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  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 34.jpg
  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 33.jpg
  • The works of Constant Dullaart - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 32.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 36.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 35.jpg
  • Evan Roth Internet Cache Self Portrait: November 24, 2015 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 31.jpg
  • Evan Roth Internet Cache Self Portrait: November 24, 2015 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 30.jpg
  • Eduardo Kac Reabracadabra 1985 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 26.jpg
  • Douglas Coupland Deep Face 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 25.jpg
  • Aleksandra Domanovic Sueño de una Tarde 2013 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 24.jpg
  • Nam June  Paik Internet Dream 1994 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 20.jpg
  • Nam June  Paik Internet Dream 1994 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 19.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 17.jpg
  • Peter  Sedgley Light Pulse No 3 1968 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 15.jpg
  • Peter  Sedgley Light Pulse No 3 1968 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 14.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 09.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 and in the background, Amalia Ulman Excellences & Perfections (Instagram Update, 20th June 2014) 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 10.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 08.jpg
  • Jacolby Satterwhite En Plein Air: Music of Objective Romance 2016 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 05.jpg
  • Jacolby Satterwhite En Plein Air: Music of Objective Romance 2016 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 04.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 03.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 02.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 29.jpg
  • Aristarkh  Chernyshev LOADING 2007 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 28.jpg
  • Douglas Coupland Deep Face 2015 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 27.jpg
  • Tony Longson<br />
Square Tonal Drawing 198 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 23.jpg
  • Rafael Lozano-Hemmer Surface Tension 199 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 22.jpg
  • Rafael Lozano-Hemmer Surface Tension 199 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 21.jpg
  • Nam June  Paik Internet Dream 1994 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 18.jpg
  • Peter  Sedgley Light Pulse No 3 1968 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 16.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 13.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 12.jpg
  • Some of the many audio/video installations - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 11.jpg
  • Trevor Paglen & Jacob Appelbaum Paglen Autonomy Cube 2014 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 07.jpg
  • Lynn  Hershman Leeson Lorna 1979-198 - Electronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 06.jpg
  • EOlaf Breuning Text Butt 2015 - lectronic Superhighway (2016-1966) at the Whitechapel Gallery opens on 29 January to show the impact of computers and internet technologies on contemporary art. The exhibition brings together over 100 works including film, photography, interactive works, painting and drawing by over 70 artists. Arranged in reverse chronological order, the exhibition begins with works made at the arrival of the new millennium, and ends with artefacts from Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Highlights include: Internet Dream (1994) by Nam June Paik, ‘the father of video art’ - a video-wall of 52 monitors displaying electronically-processed images; New large-scale works by Douglas Coupland, author of ‘Generation X: Tales for an Accelerated Culture’, on show in the UK for the first time; Photographs from Amalia Ulman’s Instagram based selfie project Excellences & Perfections; and a wall covered in an image by artist Constant Dullaart of Jennifer in Paradise, the first picture ever to be manipulated using Photoshop (Taken by one of the creators of Photoshop on holiday in the 80s, it depicts his girlfriend on a tropical beach).
    Whitechapel Electronic GBPhotos 01.jpg
  • The three final works - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames (pictured): Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 02.jpg
  • The three final works - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames (pictured): Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 03.jpg
  • The three final works - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames (pictured): Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 04.jpg
  • The three final works - The EY Exhibition: Late Turner – Painting Set Free - the first exhibition to survey Turner’s final period of work (1835-51). From the age of 60 until his death. Highlights include: his ‘radical’ square oil paintings in recently restored frames - at the time of their creation, these works were his most controversial and were famously subjected to a hail of abuse in the press; Bamborough Castle c.1837 – an important work from a private collection which has only been displayed in public once in 125 years; Ancient Rome and Modern Rome c.1839 – brought together for the first time in a generation; and Turner’s three final masterpieces shown in newly reconstructed frames (pictured): Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850. The show runs from 10 Sept to 25 January. Tate Britain, London, UK, 08 Sept 2014.
