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  • Maria Alyokhina from Pussy Riot in front of Pussy Icons 2013 by Lucy Djanyan  - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot in front of Dostoyevskiy, 2017, by Valsiliy Slonov  - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot with VDB PSRT 2012 by Artem Loskutov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Maria Alyokhina Pussy Riot Saatchi G...jpg
  • Maria Alyokhina from Pussy Riot - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 19.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 27.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 20.jpg
  • Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 45.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 42.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 41.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 40.jpg
  • Dostoyevskiy, 2017, by Valsiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 39.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 38.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 36.jpg
  • Islamic Project by the AES+F Collective - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 33.jpg
  • Mordov lag 2012 by Lusine Djanyan and Alexey Knedlyakovskij - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 32.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 30.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 28.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 26.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 25.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 22.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 20.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 17.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 15.jpg
  • Madonna 2013 - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 13.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 11.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 09.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 08.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 07.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 06.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 44.jpg
  • Mordov lag 2012 by Lusine Djanyan and Alexey Knedlyakovskij - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 43.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 37.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 35.jpg
  • History of Russia in Axes by Vasiliy Slonov with work by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 34.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 31.jpg
  • United States of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 23.jpg
  • United Kingdom of Serbia by Damir Muratov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 21.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 18.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 16.jpg
  • Pussy Icons 2013 by Lucy Djanyan - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 14.jpg
  • History of Russia in Axes by Vasiliy Slonov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 12.jpg
  • Madonna 2013 -Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 10.jpg
  • History of Russia in Axes by Vasiliy Slonov with works by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 05.jpg
  • Donbass Chocolate series by Arsen Savadov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 04.jpg
  • Works by Piotr Pavlensky - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 01.jpg
  • Works by Piotr Pavlensky - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 02.jpg
  • Donbass Chocolate series by Arsen Savadov - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 03.jpg
  • Public order, or riot, training takes place under realistic conditions, including stone, bottles and petrol bombs. All in a mock up urban landscape. Metropolitan Police Specialist Training Centre, Denton, <br />
Gravesend. <br />
Kent, UK. © Guy Bell Photography, GBPhotos
    Riot police training.jpg
  • History of Russia in Axes by Vasiliy Slonov with United States and United Kingdom of Serbia by Damir Muratov in the background - Art Riot: Post-Soviet Actionism, at the Saatchi Gallery: An exhibition dedicated to Post-Soviet protest art over the past 25 years it displays various genres of protest art, from posters and slogans to video art, staged photography and performances. It raises questions about artistic freedom, exploring what it means to be an artist in the Post-Soviet Union today. It is curated by Marat Guelman and presented by the Tsukanov Family.
    Art Riot Saatchi Gallery GBPhotos 24.jpg
  • Debenhams window stillawaits repair. Early tuesday evening is quiet near Clapham Junction allowing the clear up to continue and passers by to act as riot tourists. © Guy Bell Photography, GBPhotos
    London Riots damage.jpg
  • Pussy Riot argue with a fake Putin and then are interviewd by Charlotte Church on the top of an army lorry at the Park Stage. The 2015 Glastonbury Festival, Worthy Farm, Glastonbury.
    Glastonbury 2015 GBPhotos 050.jpg
  • Pussy Riot argue with a fake Putin and then are interviewd by Charlotte Church on the top of an army lorry at the Park Stage. The 2015 Glastonbury Festival, Worthy Farm, Glastonbury.
    Glastonbury 2015 GBPhotos 048.jpg
  • Pussy Riot argue with a fake Putin and then are interviewd by Charlotte Church on the top of an army lorry at the Park Stage. The 2015 Glastonbury Festival, Worthy Farm, Glastonbury.
    Glastonbury 2015 GBPhotos 047.jpg
  • The face of protest - Financial fools day in the City.  Protestors take to the streets and riot police are deployed near the Bank of England. © Guy Bell Photography, GBPhotos
    Friendly policing.jpg
  • A few scuffles break out  and a Starbucks is attacked outside the Israeli embassy at the end of a march in support of Palestine, london
    Anti Israel protest.jpg
  • Dexter Dalwood’s The Poll Tax Riots  - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 09.jpg
  • Dexter Dalwood’s The Poll Tax Riots  - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 10.jpg
  • Riot police pass by the Grenfell quiet area after the minutes silence - Notting Hill Carnival the annual event on the streets of the Royal Borough of Kensington and Chelsea, over the August bank holiday weekend. It is led by members of the British West Indian community, and attracts around one million people annually, making it one of the world's largest street festivals.
    Notting Hill Carnival GBPhotos 102.jpg
  • Riot police pass by the Grenfell quiet area after the minutes silence - Notting Hill Carnival the annual event on the streets of the Royal Borough of Kensington and Chelsea, over the August bank holiday weekend. It is led by members of the British West Indian community, and attracts around one million people annually, making it one of the world's largest street festivals.
    Notting Hill Carnival GBPhotos 103.jpg
  • Riot police are on standby but some still have time for friendly interaction - Notting Hill Carnival the annual event on the streets of the Royal Borough of Kensington and Chelsea, over the August bank holiday weekend. It is led by members of the British West Indian community, and attracts around one million people annually, making it one of the world's largest street festivals.
