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  • LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23609.jpg
  • Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23607.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23605.jpg
  • LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23603.jpg
  • RENÉ MAGRITTE (1898-1967)<br />
Le miroir universel<br />
signed 'Magritte'<br />
Painted in 1938-1939<br />
Estimate: $3,000,000-5,000,000Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23597.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23595.jpg
  • PAUL CÉZANNE (1839-1906)<br />
Pommes sur un linge<br />
Painted circa 1885<br />
Estimate: $7,000,000-10,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23536.jpg
  • FRANCIS BACON (1909-1992)<br />
Studies for Portrait Painted in 1976.<br />
Estimate: $12,000,000-18,000,000Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23528.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23589.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23526.jpg
  • JEAN DUBUFFET (1901-1985)<br />
Cote Chipote<br />
Painted in 1961.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23588.jpg
  • Peter Doig Cabin Essence, 1993-4 to be autioned in Frieze week - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23585.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 30.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 29.jpg
  • Spitfire Engine and Propeller - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 27.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 23.jpg
  • Intersection Point room as seen through the 'eye of Barbara hepworth's Two Forms - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 22.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 20.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 18.jpg
  • The Building Blocks room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 17.jpg
  • Lenin by Andy Warhol (est £1.2-1.8m)  looks down on the new pop-up coffee shop in The (anti) Portrait room - - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 15.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 14.jpg
  • Napoleons hat and Death of Repubic Soldiers by Zeng Fanzhi (est £0.7-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 10.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 07.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 05.jpg
  • Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 01.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Photo Etchings - Incl. Beautiful Sheffield and The Crimea PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 11.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Photo Etchings - Incl. Beautiful Sheffield - top -and The Crimea PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 10.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 04.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9 -  PICTURED) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 01.jpg
  • Sir George Clausen, Evening Song, estimate: £1,200,000-1,800,000 and other works - Christie’s preview exhibition of works from its upcoming British Impressionism Sale, on view to the public from 18-22 November 2017. The auction will take place on 22 November 2017 at Christie’s King Street.
    Christies British GBPhotos 04.jpg
  • PABLO PICASSO (1881-1973)<br />
Homme à l’épée<br />
Painted on 25 July 1969<br />
Estimate on Request (in the region of $25 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23624.jpg
  • PABLO PICASSO (1881-1973)<br />
Homme à l’épée<br />
Painted on 25 July 1969<br />
Estimate on Request (in the region of $25 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23623.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23540.jpg
  • PAUL CÉZANNE (1839-1906)<br />
L'homme à la pipe (Étude pour un joueur de cartes)<br />
(recto ) drawn in 1890-1892 (verso )<br />
Estimate: $18,000,000-25,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23621.jpg
  • A staff member takes a selfie in front of Four Marilyns by ANDY WARHOL (1928-1987)<br />
Painted in 1962.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23617.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23614.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23610.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23608.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) and LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23532.jpg
  • LUCIAN FREUD (1922-2011)<br />
Naked Portrait on a Red Sofa<br />
Painted in 1989-1991<br />
Estimate: $20,000,000-30,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23604.jpg
  • Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23601.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23538.jpg
  • RENÉ MAGRITTE (1898-1967)<br />
Le miroir universel<br />
signed 'Magritte'<br />
Painted in 1938-1939<br />
Estimate: $3,000,000-5,000,000Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23599.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23598.jpg
  • PABLO PICASSO (1881-1973)<br />
La Carafe (Bouteille et verre)<br />
Painted in Paris, winter 1911-1912<br />
Estimate: $6,000,000-9,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23537.jpg
  • FRANCIS BACON (1909-1992)<br />
Studies for Portrait Painted in 1976.<br />
Estimate: $12,000,000-18,000,000Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23591.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23590.jpg
  • FRANCIS BACON (1909-1992)<br />
Studies for Portrait<br />
Painted in 1976.<br />
Estimate: $12,000,000-18,000,000 and JEAN DUBUFFET (1901-1985)<br />
Cote Chipote<br />
Painted in 1961.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23587.jpg
  • FRANCIS BACON (1909-1992)<br />
Studies for Portrait<br />
Painted in 1976.<br />
Estimate: $12,000,000-18,000,000 and JEAN DUBUFFET (1901-1985)<br />
Cote Chipote<br />
Painted in 1961.<br />
Estimate on Request - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23586.jpg
  • Peter Doig Cabin Essence, 1993-4 to be autioned in Frieze week - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23584.jpg
  • Spitfire Engine and Propeller with curators Bianca Chu and Alina Brezhneva (R) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 32.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 31.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 28.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 26.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 25.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 24.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 21.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 19.jpg
  • Holy Virgin Mary by Chris Ofili (est £1.5-2m) and Baga Shoulder Mask (Euro 1.5-2.5m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 16.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 13.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 12.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 11.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 09.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 08.jpg
  • St Peters Sq by Luigi Gallandt (est £150-250k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 04.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street, London.
