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  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 05.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 23.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 22.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 10.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 08.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 06.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 28.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 26.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 24.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 21.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 20.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 19.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 16.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 15.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 14.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 12.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 09.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 03.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 07.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 04.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 02.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 01.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 27.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 25.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 18.jpg
  • Sotheby’s unveils a diamond unlike any offered before: an extraordinary 100-carat perfect diamond in a classic Emerald-cut. The remarkable 100.20-carat, D color, Internally Flawless, Type IIa stone will highlight Sotheby’s Magnificent Jewels auction in New York on 21 April 2015, when it is estimated to sell for US$19-25 million. At this scale, diamonds of this exceptional quality – D color and Internally Flawless clarity – are incredibly rare, and are considered “perfect”. The present example joins an elite group of just five comparable-quality diamonds over 100 carats that have ever been sold at auction worldwide.
    Perfect Diamond Sothebys GBPhotos 13.jpg
  • Spitfire Engine and Propeller with curators Bianca Chu and Alina Brezhneva (R) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 32.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 09.jpg
  • Two men working in a field by Francis Bacon (est £7-10m)- Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 03.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 19.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 30.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 29.jpg
  • Spitfire Engine and Propeller - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 27.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 26.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 25.jpg
  • Every part of me is bleeding by Tracey Emin (est £50-70k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 24.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 23.jpg
  • Intersection Point room as seen through the 'eye of Barbara hepworth's Two Forms - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 22.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 20.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 18.jpg
  • The Building Blocks room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 17.jpg
  • Holy Virgin Mary by Chris Ofili (est £1.5-2m) and Baga Shoulder Mask (Euro 1.5-2.5m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 16.jpg
  • Lenin by Andy Warhol (est £1.2-1.8m)  looks down on the new pop-up coffee shop in The (anti) Portrait room - - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 15.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 14.jpg
  • Napoleons Hat - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 13.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 11.jpg
  • Napoleons hat and Death of Repubic Soldiers by Zeng Fanzhi (est £0.7-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 10.jpg
  • Exponge rose sans titre by Yves Klein (est (£0.7-1m)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 07.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 05.jpg
  • St Peters Sq by Luigi Gallandt (est £150-250k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 04.jpg
  • The new pop-up coffee shop in The (anti) Portrait room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street, London.
    Christies Curates GBPhotos 02.jpg
  • Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 01.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 31.jpg
  • Spitfire Engine and Propeller with curator Alina Brezhneva - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 28.jpg
  • Louis XVI Planetary Clock (est £0.6-1m) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 21.jpg
  • Intersection Point room - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 12.jpg
  • Boa Mask (est Euro 100-150k) - Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 08.jpg
