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  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 34.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 12.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 45.jpg
  • Hunting Tower and Watchtower - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014. Guy Bell, 07771 786236, guy@gbphotos.com.
    Sigmar Polke Tate GBPhotos 30.jpg
  • Season's Hottest Trend and Daphne (book) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 04.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 44.jpg
  • Hunting Tower and Watchtower - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 32.jpg
  • Fear,  Black Man - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 31.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 19.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 21.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 18.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 11.jpg
  • Season's Hottest Trend and Daphne (book) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014. Guy Bell, 07771 786236, guy@gbphotos.com.
    Sigmar Polke Tate GBPhotos 03.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 42.jpg
  • The Young Acrobat - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 39.jpg
  • The Young Acrobat - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 38.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 33.jpg
  • Alice in Wonderland - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 26.jpg
  • Alice in Wonderland - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 25.jpg
  • Mao 1972 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 23.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 22.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 20.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 15.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 14.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 08.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 07.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 05.jpg
  • Season's Hottest Trend and Daphne (book) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014. Guy Bell, 07771 786236, guy@gbphotos.com.
    Sigmar Polke Tate GBPhotos 01.jpg
  • Season's Hottest Trend and Daphne (book) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014. Guy Bell, 07771 786236, guy@gbphotos.com.
    Sigmar Polke Tate GBPhotos 02.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 41.jpg
  • The Young Acrobat - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 40.jpg
  • The Spirits that Lend Strength are invisible, Meteor material - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 29.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 24.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 17.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 10.jpg
  • Uranium (Pink) - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 43.jpg
  • The Young Acrobat - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 37.jpg
  • Potato House- Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 16.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 06.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 36.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 27.jpg
  • Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 35.jpg
  • Untitled, Soot on Glass - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 28.jpg
  • Girlfriends 1965-6 - Alibis a Sigmar Polke retrospective at the Tate Modern – he was viewed as one of the most experimental artists of recent times and the exhibition covers his full career, bringing together works from around the world in a huge variety of materials. Highlights include: Girlfriends – An iconic early Pop painting from 1965 of a bikini-clad girl; Potato House – Standing over 6 feet tall, this sculpture of a house is made from wooden lattices covered in real potatoes; Mao – A huge felt banner covered in scraps of cloth and painted with an image of Chairman Mao; Watchtowers – A series of neon-coloured paintings incorporating silver, resin, fabric and bubble-wrap; and other paintings made from such diverse materials as meteorite dust, soot, lead, coal, elastic bands and medical tape. The exhibition runs from 9 October 2014 – 8 February 2015.  Tate Modern, Bankside, London, UK 07 Oct 2014.
    Sigmar Polke Tate GBPhotos 09.jpg
  • Henry Geldzahler and Christopher Scott, 1969 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 14.jpg
  • Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 34.jpg
  • The Board Room where business cards from arms manufacturers are shown with images of war. Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 16.jpg
  • The Board Room where business cards from arms manufacturers are shown with images of war. Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 13.jpg
  • The 'Decoration' Room - Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 01.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House  (pictured) – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9222.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Shock and Awe with a western Tony Blair (pictured);  and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9193.jpg
  • Charcoal drawings celebrating the arrival of spring on a road between Bridlington and Kilham - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 33.jpg
  • Lewis Collection Garden, 2015 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 28.jpg
  • Woldgate woods 6 &9 November, 2006 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 23.jpg
  • May Blossom on the Roman Road, 2009 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 24.jpg
  • Mr and Mrs Clark and Percy 1970-1 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 18.jpg
  • Mr and Mrs Clark and Percy 1970-1 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 16.jpg
  • Sunbather 1966 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 06.jpg
  • Morning 1965 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 24.jpg
  • Untitled 2002 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 16.jpg