    Turner Tate GBPhotos 01.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl, <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23541.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23535.jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 10, 1958 (est: $45 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Peter Doig, Swamped 1990, est $20-30m - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Lucian Freud, Benefits of Supervisor Resting 1994, est $30-50m. Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23627.jpg
  • ROY LICHTENSTEIN (1923-1997)<br />
Crying Girl (centre), <br />
Executed in 1964. This work is number four from an edition of five.<br />
Estimate: $7,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23626.jpg
  • Lucian Freud, Benefits of Supervisor Resting 1994, est $30-50m. Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is . Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) -  Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Peter Doig, Swamped 1990, est $20-30m - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Jean Dubuffet, Paris Polka 1961, est $25m - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million) - Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Lucian Freud, Benefits of Supervisor Resting 1994, est $30-50m. Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Lucian Freud, Benefits of Supervisor Resting 1994, est $30-50m. Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Lucian Freud, Benefits of Supervisor Resting 1994, est $30-50m. Preview of almost fifty works from Christie’s spring sales in New York of Impressionist, Modern, Post-War And Contemporary Art. The most expensive work is Les femmes d'Alger (Version "O"), 1955, by Pablo Picasso (1881-1973), estimate $140million. Other highlights include: Pablo Picasso (1881-1973), Femme à la résille, 1938 (est $55 million); Mark Rothko (1903 -1970), No. 36 (Black Stripe), 1958 (est: $30-50 million); Andy Warhol (1928-1987), Colored Mona Lisa, 1963 (est $40 million); Claude Monet (1840-1926), Le Parlement, soleil couchant, 1902 (est: $35-45 million); Jean Dubuffet, Paris Polka, 1961 (est $25 million); Piet Mondrian (1872-1944), Composition No.III (Composition with Red, Blue, Yellow and Black), 1929 (est: $15-25million); and Amedeo Modigliani (1884-1920), Portrait de Béatrice Hastings, 1916 (est $7-10million) from the Collection of John C. Whitehead. The works will be on view to the public from 11 to 16 April at Christie’s King Street, London.
    Christies Impressionist Modern Conte...jpg
  • Head 1994 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 16.jpg
  • He took enema five times a day 19991 and At heh end of the day iron ingots came out - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 13.jpg
  • BBullet Shot in teh Stiomach -2001  hupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 12.jpg
  • Haridwar 2001 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 08.jpg
  • You Can’t Please All (1981)  - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 05.jpg
  • Two men working in a field by Francis Bacon (est £7-10m)- Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 03.jpg
  • Hathayyogi 1978 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 20.jpg
  • Jatra 1997-9 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 18.jpg
  • Head 1994 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 17.jpg
  • Janata Watch Repairing 1972 and others - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 15.jpg
  • Hathayyogi 1978 (l) and others  - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 14.jpg
  • Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 11.jpg
  • Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 09.jpg
  • You Can’t Please All (1981)  - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 06.jpg
  • You Can’t Please All (1981)  - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 04.jpg
  • Yagnya or Marriage 2000 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 03.jpg
  • Yagnya or Marriage 2000 behind the Prophets Hair, 1989 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 02.jpg
  • Jatra 1997-9 and Yagnya or Marriage 2000 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 19.jpg
  • Untitled 1994 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 10.jpg
  • Haridwar 2001 - Bhupen Khakhar: You Can’t Please All at Tate Modern. It is the first international retrospective of the Indian artist since his death. He was known for his vibrant, bold works that examine class and sexuality. The Exhibition runs from 1 June – 6 November 2016.
    Bhupen Khakhar Tate GBPhotos 07.jpg
  • Sir George Clausen, Evening Song, estimate: £1,200,000-1,800,000 and other works - Christie’s preview exhibition of works from its upcoming British Impressionism Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 04.jpg
  • PABLO PICASSO (1881-1973)<br />
Homme à l’épée<br />
Painted on 25 July 1969<br />
Estimate on Request (in the region of $25 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23623.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23540.jpg
  • PAUL CÉZANNE (1839-1906)<br />
L'homme à la pipe (Étude pour un joueur de cartes)<br />
(recto ) drawn in 1890-1892 (verso )<br />
Estimate: $18,000,000-25,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23621.jpg
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