  • Female Nude by Egon Shiele (est £300-500k)Christie’s Curates: PAST PERFECT / FUTURE PRESENT. A celebration of creativity which launches the summer season, this exhibition showcases a dynamic ‘juxtaposition’ of art from across the ages alongside innovative and new media works by four emerging artists: James Balmforth, Armand Boua, Olga Chernysheva and Harry Sanderson. This year’s curators Alina Brezhneva, Bianca Chu, Milo Dickinson and Tancredi Massimo di Roccasecca ‘drive the exhibition in to a bold new chapter’. Highlights: the black felt bicorne hat, once belonging to the Emperor Napoleon and worn by him during the whole Campaign of 1807, in the Battle of Eylau and Friedland, and at the Treaty of Tilsit; the Merlin III engine from an authentic and immaculately restored Vickers Supermarine Spitfire Mk.1A – P9374/G-MK1A. This is a truly iconic aircraft which is symbol of the bravery ‘of the few’ in the Battle of Britain; and the first opportunity to view Chris Ofili’s The Holy Virgin Mary (1996) in London - first exhibited at the generation-defining exhibition ‘Sensation’ in London and New York, The Holy Virgin Mary was a focal point for the widespread attention the exhibition received throughout the international media landscape, and dates from a moment that saw Ofili propelled to international fame. The works will be on view to the public from 12-16 June at Christie’s King Street,
    Christies Curates GBPhotos 06.jpg
  • A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 76.jpg
  • Families support the No2 dirtry air campaign and legal challenge to the government - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 54.jpg
  • Families support the No2 dirtry air campaign and legal challenge to the government - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 52.jpg
  • Families support the No2 dirtry air campaign and legal challenge to the government - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 50.jpg
  • Families support the No2 dirtry air campaign and legal challenge to the government - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 46.jpg
  • Np new runway supporters - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 15.jpg
  • Twenty Shaolin monks, from their  temple in the foothills of the Song Shang mountain range in China’s Henan province, take to the stage to demonstrate their martial arts expertise in an ‘awe-inspiring’ performance. SHAOLIN is a display of theatre and physical prowess in which the cast perform "superhuman" feats. The show combines traditional Shaolin Kung Fu, inch perfect choreography with dramatic lighting and sound that evokes the spirit of their tradition – their Temple being the birthplace of Kung Fu.  These are the very best Shaolin Kung Fu experts on the planet and they have come together to create this show. The Shaolin Monks are lifted aloft on sharpened spears, break marble slabs with their heads, perform handstands on two finger tips,splinter wooden staves with their bodies, break bricks on their heads and fly through the air in a series of incredible back flips. The show embarks upon a three-week run at The Peacock Theatre, London from 29 September – 17 October 2015.
    GB23188.jpg
  • A monk lies on upheld spear points - Twenty Shaolin monks, from their  temple in the foothills of the Song Shang mountain range in China’s Henan province, take to the stage to demonstrate their martial arts expertise in an ‘awe-inspiring’ performance. SHAOLIN is a display of theatre and physical prowess in which the cast perform "superhuman" feats. The show combines traditional Shaolin Kung Fu, inch perfect choreography with dramatic lighting and sound that evokes the spirit of their tradition – their Temple being the birthplace of Kung Fu.  These are the very best Shaolin Kung Fu experts on the planet and they have come together to create this show. The Shaolin Monks are lifted aloft on sharpened spears, break marble slabs with their heads, perform handstands on two finger tips,splinter wooden staves with their bodies, break bricks on their heads and fly through the air in a series of incredible back flips. The show embarks upon a three-week run at The Peacock Theatre, London from 29 September – 17 October 2015.
    Shaolin Monks GBPhotos 44.jpg
  • A monk does a headstand on his finger tips - Twenty Shaolin monks, from their  temple in the foothills of the Song Shang mountain range in China’s Henan province, take to the stage to demonstrate their martial arts expertise in an ‘awe-inspiring’ performance. SHAOLIN is a display of theatre and physical prowess in which the cast perform "superhuman" feats. The show combines traditional Shaolin Kung Fu, inch perfect choreography with dramatic lighting and sound that evokes the spirit of their tradition – their Temple being the birthplace of Kung Fu.  These are the very best Shaolin Kung Fu experts on the planet and they have come together to create this show. The Shaolin Monks are lifted aloft on sharpened spears, break marble slabs with their heads, perform handstands on two finger tips,splinter wooden staves with their bodies, break bricks on their heads and fly through the air in a series of incredible back flips. The show embarks upon a three-week run at The Peacock Theatre, London from 29 September – 17 October 2015.
    Shaolin Monks GBPhotos 41.jpg
  • Twenty Shaolin monks, from their  temple in the foothills of the Song Shang mountain range in China’s Henan province, take to the stage to demonstrate their martial arts expertise in an ‘awe-inspiring’ performance. SHAOLIN is a display of theatre and physical prowess in which the cast perform "superhuman" feats. The show combines traditional Shaolin Kung Fu, inch perfect choreography with dramatic lighting and sound that evokes the spirit of their tradition – their Temple being the birthplace of Kung Fu.  These are the very best Shaolin Kung Fu experts on the planet and they have come together to create this show. The Shaolin Monks are lifted aloft on sharpened spears, break marble slabs with their heads, perform handstands on two finger tips,splinter wooden staves with their bodies, break bricks on their heads and fly through the air in a series of incredible back flips. The show embarks upon a three-week run at The Peacock Theatre, London from 29 September – 17 October 2015.