  • Homage to Life 2003, Untitled 1959 (C) and Gratitude 2001 (R) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 12.jpg
  • Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 30.jpg
  • Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 28.jpg
  • The Board Room where business cards from arms manufacturers are shown with images of war. Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 22.jpg
  • The Reading Room - Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 20.jpg
  • The Board Room where business cards from arms manufacturers are shown with images of war. Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 09.jpg
  • The Reading Room - Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 04.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; the Reaper series pictured); and his final work computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9218.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; The Solomon R. Guggenheim series (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9210.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Treatment Room - with Margaret Thatcher video  (pictured);and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9191.jpg
  • David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 38.jpg
  • Two Pots on the Terrace and Garden #3 both 2016 (his most recent works) - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 36.jpg
  • Charcoal drawings celebrating the arrival of spring on a road between Bridlington and Kilham - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 34.jpg
  • A closer Wind Tunnel, February- March, 2006 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 27.jpg
  • A closer Wind Tunnel, February- March, 2006 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 26.jpg
  • Henry Geldzahler and Christopher Scott, 1969 and  Portrait of an Artist (Pool with Two Figures) 1972 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 20.jpg
  • Henry Geldzahler and Christopher Scott, 1969 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 12.jpg
  • Portrait of an Artist (Pool with Two Figures) 1972 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 11.jpg
  • A Bigger Splash, 1967, and a Lawn Being Sprinkled, 1967 - David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 04.jpg
  • Morning 1965 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 23.jpg
  • Untitled 2004 (her last painting) - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 21.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 20.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 15.jpg
  • Untitled #1, #14 and #12 - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 08.jpg
  • The Islands - Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 04.jpg
  • Tate Modern opens major retrospective of American painter Agnes Martin. The exhibition covers the full breadth of her practice from early experimental works with found objects to her late evocative paintings, reasserting her position as a key figure in the traditionally male-dominated field of American abstraction. Highlights include: Martin’s important early work Friendship 1963, a gold leaf covered canvas incised with Martin’s emblematic fine grid;	The artist’s group of white paintings The Islands I – XII 1979; and a selection of Martin’s large-scale late square paintings rarely seen together including the artist’s last work before her death in 2004
    Tate Agnes Martin GBPhotos 02.jpg
  • Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 25.jpg
  • The Board Room where business cards from arms manufacturers are shown with images of war. Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 24.jpg
  • The Board Room where business cards from arms manufacturers are shown with images of war. Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 14.jpg
  • The Board Room where business cards from arms manufacturers are shown with images of war. Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 10.jpg
  • The Board Room where business cards from arms manufacturers are shown with images of war. Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 08.jpg
  • The Board Room where business cards from arms manufacturers are shown with images of war. Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 06.jpg
  • The 'Decoration' Room - Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 03.jpg
  • The 'Decoration' Room - Peter Kennard: Unofficial War Artist - Retrospective Exhibition of British Political and anti-war artist at IWM London, UK 12 May 2015
    Peter Kennard IWM GBPhotos 02.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London (pictured) – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9190.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House  (pictured) – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9230.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House  (pictured) – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9223.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House  (interior pictured) – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9217.jpg
  • A retrospective of Pop-art pioneer Richard Hamilton opens at the Tate this week. He was widely regarded as the founding figure of Pop art, and this exhibition presents over 60 years of work from 1950s installations to his final paintings of 2011. Major works include: Fun House – An immersive Pop installation featuring a jukebox and blown-up images from Hollywood movies, science-fiction and advertising;  Swingeing London – An iconic image of Mick Jagger following his arrest on drugs charges in 1967; Reapers and Growth and Form (pictured); and his final work – A triptych of computer-aided images printed onto canvas, inspired by the Italian Renaissance masters. Tate Modern, London, UK 11 Feb 2014.
    SentGB9205.jpg
  • David Hockney, a major new retrospective, at Tate Britain’s. It includes more than 200 works and celebrates Hockney’s achievement in painting, drawing, print, photography and video. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s 60-year career. It runs from 9 Feb to 29 May 2017. London 06 Feb 2017.
    Hockney Tate Britain GBPhotos 39.jpg
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