerrard.
    Tate Emin Bed 03 15 GBPhotos 19.jpg
  • Tracey Emin with My Bed 1998, in front of six of her recent figure drawings which have been gifted by the artist to the nation. My Bed 1998 became famous when it was shown in the 1999 Turner Prize exhibition, for which Emin was shortlisted. It was made in Tracey Emin's Waterloo council flat in 1998 and was referred to by the artist as an unconventional and uncompromising self-portrait through objects - featuring the artist's own bed covered in stained sheets, discarded condoms, underwear and empty bottles of alcohol. The piece gives a snapshot of the artist's life after a traumatic relationship breakdown. The Duerckheim Collection acquired the work in early July 2014 and it is now on loan to Tate for 10 years. <br />
<br />
The drawings and My Bed are positioned alongside two paintings by Francis Bacon, Study of a Dog 1952 and Reclining Woman 1961. And are part of a refresh of the galleries showing art from the 1970s to the present day - featuring major works by Gilbert & George, Anish Kapoor, Nicholas Pope and John Gerrard.
    Tate Emin Bed 03 15 GBPhotos 18.jpg
  • A new display including Tracey Emin's  My Bed 1998, in front of six of her recent figure drawings which have been gifted by the artist to the nation. My Bed 1998 became famous when it was shown in the 1999 Turner Prize exhibition, for which Emin was shortlisted. It was made in Tracey Emin's Waterloo council flat in 1998 and was referred to by the artist as an unconventional and uncompromising self-portrait through objects - featuring the artist's own bed covered in stained sheets, discarded condoms, underwear and empty bottles of alcohol. The piece gives a snapshot of the artist's life after a traumatic relationship breakdown. The Duerckheim Collection acquired the work in early July 2014 and it is now on loan to Tate for 10 years. <br />
<br />
The drawings and My Bed are positioned alongside two paintings by Francis Bacon, Study of a Dog 1952 and Reclining Woman 1961. And are part of a refresh of the galleries showing art from the 1970s to the present day - featuring major works by Gilbert & George, Anish Kapoor, Nicholas Pope and John Gerrard.
    Tate Emin Bed 03 15 GBPhotos 15.jpg
  • Henry Moore's Three Piece Reclining No 2, est £2-3m - Christie's Impressionist, Modern and Surrealist Art pre-sale exhibition ahead of the Evening sale on 4 February. Highlights include: Cézanne’s Vue sur L’Estaque et Le Château d’If, from the collection of Samuel Courtauld, which is coming to the market for the first time since it was acquired 79 years ago, in 1936 (estimate: £8-12 million); The most valuable group of Surrealist art ever to be offered at auction, featuring a group of works by Magritte and Miró, led by Joan Miró’s L'oiseau au plumage déployé vole vers l'arbre argenté, 1953, from a Distinguished European Collection (estimate: £7-9 million); Amedeo Modigliani’s rare double portrait Les deux filles, 1918 (estimate: £6-8 million); Femme de Venise V by Alberto Giacometti (estimate: £6-8 million); Juan Gris’s La Lampe, 1914, which is considered to be among the artist’s greatest contributions to Cubism (estimate: £2.5-3.5 million); Paysage à L’Estaque, 1907, by Georges Braque (estimate: £2-3 million); An important group of German works from the collection of industrial chemist Carl Hagemann, representing three of the four founding artists of the Die Brücke movement, led by one of the masterpieces of Die Brücke art: Badende am Waldteich by Erich Heckel, along with key works by Ernst Ludwig Kirchner and Karl Schmidt-Rottluff; and other important works by Chagall, Moore, Picabia, Arp, Ernst, Tanguy and Dominguez. The auction has a total pre-sale estimate of £92.8 million-£133.8 million. Christie’s, King Street, London, UK.
    Christies Impressionist Modern GBPho...jpg
  • Henry Moore's Three Piece Reclining No 2, est £2-3m - Christie's Impressionist, Modern and Surrealist Art pre-sale exhibition ahead of the Evening sale on 4 February. Highlights include: Cézanne’s Vue sur L’Estaque et Le Château d’If, from the collection of Samuel Courtauld, which is coming to the market for the first time since it was acquired 79 years ago, in 1936 (estimate: £8-12 million); The most valuable group of Surrealist art ever to be offered at auction, featuring a group of works by Magritte and Miró, led by Joan Miró’s L'oiseau au plumage déployé vole vers l'arbre argenté, 1953, from a Distinguished European Collection (estimate: £7-9 million); Amedeo Modigliani’s rare double portrait Les deux filles, 1918 (estimate: £6-8 million); Femme de Venise V by Alberto Giacometti (estimate: £6-8 million); Juan Gris’s La Lampe, 1914, which is considered to be among the artist’s greatest contributions to Cubism (estimate: £2.5-3.5 million); Paysage à L’Estaque, 1907, by Georges Braque (estimate: £2-3 million); An important group of German works from the collection of industrial chemist Carl Hagemann, representing three of the four founding artists of the Die Brücke movement, led by one of the masterpieces of Die Brücke art: Badende am Waldteich by Erich Heckel, along with key works by Ernst Ludwig Kirchner and Karl Schmidt-Rottluff; and other important works by Chagall, Moore, Picabia, Arp, Ernst, Tanguy and Dominguez. The auction has a total pre-sale estimate of £92.8 million-£133.8 million. Christie’s, King Street, London, UK.
    Christies Impressionist Modern GBPho...jpg
  • The Wish List – Sir Terence Conran matched established designers with emerging designers to challenge them to make a piece they had always desired -  including a shed designed for Sir Paul Smith. The London Design Festival at the V&A, South Kensington, London 12 Sept 2014. Guy Bell, 07771 786236, guy@gbphotos.com
    VandA Design Festival GBPhotos 18.jpg
  • A huge mechanical elephant and a puppet girl were the centrepiece of a dramatised fairytale called The Sultan's Elephant.They were part of a three day piece of street theatre in central London.
    PAT 3718.jpg
  • A dance piece called Count Two is performed at the Laban Centre, London.
    GBP5621.jpg
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