    Shaolin Monks GBPhotos 10.jpg
  • Twenty Shaolin monks, from their  temple in the foothills of the Song Shang mountain range in China’s Henan province, take to the stage to demonstrate their martial arts expertise in an ‘awe-inspiring’ performance. SHAOLIN is a display of theatre and physical prowess in which the cast perform "superhuman" feats. The show combines traditional Shaolin Kung Fu, inch perfect choreography with dramatic lighting and sound that evokes the spirit of their tradition – their Temple being the birthplace of Kung Fu.  These are the very best Shaolin Kung Fu experts on the planet and they have come together to create this show. The Shaolin Monks are lifted aloft on sharpened spears, break marble slabs with their heads, perform handstands on two finger tips,splinter wooden staves with their bodies, break bricks on their heads and fly through the air in a series of incredible back flips. The show embarks upon a three-week run at The Peacock Theatre, London from 29 September – 17 October 2015.
    Shaolin Monks GBPhotos 02.jpg
  • A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 77.jpg
  • A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 74.jpg
  • Axe Drax campaign against the use of biomas outside the DoH - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 71.jpg
  • Natalie Bennett - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 65.jpg
  • The axe Drax dinosaur - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 59.jpg
  • Families support the No2 dirtry air campaign and legal challenge to the government - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 56.jpg
  • Families support the No2 dirtry air campaign and legal challenge to the government - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 53.jpg
  • Families support the No2 dirtry air campaign and legal challenge to the government - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 45.jpg
  • Families support the No2 dirtry air campaign and legal challenge to the government - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 44.jpg
  • A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 40.jpg
  • A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 39.jpg
  • Vivienne Westwood - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 37.jpg
  • Np new runway supporters - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 31.jpg
  • Np new runway supporters - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 30.jpg
  • outside DECC - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 29.jpg
  • outside DECC - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 27.jpg
  • Np new runway supporters outside DECC - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 25.jpg
  • Np new runway supporters - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 24.jpg
  • A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 22.jpg
  • A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 20.jpg
  • A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 19.jpg
  • Contradition of a Triumph motorbit fan who is also a climate activist - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 11.jpg
  • Time running out for the earth - A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 07.jpg
  • A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 06.jpg
  • A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 05.jpg
  • A perfect summers day for the Campaign against Climate Change's backwards march – on the governments first anniversary in power the protestestors  wanted to highlight their belief that clean energy technology has been sidelined in favour of a ‘dash for gas, insulation cut and fracking, roads and runways pushed through despite strong local opposition’. They walked backwards from Traflagar Square, down Whitehall, ending at the DoH.
    Climate Backwards march GBPhotos 04.jpg
  • A monk has a stave broken on his back - Twenty Shaolin monks, from their  temple in the foothills of the Song Shang mountain range in China’s Henan province, take to the stage to demonstrate their martial arts expertise in an ‘awe-inspiring’ performance. SHAOLIN is a display of theatre and physical prowess in which the cast perform "superhuman" feats. The show combines traditional Shaolin Kung Fu, inch perfect choreography with dramatic lighting and sound that evokes the spirit of their tradition – their Temple being the birthplace of Kung Fu.  These are the very best Shaolin Kung Fu experts on the planet and they have come together to create this show. The Shaolin Monks are lifted aloft on sharpened spears, break marble slabs with their heads, perform handstands on two finger tips,splinter wooden staves with their bodies, break bricks on their heads and fly through the air in a series of incredible back flips. The show embarks upon a three-week run at The Peacock Theatre, London from 29 September – 17 October 2015.