    Notting Hill Carnival GBPhotos 065.jpg
  • Riot police are on standby but some still have time for friendly interaction - Notting Hill Carnival the annual event on the streets of the Royal Borough of Kensington and Chelsea, over the August bank holiday weekend. It is led by members of the British West Indian community, and attracts around one million people annually, making it one of the world's largest street festivals.
    Notting Hill Carnival GBPhotos 064.jpg
  • Riot police are on standby but some still have time for friendly interaction - Notting Hill Carnival the annual event on the streets of the Royal Borough of Kensington and Chelsea, over the August bank holiday weekend. It is led by members of the British West Indian community, and attracts around one million people annually, making it one of the world's largest street festivals.
    Notting Hill Carnival GBPhotos 063.jpg
  • Riot police with dogs and shields guard buckingham Place and Westminster - The Million Mask March - anti-establishment protesters in V for Vendetta-inspired Guy Fawkes masks march from Trafalgar Square to Parliament Square. It was organised by Anonymous, the anarchic ‘hacktivist’ network. The movement is also closely identified with the Occupy protests, Wikileaks, and the Arab Spring. The UK Anonymous website describes the march on Parliament as a “protest against austerity … the infringement of our rights … mass surveillance … war crimes … corrupt politicians.” 05 Nov 2016
    Million Mask March GBPhotos 33.jpg
  • Riot police with dogs and shields guard buckingham Place and Westminster - The Million Mask March - anti-establishment protesters in V for Vendetta-inspired Guy Fawkes masks march from Trafalgar Square to Parliament Square. It was organised by Anonymous, the anarchic ‘hacktivist’ network. The movement is also closely identified with the Occupy protests, Wikileaks, and the Arab Spring. The UK Anonymous website describes the march on Parliament as a “protest against austerity … the infringement of our rights … mass surveillance … war crimes … corrupt politicians.” 05 Nov 2016
    Million Mask March GBPhotos 32.jpg
  • Riot police with dogs and shields guard buckingham Place and Westminster - The Million Mask March - anti-establishment protesters in V for Vendetta-inspired Guy Fawkes masks march from Trafalgar Square to Parliament Square. It was organised by Anonymous, the anarchic ‘hacktivist’ network. The movement is also closely identified with the Occupy protests, Wikileaks, and the Arab Spring. The UK Anonymous website describes the march on Parliament as a “protest against austerity … the infringement of our rights … mass surveillance … war crimes … corrupt politicians.” 05 Nov 2016
    Million Mask March GBPhotos 31.jpg
  • Riot police reserves arrive in teh centre - Crowds flock to see the 50th Notting hill carnival on Bank Holiday Monday.
    Notting Hill Carnival GBPhotos 83.jpg
  • Riot police guard a Casino on the route - A student march against fees and many other issues starts in Malet Street and heads for Westminster via the West End.
    Student Protest March GBPhotos 24.jpg
  • London Protests - Protesters gather in Trafalgar Square to highlight the ongoing problems between Israel and Palestine.  They then marched to the Israeli Embassy where scuffles broke out with riot police. Guy Bell
    London Palestine Protests.jpg
  • A student protest takes place on the day parliament votes on increasing tuitiion fees. It starts off peacefully in Trafalgar square but once the, several thousand strong, crowd is kettled in parliament square, then skuffles break out and riot police and horses are deployed.
    We didnt vote for this Students prot...jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 26.jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 30.jpg
  • Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 29.jpg
  • Jeremy Deller, The Battle of Orgreave Archive (an injury to one is an injury to all), 2001 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 27.jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 25.jpg
  • Dexter Dalwood, The Deluge, 2006 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 23.jpg
  • Francis Danby, The Deluge, 1840 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 21.jpg
  • Jeremy Deller, The Battle of Orgreave Archive (an injury to one is an injury to all), 2001 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 20.jpg
  • Jeremy Deller, The Battle of Orgreave Archive (an injury to one is an injury to all), 2001 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 18.jpg
  • James Barry, King Lear weeping over the dead body of Cordelia, 1786 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 17.jpg
  • James Barry, King Lear weeping over the dead body of Cordelia, 1786 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 16.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 15.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 14.jpg
  • Jeremy Deller - the History of the World 1997-2004 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 11.jpg
  • Philip James de Loutherbourg’s The Battle of the Nile 1800 with Malcolm Morley’s Trafalgar – Waterloo 2013 - Fighting History, an exhibition celebrating the enduring significance and emotional power of British history painting at the Tate Britain. The exhibition looks at how artists have transformed significant events into paintings that encourage us to reflect on our own place in history. The works in the show range from huge oil paintings from the 18th century to a recent work by Malcolm Morley which includes a canon from HMS Victory protruding from the canvas. Highlights include: John Singleton Copley’s The Death of Major Peirson, 6 January 1781 1783, a dramatic battle scene which is approximately 4 metres wide by 3 metres high; Dexter Dalwood’s famous work The Poll Tax Riots 2005 which shows a sea of angry protesters surging down Whitehall towards Big Ben; Allen Jones’ The Battle of Hastings 1961-2 juxtaposed with Philip James de Loutherbourg’s The Battle of the Nile 1800; Malcolm Morley’s Trafalgar – Waterloo 2013, a large triptych depicting Admiral Lord Nelson and the Duke of Wellington separated by a 3D cannon from the HMS Victory in the central panel. Fighting History is at Tate Britain from 9 June to 13 September 2015.
    Tate Fighting History GBPhotos 08.jpg
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