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  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:emptystaircasehoarding. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 01.jpg
  • Phyllida Barlow's (pictured in blue hoodie) new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries.  Here untitled:dock:huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 20.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungprongsplastercoils.  It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 18.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungprongsplastercoils.  It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 17.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:Shungblocks. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 13.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:crushed tower and sprungblocks. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 11.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungprongsplastercoils.  It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 09.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungprongsplastercoils.  It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 08.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungcowledtubes and 5stockadecrates and crashed/lintel/brokensculpture/paintedtarps. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 04.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:emptystaircasehoarding. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 03.jpg
  • Phyllida Barlow's (pictured in blue hoodie) new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries.  Here untitled:dock:huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 22.jpg
  • Phyllida Barlow's (pictured in blue hoodie) new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries.  Here untitled:dock:huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 21.jpg
  • Phyllida Barlow's (pictured in blue hoodie) new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries.  Here untitled:dock:huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 19.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:crushed tower and huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 16.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:Shungblocks. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 15.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:Shungblocks. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 14.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:Shungblocks. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 12.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:huge container. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 10.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungprongsplastercoils.  It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 07.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungcowledtubes and 5stockadecrates and crashed/lintel/brokensculpture/paintedtarps. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 06.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:emptystaircasehoarding. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 02.jpg
  • Phyllida Barlow's new work 'dock' is the new installation, which fills Tate Britain’s Duveen Galleries. Here untitled:dock:hungcowledtubes and 5stockadecrates and crashed/lintel/brokensculpture/paintedtarps. It has been created as part of the annual Tate Britain Commission, in which a leading contemporary artist is invited to develop a work inspired by Tate’s Collection. Phyllida Barlow has worked for over four decades with inexpensive, everyday materials to create large sculptural installations and bold and colourful three-dimensional collages. Tate Britain, Millbank, London, UK 31 March 2014.   Guy Bell Photography, 07771 786236, guy@gbphotos.com
    Phyllida Barlow Tate GBPhotos 05.jpg
  • Stress at work
    Stress GBPhotos.jpg
  • Commuter numbers are down dramatically in the London Bridge station, even during rush hour as people heed government guidance to go back to work but to keep your distance.  The first day the 'lockdown' is eased for the Coronavirus (Covid 19) outbreak in London.
    GB56555.jpg
  • Slightly contradictory advice - hold the hand rails but avoid touching things to reduce transmission - Commuter numbers are down dramatically in the London Bridge station, even during rush hour as people heed government guidance to go back to work but to keep your distance.  The first day the 'lockdown' is eased for the Coronavirus (Covid 19) outbreak in London.
    GB56527.jpg
  • Running, Walking and cycling over a normally packed bridge at this time - Commuter numbers are down dramatically in the London Bridge area, even during rush hour as people heed government guidance to go back to work but to keep your distance.  The first day the 'lockdown' is eased for the Coronavirus (Covid 19) outbreak in London.
    GB56512.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    SentGB11115.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    SentGB11113.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    SentGB11108.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    SentGB11106.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    SentGB11094.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    SentGB11092.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    SentGB11084.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11118.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11117.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. It is suported by tv actress Liz Carr from Silent Witness (pictured right). There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11111.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11110.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11105.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11097.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11098.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11093.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11091.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11090.jpg
  • London Landmarks - The Royal Academy, as seen in Anish Kapoors work in the courtyard, London,
    London Lanscape 02_1.jpg
  • Walking and cycling over a normally packed bridge at this time - Commuter numbers are down dramatically in the London Bridge area, even during rush hour as people heed government guidance to go back to work but to keep your distance.  The first day the 'lockdown' is eased for the Coronavirus (Covid 19) outbreak in London.
    GB56510.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11086.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    SentGB11103.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    SentGB11088.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11119.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11121.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11114.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. The BBC send a film crew, including a blind reporter, after ignoring previous protests. Westminster, London, UK 04 July 2014.
    GB11109.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11104.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11102.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11089.jpg
  • DPAC organise a protest outside the Department of Work and Pensions to demand that they save the Independent Living Fund. There is a heavy police presence in the background, after the Abbey closure at the weekend, but the liaison officers are very friendly. Westminster, London, UK 04 July 2014.
    GB11085.jpg
  • Jatra 1997-9 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 18.jpg
  • Head 1994 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 16.jpg
  • Janata Watch Repairing 1972 and others - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 15.jpg
  • Hathayyogi 1978 (l) and others  - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 14.jpg
  • He took enema five times a day 19991 and At heh end of the day iron ingots came out - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 13.jpg
  • BBullet Shot in teh Stiomach -2001  hupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 12.jpg
  • Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 09.jpg
  • Haridwar 2001 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 08.jpg
  • You Can’t Please All (1981)  - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 05.jpg
  • You Can’t Please All (1981)  - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 04.jpg
  • Yagnya or Marriage 2000 behind the Prophets Hair, 1989 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 02.jpg
  • Hathayyogi 1978 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 20.jpg
  • Jatra 1997-9 and Yagnya or Marriage 2000 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 19.jpg
  • Head 1994 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 17.jpg
  • Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 11.jpg
  • Untitled 1994 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 10.jpg
  • You Can’t Please All (1981)  - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 06.jpg
  • Yagnya or Marriage 2000 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 03.jpg
  • Haridwar 2001 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 07.jpg
  • Clare Twomey (c) working with students in FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 08.jpg
  • Thomas J Price, Numen (Shifting Votive One, Two and Three) (2016) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 35.jpg
  • Thomas J Price, Numen (Shifting Votive One, Two and Three) (2016) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 32.jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • Clare Twomey (c) working with students in FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 11.jpg
  • Clare Twomey (c) working with students in FACTORY: the seen and the unseen - an installation in the form of a ceramics factory, by artist Clare Twomey. It is set up in the Blavatnik Building of the Tate Modern and launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production.
    Ceramics Factory Tate GBPhotos 10.jpg
  • Thomas J Price, Numen (Shifting Votive One, Two and Three) (2016) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 36.jpg
  • Magdalena Abakanowicz, Standing Figure with Wheel (1990) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 26.jpg
  • Takuro Kuwata, Untitled (2016) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 23.jpg
  • Rasheed Araeen, Summertime - The Regents Park (2017) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 17.jpg
  • Miquel Barceló, Gran Elefandret (2008) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 06.jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • The giant disco ball comes out and visitors, of all ages, are encouraged to free dance - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern  (part of BMW Tate Live)- the dress rehearsal of a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015.  A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor.  As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate GBPhotos 16.jpg
  • Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
  • Levee des Conflits is performed in front of visitors - Charmatz’s Musée de la danse (dancing museum) perform at the Tate Modern (part of BMW Tate Live)- a dance performance in the Turbine Hall, choreographed by French dancer and choreographer Boris Charmatz - 14 May 2015. A team of 90 dancers will stage free performances throughout the building between 12.00 and 22.00 on Friday 15 and Saturday 16 May. Visitors will also be invited to participate in a warm up, a workshop and an open dancefloor. As part of Musée de la danse in London, Boris Charmatz will also be staging two works and performing at Sadler’s Wells from 17 to 23 May.
    Musée de la danse Tate Modern GBPhot...jpg
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