    Shaolin Monks GBPhotos 38.jpg
  • A monk has a stave broken on his back - Twenty Shaolin monks, from their  temple in the foothills of the Song Shang mountain range in China’s Henan province, take to the stage to demonstrate their martial arts expertise in an ‘awe-inspiring’ performance. SHAOLIN is a display of theatre and physical prowess in which the cast perform "superhuman" feats. The show combines traditional Shaolin Kung Fu, inch perfect choreography with dramatic lighting and sound that evokes the spirit of their tradition – their Temple being the birthplace of Kung Fu.  These are the very best Shaolin Kung Fu experts on the planet and they have come together to create this show. The Shaolin Monks are lifted aloft on sharpened spears, break marble slabs with their heads, perform handstands on two finger tips,splinter wooden staves with their bodies, break bricks on their heads and fly through the air in a series of incredible back flips. The show embarks upon a three-week run at The Peacock Theatre, London from 29 September – 17 October 2015.
    Shaolin Monks GBPhotos 38.tif
  • A monk lies on upheld spear points - Twenty Shaolin monks, from their  temple in the foothills of the Song Shang mountain range in China’s Henan province, take to the stage to demonstrate their martial arts expertise in an ‘awe-inspiring’ performance. SHAOLIN is a display of theatre and physical prowess in which the cast perform "superhuman" feats. The show combines traditional Shaolin Kung Fu, inch perfect choreography with dramatic lighting and sound that evokes the spirit of their tradition – their Temple being the birthplace of Kung Fu.  These are the very best Shaolin Kung Fu experts on the planet and they have come together to create this show. The Shaolin Monks are lifted aloft on sharpened spears, break marble slabs with their heads, perform handstands on two finger tips,splinter wooden staves with their bodies, break bricks on their heads and fly through the air in a series of incredible back flips. The show embarks upon a three-week run at The Peacock Theatre, London from 29 September – 17 October 2015.
    Shaolin Monks GBPhotos 43.jpg
  • Twenty Shaolin monks, from their  temple in the foothills of the Song Shang mountain range in China’s Henan province, take to the stage to demonstrate their martial arts expertise in an ‘awe-inspiring’ performance. SHAOLIN is a display of theatre and physical prowess in which the cast perform "superhuman" feats. The show combines traditional Shaolin Kung Fu, inch perfect choreography with dramatic lighting and sound that evokes the spirit of their tradition – their Temple being the birthplace of Kung Fu.  These are the very best Shaolin Kung Fu experts on the planet and they have come together to create this show. The Shaolin Monks are lifted aloft on sharpened spears, break marble slabs with their heads, perform handstands on two finger tips,splinter wooden staves with their bodies, break bricks on their heads and fly through the air in a series of incredible back flips. The show embarks upon a three-week run at The Peacock Theatre, London from 29 September – 17 October 2015.
    Shaolin Monks GBPhotos 37.jpg
  • Twenty Shaolin monks, from their  temple in the foothills of the Song Shang mountain range in China’s Henan province, take to the stage to demonstrate their martial arts expertise in an ‘awe-inspiring’ performance. SHAOLIN is a display of theatre and physical prowess in which the cast perform "superhuman" feats. The show combines traditional Shaolin Kung Fu, inch perfect choreography with dramatic lighting and sound that evokes the spirit of their tradition – their Temple being the birthplace of Kung Fu.  These are the very best Shaolin Kung Fu experts on the planet and they have come together to create this show. The Shaolin Monks are lifted aloft on sharpened spears, break marble slabs with their heads, perform handstands on two finger tips,splinter wooden staves with their bodies, break bricks on their heads and fly through the air in a series of incredible back flips. The show embarks upon a three-week run at The Peacock Theatre, London from 29 September – 17 October 2015.
    Shaolin Monks GBPhotos 34.jpg
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