    Christies Curates GBPhotos 02.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 02.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 06.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 05.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 (PICTURED) in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Kodak 2006), Rachel Whiteread (Demolished – B: Clapton Park Estate 1996), Gerard Byrne (1984 and Beyond), Paul Nash (Pillar and Moon 1932-42), Graham Sutherland (Devastation series 1940–1), J.M.W. Turner (The Crossing and Chancel, Looking towards the East Window 1794) and John Piper; and Eduardo Paolozzi’s Michelangelo’s ‘David’ 1987, a cast of the famous marble sculpture which the artist sawed in to pieces and glued back together. The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 03.jpg
  • AMEDEO MODIGLIANI (1884-1920)<br />
Nu couché<br />
Painted in 1917-1918<br />
Estimate on Request (in the region of $100 million) - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23530.jpg
  • LUCIAN FREUD (1922-2011)<br />
The Brigadier<br />
Painted in 2003-2004.<br />
Estimate: $25,000,000-35,000,000 - Christie’s showcases  the London Post-War and Contemporary Art Evening Sale in October, alongside an exceptional selection of works from the  New York sales in November of Impressionist, Modern, Post-War And  Contemporary Art. The works will be on view to the public from Saturday 10 October to Saturday 17 October at Christie’s King Street. The highlight is  Amedeo Modigliani’s, ‘Nu couché (Reclining  Nude)’, painted in 1917-18, which has an estimate in the region of $100 million.
    GB23524.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 06.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Photo Etchings -  PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 20.jpg
  • Ruin Lust, the new exhibition at Tate Britain opens this week. It offers a guide to the fascination that ruins have held for artists from the seventeenth century to the present day. Highlights include: Jane and Louise Wilson’s Azeville 2006 in the opening room of the exhibition - shown next to major works by John Constable (Sketch for ‘Hadleigh Castle’ c.1828–9) and John Martin (The Destruction of Pompeii and Herculaneum)  - at nearly three metres wide, this photograph is part of their series depicting the Nazi defensive bunkers along the north coast of France; major works by Tacita Dean (Photo Etchings - Incl. Beautiful Sheffield and The Crimea PICTURED). The exhibition runs from 4 March – 18 May 2014. Tate Britain, Millbank, London, UK 03 March 2014.
    Ruin Lust Tate GBPhotos 12.jpg
  • Thomas J Price, Numen (Shifting Votive One, Two and Three) (2016) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 35.jpg
  • Thomas J Price, Numen (Shifting Votive One, Two and Three) (2016) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 32.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 26.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 04.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 02.jpg
  • Thomas J Price, Numen (Shifting Votive One, Two and Three) (2016) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 36.jpg
  • Magdalena Abakanowicz, Standing Figure with Wheel (1990) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 26.jpg
  • Takuro Kuwata, Untitled (2016) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 23.jpg
  • Rasheed Araeen, Summertime - The Regents Park (2017) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 17.jpg
  • Miquel Barceló, Gran Elefandret (2008) - The Frieze Sculpture Park 2017 comprises large-scale works, set in the English Gardens . The installations will remain on view until 8 Oct 2017. 
    Frieze Sculptures GBPhotos 06.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 29.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 28.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 27.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 24.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 25.jpg
  • Supergo 2016 -  - Turner prize winning artist, Mark Wallinger, opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 22.jpg
  • Supergo 2016 - The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 21.jpg
  • Supergo 2016 - The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 20.jpg
  • Supergo 2016 - The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 19.jpg
  • Supergo 2016 - The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 18.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 16.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 15.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 12.jpg
  • The3 ID series - Turner prize winning artist, Mark Wallinger (pictured), opens major solo show of all new works at Hauser & Wirth London, UK 25 Feb 2016
    Mark Wallinger GBPhotos 14.jpg
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